[{"id":12264,"date":"2026-09-24T07:55:00","date_gmt":"2026-09-24T11:55:00","guid":{"rendered":"https:\/\/chinabooksreview.com\/?p=12264"},"modified":"2026-09-23T09:48:42","modified_gmt":"2026-09-23T13:48:42","slug":"inside-the-camps","status":"publish","type":"post","link":"https:\/\/chinabooksreview.com\/2026\/09\/24\/inside-the-camps\/","title":{"rendered":"Inside the Camps"},"content":{"rendered":"\n<p class=\"has-medium-font-size wp-block-paragraph\"><em><strong>Ed: <\/strong>Below is an adapted excerpt from Orville Schell\u2019s new book <a href=\"https:\/\/cup.columbia.edu\/book\/inside-chinas-secret-prisons\/9780231221146\/\">Inside China&#8217;s Secret Prisons: An Undercover Expos\u00e9 and Its Lasting Legacy<\/a> (Columbia University Press, September 2026). The book revisits a 1991 investigation into China\u2019s reform-through-labor camps (\u52b3\u6539\u961f) for the CBS 60 Minutes documentary \u201c<a href=\"https:\/\/www.cbsnews.com\/video\/made-in-chinese-labor-camps-1991-60-minutes-archive\/\">Made In China<\/a>,\u201d and explores how similar camps still exist today, notably in Xinjiang.<\/em><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">In 2021, just after the death of my wife, Baifang, I was looking through some boxes of old papers when I chanced upon a yellowing manuscript. As I began leafing through it, I immediately recognized it as the long-form piece I had written for <em>The New Yorker<\/em>, for which I was China correspondent from 1975 into the mid-1990s. The manuscript chronicled a project I had worked on for nearly a year with an investigative team from the CBS News program <em>60 Minutes <\/em>and Wu Hongda (Harry Wu), who had himself been imprisoned in this system for 19 years. Our assignment had been to document the prison camp system that arced across the People\u2019s Republic of China (PRC), held many political prisoners and was reported to be illegally exporting goods made in prison factories with forced labor into the United States.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Uncovering this relic from three decades ago made me feel a little like an archaeologist stumbling on an ancient text hidden in a long-sealed tomb. The article was drawn from a journal I had kept throughout the nine-month <em>60 Minutes<\/em> investigation into China\u2019s vast \u201creform-through-labor camp,\u201d or <em>laogai<\/em>, system (\u52b3\u6539\u961f\u7cfb\u7edf) that was <a href=\"https:\/\/www.youtube.com\/watch?v=_f84IeWNMWI\">aired<\/a> by CBS in the fall of 1991.<\/p>\n\n\n\n<div id=\"single-book-block_16009dad5097bad8822f437f46618405\" class=\"single-book-block alignright\">\n\n\n\n\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/cup.columbia.edu\/book\/inside-chinas-secret-prisons\/9780231565813\/\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/03\/51g6sFeqXKL.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/Inside-Chinas-Secret-Prisons-Undercover\/dp\/0231221142\/?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\t\t\t\t\n\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">After the broadcast, I had set to work writing a narrative piece for <em>The New Yorker<\/em> about this dangerous and exciting but often hair-raising investigation. However, it was not until after the magazine had edited my draft that I fully came to my senses and realized that identifying myself so closely with this cloak-and-dagger investigation drawing back the veil on China\u2019s prison and forced labor systems would provoke the wrath of the Chinese Communist Party (CCP). Fearful of the consequences not only for my own career as a China writer but also for the future of my Chinese-born wife, her Beijing-based parents and our many friends still living in China, I decided, after much agonizing, to withdraw the piece from publication.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">When I first rediscovered this lost-and-found manuscript, I expected to quickly conclude that after three decades, its shelf life would have long since expired. However, as I began leafing through its pages, several things surprised me. First, the saga still made for a really exciting story. Second, because a new global debate over yet another generation of goods made with forced labor had erupted in the United States, the issue of prison labor was more relevant than ever. This was especially true of goods made in China\u2019s westernmost region, Xinjiang, which had a land mass four times the size of California and was home to an estimated 12 million Uyghur Muslims. Now thousands of them were reported to be under detention in a newly built network of high-tech prison camps, many of which had attached production facilities. These new camps had engendered a whole new wave of antagonism over the still divisive issue of prison labor and were once again bedeviling U.S.-China relations.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Thirty years ago, I had considered following the Czechslovakian President Vaclav Havel\u2019s admonition to speak truth to power, publishing this piece on China\u2019s reform-through-labor camp system as planned, and letting the devil take the hindmost. However, in the end, the downside risk loomed so large that I yielded. Now, however, the situation had changed. My life\u2019s partner was gone, so I no longer needed to worry about her welfare. Her parents still live in Beijing, but they were so elderly the Party did not care about them. Being older myself, I no longer needed to be so concerned about having my own career damaged. And since my children were now grown, I did not need to be so mindful of maintaining a connection to their mother\u2019s birthplace for them. So, even if it meant banishment forever, I decided to go ahead.<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>A new global debate over yet another generation of goods made with forced labor had erupted in the United States.<\/p><\/blockquote><\/figure>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">China\u2019s prison camp system was made up of a bewildering archipelago of penal facilities at almost every level of government in every part of the country. They included ordinary jails (\u76d1\u72f1), administrative detention centers (\u62d8\u7559\u6240), general detention centers (\u770b\u5b88\u6240), Central Commission for Discipline Inspection detention centers (\u7559\u7f6e\u6240), reform-through-labor detachments (\u52b3\u52a8\u6539\u9020\u961f), and reeducation-through-labor detachments (\u52b3\u52a8\u6559\u517b\u961f) [technically abolished in 2013], to name only some of the major categories of prisons that the Party maintained for people it viewed as social and political malefactors.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ab6006bb48c2&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ab6006bb48c2\" class=\"wp-block-image alignleft size-full is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"750\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-7.jpeg\" alt=\"\" class=\"wp-image-12266\" style=\"width:400px\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-7.jpeg 1000w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-7-600x450.jpeg 600w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-7-768x576.jpeg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">The Shayang Re-education Through Labor camp in Hubei province. <em>(<\/em><a href=\"https:\/\/web.archive.org\/web\/20161231192148\/http:\/\/www.laogaimuseum.org\/\"><em>Laogai Museum<\/em><\/a><em>)<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In the reform-through-labor universe, there was one last murky category known as \u201cforced job placement\u201d (\u7559\u573a\u5c31\u4e1a), a term used for inmates who had finished their formal reform-through-labor sentences but no longer had homes to return to because they had been imprisoned for so long, their families and friends had renounced them, forgotten them or died. With no place to go, these inmates were allowed to continue working in their old prison camp enterprises as poorly paid laborers, but to live on the outside.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Although China\u2019s laogai system had been borrowed from Stalin, it also had its own Chinese characteristics that distinguished it from its Soviet counterpart. One element that made it unique was the way it combined punishment with both \u201cthought reform\u201d (\u601d\u60f3\u6539\u9020) and \u201clabor reform\u201d (\u52b3\u52a8\u6539\u9020). A Peking University publication I found at UC Berkeley explained the logic of combining forced labor with thought reform: \u201cExcept for those who must be exterminated physically due to political considerations, human beings must be utilized as a productive force with submissiveness as a prerequisite.\u201d It went on to note that \u201cthe fundamental policy is: Forced labor is the means, while thought reform is the basic aim.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In other words, forced labor and thought reform \u2014 more commonly referred to in the United States as \u201cbrainwashing (\u6d17\u8111)\u201d \u2014 formed a kind of <em>yin<\/em> and <em>yang<\/em> relationship with each other. They were complementary processes designed to collectively purge a prisoner \u2014 whether a criminal or political prisoner \u2014 of whatever wrong behavior or \u201cincorrect political thinking\u201d they were seen as being afflicted by. The practice of brainwashing was perfected early in Mao\u2019s revolution as a companion therapy for political miscreants who stubbornly resisted the tonic effects of imprisonment and forced labor and therefore required an even deeper \u201crectification of thought\u201d (\u601d\u60f3\u6574\u987f).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A criminal reform handbook issued by the Ministry of Justice in 1988 explained the rationale for forced labor this way: \u201cThe [prison] system organizes criminals in labor and production, thus creating wealth for society.\u201d Then, it noted that by \u201crepresenting the working class and the working people of our country,\u201d China\u2019s reform-through-labor system \u201cexercises dictatorship over a minority of elements who are hostile to socialism, thus safeguard[ing] our socialist system.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>China\u2019s prison camp system was made up of a bewildering archipelago of penal facilities at almost every level of government in every part of the country.<\/p><\/blockquote><\/figure>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">The reform-through-labor system underwent some reassessment in the early 1980s, when leaders like Xi Jinping\u2019s own father, Xi Zhongxun, a revolutionary veteran, was brought out of political exile to help revive the National People\u2019s Congress in the wake of the Cultural Revolution. In 1981, Xi Zhongxun was put in charge of the Congress\u2019s Legislative Committee, where one of his assignments was to look at the institutions of China\u2019s reform-through-labor system, the very system in which he himself had been imprisoned.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Xi Zhongxun\u2019s take was somewhat surprising. He concluded that while many laogai inmates might have done some wrong things, many were also victims of what he called \u201cleftover poisons\u201d from the Anti-Rightist Campaign, the Great Leap Forward and the Cultural Revolution, when those in charge of the camps had prioritized force and abusive tactics over the rights of inmates. A subsequent Ministry of Public Security conference on the laogai<em> <\/em>system called for a new policy that would include a modicum of \u201crevolutionary humanism,\u201d even going so far as to speak of the need for leaders to run camps more \u201clike parents treating a sick child rather than disciplining unruly students.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">While Xi abjured from totally rejecting the notion of reform-through-labor, in one speech he observed: \u201cAfter prisoners are sentenced and they are laboring at a laogai facility, if you do not treat them as people, if you abuse and humiliate them, or even engage in a fascist dictatorship, wouldn\u2019t that also be the influence of leftism?\u201d \u201cLeftism\u201d and \u201crightism\u201d were two erroneous, if nebulous, tendencies that kept manifesting themselves in Party history, causing many to be grievously punished.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Implementing a rule of law did make some halting progress in China during the 1980s. However, the laogai<em> <\/em>system continued unchecked. Moreover, many of the reforms that were implemented were set back by the political crackdown that followed the Beijing Massacre in 1989. The ensuing retrenchment not only served as the death knell for more meaningful political reforms but gave hard-line conservative veterans in the Party cause to insist that the laogai system still had utility and should remain.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ab6006bb4f5c&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ab6006bb4f5c\" class=\"wp-block-image alignright size-large is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1552\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-8-1200x1552.jpeg\" alt=\"\" class=\"wp-image-12267\" style=\"width:300px\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-8-1200x1552.jpeg 1200w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-8-600x776.jpeg 600w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-8-768x994.jpeg 768w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-8-773x1000.jpeg 773w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-8-1546x2000.jpeg 1546w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-8-1187x1536.jpeg 1187w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-8.jpeg 1583w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">A 1991 Human Rights Watch <a href=\"https:\/\/www.hrw.org\/reports\/pdfs\/c\/china\/china914.pdf\">report<\/a>, \u201cPrison Labor in China.\u201d<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">I vividly recall coming upon my first prison camp in China, on a trip I had made to Qinghai province in 1981. As part of his \u201creform and opening\u201d agenda, paramount leader Deng Xiaoping began opening up many long-closed Tibetan ethnic areas to foreign mountaineering and trekking groups as a way of earning much-needed foreign currency. Since I had always been interested in China\u2019s historically fraught ethnically Tibetan region, I joined an expedition attempting to summit Qinghai\u2019s 20,610-foot-high Mt. Amne Machin (\u963f\u5c3c\u739b\u537f\u5c71), one of the few remaining peaks of consequence on the planet that was still unclimbed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">During our weeks in Qinghai, we drove for days on arrow-straight dirt roads that lanced across vast expanses of alpine grasslands and deserts sparsely inhabited only by pastoral Golok nomads. Never had I seen a more desolate but also strangely beautiful landscape. The starkness of Qinghai\u2019s treeless mountains, barren grasslands and endless deserts marked the province as a place of fathomless remoteness, emptiness and isolation. It was precisely these qualities that made it a perfect place for prison camps. Even if an inmate somehow managed to escape the confines of a prison, it was all but impossible to escape the hostile surrounding wilderness. So, like Xinjiang, Qinghai became a favored place to send ideological criminals with long sentences. Soon prisons became one of the province\u2019s most important industries.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">We had been driving across a vast flat stretch of grassland when the outlines of a fortress-like rampart rose on the horizon before us like a distant ship on a calm sea. Only as we drew nearer did I see that it was, in fact, a compound ringed by stamped-earth walls, fringed with barbed wire and turreted guard towers. As we passed, a long file of prisoners with shaved heads and wearing faded blue uniforms appeared trudging down the road. When I asked our Chinese Mountaineering Association guide if they came from a nearby reform-through-labor camp, he just squeezed his eyes closed and shook his head, as if such a question was too forbidden to be addressed openly to a foreigner.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 1991, Human Rights Watch (HRW) released a <a href=\"https:\/\/www.hrw.org\/reports\/pdfs\/c\/china\/china914.pdf\">report<\/a>, \u201cPrison Labor in China,\u201d that should have ended all debate as to whether Chinese prisons factories and farms sought to sell goods and commodities produced with forced labor on global markets. HRW researchers had gained access to a restricted-circulation journal published for Chinese prison officials that, in the most upbeat language imaginable, extolled China\u2019s prisons as playing a key role in a burgeoning export drive. Ding Banghua, an official in a provincial prison bureau, was even quoted as raising the question of whether reform-through-labor enterprises could and should develop \u201ca foreign-oriented economy.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe answer must be affirmative,\u201d Ding jauntily responded. \u201cSome enterprises have already done so with flying colors,\u201d he continued. \u201cAfter 30 years and more of hardship getting started and vigorous development, labor reform enterprises throughout the country have great potential for \u2026 earning foreign exchange.\u201d Then Ding candidly acknowledged that \u201cnearly every province has its own sizable community of labor-reform enterprises.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Despite such brazen official self-admissions, Chinese officials still regularly insisted that goods made with forced labor were not being exported to the United States.<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>I vividly recall coming upon my first prison camp in China, on a trip I had made to Qinghai province in 198.<\/p><\/blockquote><\/figure>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">After almost a year of work, our <em>60 Minutes<\/em> \u201cMade in China\u201d segment aired on CBS in the fall of 1991. <em>Newsweek<\/em> ran a cover story; <em>The Washington Post<\/em>, <em>Business Week<\/em>, <em>The World Journal<\/em>, the BBC, <em>Voice of America<\/em> and many other media outlets extensively covered the story. Senate Majority Leader George Mitchell asked for a meeting, and a congressional committee announced its intention to hold hearings on products made with prison labor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Beijing\u2019s reaction to having its darkest interstices exposed by an American television network was predictable. Wu Jianmin, China\u2019s Foreign Ministry spokesman, charged <em>60 Minutes<\/em> with having \u201cconfounded black and white\u201d and attacked the program as \u201cnotorious for vilifying China\u201d and for revealing its \u201cextreme hatred for the social system which the Chinese people have chosen.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed alignright is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Made in Chinese labor camps | 60 Minutes Archive\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/_f84IeWNMWI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Watch the <em>60 Minutes<\/em> documentary in full (15min).<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Despite Beijing\u2019s criticisms, the program went on to win an Emmy, an Alfred I. duPont\u2013Columbia University Silver Baton award and other plaudits. However, despite all the publicity the program generated, Beijing was still granted unconditional Most-Favored-Nation (MFN) trade status. Evidently many in Washington, including President George H.W. Bush, continued hoping that more engagement would somehow encourage China\u2019s leaders into accepting a closer and more open relationship with the United States and the world. Soon the Clinton administration, which came into office in 1993, was paving the way for China to be admitted into the World Trade Organization as well. In a 2000 <a href=\"https:\/\/www.iatp.org\/sites\/default\/files\/Full_Text_of_Clintons_Speech_on_China_Trade_Bi.htm\">speech<\/a>, President Clinton himself justified U.S. support:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Membership in the W.T.O., of course, will not create a free society in China overnight or guarantee that China will play by global rules. But over time, I believe it will move China faster and further in the right direction, and certainly will do that more than rejection would. \u2026 So if you believe in a future of greater openness and freedom for the people of China, you ought to be for this agreement.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">In the 1990s, despite their two very different political systems, the United States and China continued to seek ways to coexist and avoid conflict. Things were not perfect, but despite all the points of divergence \u2014 ideology, political imprisonment, dumping, intellectual property theft, Taiwan \u2014 it was still possible to imagine that increased interaction might lead to greater convergence. Even in the wake of the 1989 Beijing Massacre, when all seemed lost, Deng Xiaoping and then CCP General Secretary Jiang Zemin succeeded in managing the U.S.-China relationship in ways that enabled both sides to remain hopeful that certain aspects of \u201creform and opening\u201d might continue to haltingly help improve rather than deteriorate U.S.-China relations. As late as 2009, such efforts enabled President Barack Obama to hope, \u201cThe rise of a strong, prosperous China can be a source of strength for the community of nations.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">However, as China fell under the sway of Xi Jinping\u2019s leadership in 2012, his devotion to a Leninist political model for China and to an increasingly hostile Cold War-like vision of U.S.-China relations rendered Obama\u2019s hope more and more a pipe dream. It became increasingly clear, at least to me, that a society that had undergone a revolutionary upheaval as deep, long, and violent as China\u2019s could not expect to easily escape the enduring influences of that experience. Even when a visionary pragmatist like Deng Xiaoping mounted the political stage, waved his figurative wand of reform, and proclaimed a bold new societal direction, the gravity of Mao\u2019s revolutionary past remained inescapable. China under Xi, like Russia under Putin, was a living demonstration of how difficult it can be for countries and their societies to escape their pasts. \u201cWhat\u2019s past is prologue,\u201d Shakespeare famously proclaimed. China\u2019s past and its deeply rooted system of authoritarian rule seemed unlikely to be eclipsed anytime soon.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nonetheless, Westerners were drawn to the promise that \u201cpeaceful evolution\u201d (\u548c\u5e73\u6f14\u53d8) offered the prospect of a slow and nonviolent transition from the past to a different and less tumultuous present and future for China. However, Xi Jinping did not share that fantasy. For him, \u201cpeaceful evolution\u201d implied not a gradual and pacific passage to a more stable and open future, but the dismantling of China\u2019s one-party state and the end of the CCP\u2019s unilateral rule. This scenario was exactly what Xi viewed as having led to the catastrophic downfall of the Soviet Union in 1991, and he was not about to preside over a similar self-immolation of his own centralized autocratic control. As good Leninists in China were coming to recognize, Deng Xiaoping\u2019s policies of \u201creform and opening,\u201d if left unchecked, would lead not just to a form of \u201cpeaceful evolution\u201d but to the demise of the CCP and the PRC, just as glasnost and perestroika had ineluctably led to the demise of the CPSU and the USSR.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As a result, Xi eschewed reform and instead moved to strengthen the CCP. An important piece of his Party-strengthening agenda was not only keeping its penal institutions and reform-through-labor system functional, but strengthening them with the latest technologies. Never again would the Party allow the social latitude to roam unmonitored around the countryside exposing the darkest side of what Xi had come to call \u201cthe China story (\u4e2d\u56fd\u6545\u4e8b).\u201d Nowhere in China was the reimposition of Party mechanisms and updated forms of imprisonment more in evidence than in Xinjiang.<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>In the 1990s, despite their two very different political systems, the United States and China continued to seek ways to coexist and avoid conflict.<\/p><\/blockquote><\/figure>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">After three decades of hoping, perhaps naively, that China might somehow permanently temper its revolutionary past, as I reread my <em>New Yorker<\/em> manuscript, I found myself still confronting as a China scholar the questions of political imprisonment and forced labor that, once again, had started bedeviling China\u2019s relations with democratic countries.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">However, making matters more complicated was the reality that during the glory days of \u201cengagement\u201d and the reckless adoption of globalization as a win-win strategy, these very democracies had become so dependent on supply chains \u201ccoupling\u201d them to China that \u201cdecoupling\u201d \u2014 because of prison labor or other thorny political issues \u2014&nbsp;was no longer an easy matter. Making the situation even more intractable was the reality that some of the natural resources and manufactured goods supply chains that China controlled, and that we and other countries needed most, were now enmeshed with prison and forced labor issues, especially in Xinjiang. Polysilicon, photovoltaic cells, solar panels, batteries, electric vehicles, wind generators, cotton goods and critical minerals were all commodities that China had a lock on but the rest of the world urgently needed.<\/p>\n\n\n\n<figure class=\"wp-block-image alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"404\" height=\"242\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-6.jpeg\" alt=\"\" class=\"wp-image-12265\" style=\"width:400px\"\/><figcaption class=\"wp-element-caption\">Detainees listening to speeches in an internment camp in Xinjiang, April 2017. (\u7259\u751f)<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Xinjiang\u2019s sandy deserts provided more than 45% of the world\u2019s solar-grade silicon, and more than 92% of solar cell manufacturing was being done in China. Seven of the world\u2019s top ten solar panel producers were now based in Xinjiang, giving China a choke hold over the global supply chain. And China had acquired several other choke holds over critical renewable energy sources, technologies, rare earths and critical minerals on which Beijing leaders had a near monopoly. This created choke points that both sides could use as political levers in what became an increasingly punitive struggle as the worlds of competitive global trade and radically differing political ideologies and systems collided.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In our own <em>60 Minutes<\/em> investigation, we had discovered how tanned yak hides sourced in Qinghai province were first sent to Hong Kong before being transshipped to Korea and turned into finished goods there, entitling them to be marketed in the United States with \u201cMade in Korea\u201d labels. Now the Chinese government was engaging in a new kind of subterfuge to thwart foreign efforts to block such goods from entering their countries.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 2024, the European Union passed legislation designed to block goods made with forced labor in China from entering EU markets. However, in recognition of how difficult it would be for businesses to comply with the law, it delayed implementation until 2027. Even if some new sophisticated forms of detection were developed by then, Chinese officials would most certainly push back with the kinds of denials and disavowals offered up in 1991 by the vice minister of the Ministry of Foreign Economic Relations, Tong Zhiguang, when he was grilled by Ed Bradley on <em>60 Minutes<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">By 2026 so much had changed since our <em>60 Minutes<\/em> program aired, one might have expected that China\u2019s Leninist system, too, would have undergone a metamorphosis. But the assumption, or hope, that China\u2019s \u201cdictatorship of the proletariat\u201d would somehow be politically transformed by the Party\u2019s own regimen of \u201creform and opening\u201d had turned out to be overly optimistic. So, starry-eyed liberal Westerners may be forgiven for feeling disappointed. After all, we were inclined to believe that history had a felicitous direction. Had not Martin Luther King, Jr. oracularly <a href=\"https:\/\/kinginstitute.stanford.edu\/our-god-marching\">proclaimed<\/a>: \u201cThe arc of the moral universe is long, but it bends toward justice\u201d?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Such hopes grew out of the work of people like the 19th-century German philosopher Georg Wilhelm Friedrich Hegel, who believed that history had a teleology, an understandable direction. In his view, history would inevitably bring about a gradual realization of greater freedom as the World Spirit (<em>Weltgeist<\/em>) did its dialectical dance through time. Karl Marx not only borrowed Hegel\u2019s assumption, but went one better. He proclaimed that history\u2019s dialectical march forward was a form of \u201chistorical determinism\u201d that would ultimately, and inevitably, bring about communism. Americans, well-known for both their optimism and naivete, borrowed elements of both of these rather Pollyannaish views of history to allow themselves to imagine that history\u2019s development through time was a form of ineluctable progress. President Bill Clinton liked to proclaim that the United States was on \u201cthe right side of history,\u201d as if he, on behalf of America, had divined its direction. It was a nice dream \u2014 but only for those not accustomed to nightmares. \u220e<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Excerpted from <em>China&#8217;s Secret Prisons<\/em> by Orville Schell \u00a9 2026 Columbia University Press. Used by arrangement with the Publisher. All rights reserved.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:20% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2023\/08\/orville-schell.png\" alt=\"\" class=\"wp-image-902 size-full\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2023\/08\/orville-schell.png 200w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2023\/08\/orville-schell-150x150.png 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\">Orville Schell is the Arthur Ross Director of the <a href=\"https:\/\/asiasociety.org\/center-us-china-relations\">Center on U.S.-China Relations<\/a> at Asia Society, and co-publisher of the <em>China Books Review<\/em>. He is a former Professor and Dean at the University of California, Berkeley, and author of over ten books about China. He is a regular contributor to <em>The New York Review of Books<\/em>, <em>The New Yorker<\/em>, <em>Foreign Affairs<\/em> and other publications, and has traveled widely in China since the 1970s.<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>In 1991, a CBS investigation into China\u2019s reform-through-labor camps shocked the world, exposing how prison-made goods were being exported to the U.S. Three decades later, camps like it still exist.<\/p>\n","protected":false},"author":11,"featured_media":12270,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10],"topic":[18,17],"class_list":["post-12264","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-excerpt","topic-history","topic-politics"],"acf":[],"yoast_head":"<title>Inside the Camps | China Books Review<\/title>\n<meta name=\"description\" content=\"In 1991, a 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yo"}]}},"_links":{"self":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts\/12264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/comments?post=12264"}],"version-history":[{"count":14,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts\/12264\/revisions"}],"predecessor-version":[{"id":12286,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts\/12264\/revisions\/12286"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/media\/12270"}],"wp:attachment":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/media?parent=12264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/categories?post=12264"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/topic?post=12264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":12242,"date":"2026-09-22T07:55:00","date_gmt":"2026-09-22T11:55:00","guid":{"rendered":"https:\/\/chinabooksreview.com\/?p=12242"},"modified":"2026-09-23T10:29:46","modified_gmt":"2026-09-23T14:29:46","slug":"wcr-awards","status":"publish","type":"post","link":"https:\/\/chinabooksreview.com\/2026\/09\/22\/wcr-awards\/","title":{"rendered":"What China\u2019s Reading: Outside the Awards"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\">It\u2019s awards season in the Chinese literary world. The Blancpain-Imaginist Literary Prize released its <a href=\"https:\/\/www.ilixiangguo.com\/literary.html\">longlist<\/a> in early August, with 18 titles published over the past 12 months contending for one of mainland China\u2019s most influential literary prizes. (Three of the nominees \u2014 <em>Phoenix Seeds, Crossings <\/em>and <em>Wind and Rain<\/em> \u2014&nbsp;were previously <a href=\"https:\/\/chinabooksreview.com\/2026\/06\/23\/wcr-strange\/\">recommended<\/a> by this column.) In late August, the Lu Xun Literary Award <a href=\"https:\/\/www.sohu.com\/a\/1060586200_121106832\">announced<\/a> its winners. The ceremony opened with a lengthy video commemorating Lu Xun, the father of modern Chinese literature, who has become a \u201ccute Communist mascot\u201d <a href=\"https:\/\/www.nytimes.com\/2026\/04\/11\/world\/asia\/lu-xun-chinese-writer-communist-mascot.html\">according<\/a> to <em>The New York Times<\/em>; merch that replicated his famous burgundy knit vest went viral among younder audiences following last year\u2019s Shanghai Book Fair.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Awards are vital in publishing: they boost domestic sales and serve as literary quality control for international acquisition. While we applaud the deserved recognition of great works, many exceptional books also slip through the cracks. In this column, I\u2019m recommending five titles that have yet to receive any formal recognition from major awards in China: a novel about lost friendship and idealism by a veteran writer hailed as the voice of her generation; a serialized internet novel republished as a trilogy about women wielding power in high fashion; a short story collection about women grappling with their father\u2019s Alzheimer&#8217;s and Kung Fu masters; a journalist\u2019s book of reportage on how Germany reckons with its difficult past; and a claustrophobic short story collection portraying dark academia. Happy reading!<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div id=\"vertical-book-list-block_2bf71df859140c7e637583429786c69b\" class=\"vertical-book-list-block show-numbers\">\n\n\n\n\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/book.douban.com\/subject\/38367806\/\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/s35475691.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/dp\/B0H3673MBT\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/book.douban.com\/subject\/38367806\/\">Ethereal Bonds That Never End<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4>\u6c38\u7ed3\u65e0\u60c5\u6e38<\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Zhou Jianing \u5468\u5609\u5b81<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tMay 1, 2026\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>People\u2019s Literature Publishing House<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p>Born and raised in Shanghai, Zhou Jianing published her first novel at 19 and has since become one of the most influential voices of the post-80s generation, penning over 10 novels and story collections. Known for her introspective, sometimes passive, characters, Zhou has turned her gaze outward in her recent work. Now, her characters use inertia to resist the oppressive, materialistic milieu around them. <em>Ethereal Bonds That Never End<\/em> is her most successful attempt yet. After losing touch with her best friend from high school, a woman reflects on a failed education experiment she participated in in the early 1990s. A loose pattern of lost youth, thwarted idealism and broken friendships emerges. Spanning the 1990s to the end of the pandemic, this slim, taut novel is steeped in Zhou\u2019s signature clarity and ennui, and serves as a therapeutic read for those looking to better understand China\u2019s Lost Generation.<\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/book.douban.com\/subject\/38241364\/\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/s35568383.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.taobao.com\/list\/item\/aE5tR3dOZnFwQ2FkRXBEWERmSEo5dz09.htm?spm=a21wu.24122187\/default.recommend-goods.5\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/book.douban.com\/subject\/38241364\/\">LINO<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4>\u96f6\u8bfa<\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Xing Yanyan \u884c\u70df\u70df<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tJuly 1, 2026\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>CITIC Press Group<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p>Imagine <em>Succession<\/em> meets <em>The Good Wife<\/em>, set in contemporary China\u2019s fiercely competitive fashion industry. The trilogy of novels <em>LINO<\/em> follows three strong-willed women from three generations as they navigate careers at LINO Fashion, a Chinese conglomerate. Song Lingnuo is a recent graduate, hard up financially and desperate to keep her job in a stagnant economy. Shi Jin, in a bid to prove herself, switches departments, only to find her new boss behaving inappropriately toward her. Ji Xia, in her late forties, leaves a senior position at an international brand to launch her own consultancy. What ties these women together is their relentless drive, unapologetic ambition and unconventional views on relationships. While LINO is a fictional brand, the novel is so steeped in industry insider details that it could only have been written by a true veteran. Written under the pen name Xing Yanyan, the books were originally serialized on online literary forums and the author\u2019sWeChat blog. With solid characterization, efficient pacing and snappy dialogue, this hefty trilogy is a compulsive read you\u2019ll want to pass along to your friends the moment you finish it.<\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/book.douban.com\/subject\/38178826\/\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/s35403332.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/motatabooks.com\/products\/%E5%A5%B9%E5%92%8C%E5%A5%B9%E7%9A%84%E5a%86%B3%E5%BF%83\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/book.douban.com\/subject\/38178826\/\">She and Her Resolution<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4>\u5979\u548c\u5979\u7684\u51b3\u5fc3<\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Dong Lai \u4e1c\u6765<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tMarch 1, 2026\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>relire<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p>You may recognize Dong Lai\u2019s name from my last <a href=\"https:\/\/chinabooksreview.com\/2026\/06\/23\/wcr-strange\/\">column<\/a>, but this short story collection, published within a year of her debut novel <em>Phoenix Seeds<\/em>, marks a departure from her past work. Growing up, Dong was haunted by her female identity. Her family favored boys and she witnessed relatives trapped in unhappy marriages. She wrote from the male point of view as an escape, but upon turning 30 she chose to confront questions about marriage, motherhood and career. Her self-reflection inspired the six stories collected here, all featuring female protagonists. These women lead ordinary lives until circumstances catch them off guard. One is unexpectedly reunited with a younger sister given away at birth. Another tries to reconnect with her mother after her father\u2019s Alzheimer\u2019s diagnosis, only to discover the painful truth about her parents\u2019 emotionally estranged marriage. One story that stands out follows a young woman who becomes a kung fu master\u2019s disciple, an experience that leaves a lifelong impact. \u201cFear is an illusion,\u201d Dong writes in the afterword: the best way to defeat fear is to look it in the face and move on.<\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/book.douban.com\/subject\/38447083\/\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/s35497878.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/dp\/7513953201\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/book.douban.com\/subject\/38447083\/\">Another Country<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4>\u53e6\u4e00\u4e2a\u56fd\u5ea6<\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Yang Xiao \u6768\u6f47<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tJune 1, 2026\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>Imaginist<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p>In his latest nonfiction book, <em>Another Country<\/em>, acclaimed Chinese reporter Yang Xiao retraces his travels to Germany over the last 13 years in order to answer a central question: how do a country and its people reckon with a dark past, as well as their own role in it? During his visits in 2012, 2019 and 2024, Yang toured war museums, historical landmarks and Nazi concentration camp memorial sites across Germany, interviewing researchers, writers, curators and descendants of eyewitnesses. The more places he visited and people he spoke with, the more he realized that the 20th century is not over: we are still living in its fallout. Interweaving personal travelogue, testimonies, writers\u2019 reflections and academic research, the book unfolds like a well-paced documentary, following the author&#8217;s journey in rough chronological order while maintaining a clear thematic thread throughout. Yang is one of many Chinese journalists turning their gaze globally and contributing to China\u2019s booming travel-writing scene. One must wonder if his grappling with Germany\u2019s historical memory is an attempt to answer questions that are much closer to home, but not so easy to write about.<\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/book.douban.com\/subject\/37129110\/\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/s35087797.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/dp\/7559680631\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/book.douban.com\/subject\/37129110\/\">The Exquisite Pagoda<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4>\u73b2\u73d1\u5854<\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Su Zhenshu \u82cf\u6795\u4e66<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tMarch 1, 2025\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>Lucida<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p>The literary subgenre of dark academia has been all the rage in recent years. In this short story collection, it finds a new iteration that\u2019s quieter, yet no less dark. In Su Zhenshu\u2019s hands, dark academia is less about gothic aesthetics and obsession with knowledge than regimented social orders, entrenched sexism and power struggles. A historian by training based in Kyoto, Su is alert to the challenges faced by female intellectuals across time and place. Populating her first collection in 11 years is a cast of sidelined women: young researchers struggling to survive; a Qing dynasty female scholar with no outlet for her talent; a Kung Opera actress with no hope of advancement; and an overeducated female PhD stuck in a career limbo. The title is taken from a traditional tongue twister in which an old monk takes his disciples to admire the Exquisite Pagoda, counting all the way up to the 13th level. Suddenly, a fierce gust blows everything apart: the stars are scattered all over the sky, the monk and his disciples are gone, and the scriptures are torn apart \u2014 a fitting symbol for a book about a broken academic system and false hope. \u220e<\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\n\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:20% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2023\/10\/na-zhong.jpg\" alt=\"\" class=\"wp-image-1735 size-full\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2023\/10\/na-zhong.jpg 500w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2023\/10\/na-zhong-150x150.jpg 150w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2023\/10\/na-zhong-300x300.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\"><br>Hailing from Chengdu, Na Zhong is a New York-based fiction writer and literary translator. She is author of the novella <em><a href=\"https:\/\/asterismbooks.com\/product\/three\">Three<\/a><\/em> (2026). Her work has appeared in <em>Guernica<\/em>, <em>A Public Space<\/em>, <em>Lit Hub<\/em> and others. Na co-founded the bilingual creative community, <a href=\"https:\/\/accentaccent.com\/\">Accent Society<\/a>, and co-hosts the Mandarin literary podcast <a href=\"https:\/\/pod.link\/1504037049\">\u8df3\u5c9bFM<\/a>. Na is a\u00a02021-2022 Center for Fiction Emerging Writers Fellow, and a 2023 MacDowell Fellow.<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Five books from China that deserve more recognition, from an internet novel about the fashion industry to a star reporter\u2019s study of how Germany reckoned with its wartime past.<\/p>\n","protected":false},"author":11,"featured_media":12253,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7],"topic":[20],"class_list":["post-12242","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-book-list","topic-fiction"],"acf":[],"yoast_head":"<title>What China\u2019s Reading: Outside the Awards | China Books Review<\/title>\n<meta name=\"description\" content=\"We recommend five books from China that deserve more recognition, from an internet novel about the fashion industry to a star reporter\u2019s study of how Germany reckoned with its wartime past.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/chinabooksreview.com\/2026\/09\/22\/wcr-awards\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"What China\u2019s Reading: Outside the Awards | China Books Review\" \/>\n<meta property=\"og:description\" content=\"We recommend five books from China that deserve more recognition, from an internet novel about the fashion industry to a star reporter\u2019s study of how Germany reckoned with its wartime past.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/chinabooksreview.com\/2026\/09\/22\/wcr-awards\/\" \/>\n<meta property=\"og:site_name\" content=\"China Books Review\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-22T11:55:00+00:00\" 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yo"}]}},"_links":{"self":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts\/12242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/comments?post=12242"}],"version-history":[{"count":6,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts\/12242\/revisions"}],"predecessor-version":[{"id":12289,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts\/12242\/revisions\/12289"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/media\/12253"}],"wp:attachment":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/media?parent=12242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/categories?post=12242"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/topic?post=12242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":12197,"date":"2026-09-17T07:55:00","date_gmt":"2026-09-17T11:55:00","guid":{"rendered":"https:\/\/chinabooksreview.com\/?p=12197"},"modified":"2026-09-16T04:44:02","modified_gmt":"2026-09-16T08:44:02","slug":"africa-industrial-parks","status":"publish","type":"post","link":"https:\/\/chinabooksreview.com\/2026\/09\/17\/africa-industrial-parks\/","title":{"rendered":"China\u2019s Industrial Parks in Africa"},"content":{"rendered":"\n<p class=\"has-pale-gold-background-color has-background has-small-font-size wp-block-paragraph\"><strong>Reviewed:<\/strong><strong><br><\/strong><strong>\u2022 <\/strong><a href=\"https:\/\/www.ucpress.edu\/books\/immunity-on-trial\/paper\"><em>Immunity on Trial: Ethiopian Courts, Chinese Corporations, and Contestations over Sovereignty<\/em><\/a> by Miriam Driessen (University of California Press, February 2026).<br>\u2022 <a href=\"https:\/\/www.imdb.com\/title\/tt14122026\/\"><em>Made in Ethiopia<\/em><\/a>, dir. Max Duncan, Xinyan Yu (2024, streaming on <a href=\"https:\/\/www.pbs.org\/pov\/films\/madeinethiopia\/\">PBS<\/a>).<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">Early one morning in December 2023, I met a group of elite Ethiopian marathoners for a workout in southeast Addis Ababa. Our meeting point was an unlikely training ground: the Kilinto Special Economic Zone industrial park. At dawn, the roads inside the park were quiet. Security gates were closed, factory shifts had not yet begun, and the wide, paved streets \u2014 built for trucks transporting goods \u2014 were empty enough for runners to move freely. In a city where potholes and traffic make long-distance training difficult, the smooth pavement felt like a luxury.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The athletes have their own name for this training location: \u201cChina Camp.\u201d Kilinto is one of a network of industrial parks established by the Ethiopian government over the past decade, many of them built with Chinese investment in mind and operated through partnerships with Chinese firms. To the runners, the park is simply a place to log miles. But to workers, managers and government officials, it represents something much larger: Ethiopia\u2019s attempt to transform itself into a manufacturing hub in the global economy.<\/p>\n\n\n\n<div id=\"single-book-block_67ec2037f36f7f9b89bb5c9ee613b526\" class=\"single-book-block alignright\">\n\n\n\n\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.ucpress.edu\/books\/immunity-on-trial\/paper\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2025\/12\/91412DnQeEL._SL1500_-1.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/Immunity-Trial-Corporations-Contestations-Sovereignty\/dp\/0520421299?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\t\t\t\t\n\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">This attempt is at the center of anthropologist Miriam Driessen\u2019s new book <a href=\"https:\/\/www.ucpress.edu\/books\/immunity-on-trial\/paper\"><em>Immunity on Trial: Ethiopian Courts, Chinese Corporations, and Contestations over Sovereignty<\/em><\/a>, which examines an extraordinary wave of litigation brought by Ethiopian workers against Chinese companies. Through the story of these lawsuits, Driessen shows how special economic zones (SEZs)<strong> <\/strong>operate both territorially (in and around industrial parks) and legally (with Chinese individuals and firms seeking legal immunity in labor violations). These zones have become arenas where deeper questions about sovereignty, dignity and the meaning of development are contested.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ethiopia\u2019s ambitious strategy of export-oriented industrialization built around SEZs was, indeed, directly drawn from China\u2019s example. The most famous of these zones in China \u2014 which offer regulatory and logistical incentives designed to attract foreign manufacturers \u2014&nbsp;is Shenzhen, which had a population of just over 300,000 before becoming an SEZ in 1980. Today it has roughly 18 million residents and a similar GDP to Norway.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Given this success, it\u2019s no surprise that when China began to invest in Africa in the late 1990s and early 2000s, Beijing sought to form SEZs and other types of special zones,&nbsp;for which it supplied $170 billion in loans from 2000 to 2022. Here the Chinese could more seamlessly finance railways, dams and industrial parks intended to anchor export-oriented manufacturing. Supporters of this strategy, both domestic and international, saw the zones as engines of development. Critics worried they would create enclaves where labor protections and public accountability can be weakened. Driessen\u2019s ethnography suggests that the reality on the ground has been more complicated, showing how Chinese investment in Africa sought exceptions to normal diplomatic relations.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Immunity on Trial<\/em> begins with the court cases. Driessen, a lecturer at Oxford University, focuses on lawsuits filed by Ethiopian citizens against Chinese companies operating in and around the country\u2019s industrial parks. Many disputes originate in seemingly ordinary conflicts \u2014 workplace injuries, labor disputes or disagreements over contracts. Some are more harrowing, including manslaughter. Driessen opens her book with the story of Benli Li, a Chinese 26 year-old supervisor, who accidentally ran over an Ethiopian worker with a construction loader on a work site in 2016. Although Li was eventually sentenced to four years and five months in prison in 2018, his company had already bought him a plane ticket home, and he faced no real consequences.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ab6006bcdcba&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ab6006bcdcba\" class=\"wp-block-image alignleft size-full is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"500\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-4.jpeg\" alt=\"\" class=\"wp-image-12201\" style=\"width:400px\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-4.jpeg 750w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-4-600x400.jpeg 600w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">The Abay River Bridge on the Blue Nile in Bahirdar, Ethiopia, completed in 2023. <em>(<\/em><a href=\"https:\/\/en.ccccltd.cn\/xwzx\/ztbd\/202304\/t20230404_206173.html\"><em>\u4e2d\u56fd\u4ea4\u5efa<\/em><\/a><em>)<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Another case Driessen focuses on concerns an Ethiopian crane operator, Berihun, who worked for a Chinese state-owned enterprise building a bridge over the Abay or Blue Nile River. After challenging his supervisors about skimping on safety specifications (the Chinese were accused of using old concrete), Berihun was fired. He filed a complaint with Ethiopia\u2019s Bureau for Labor and Social Affairs, and eventually took the case to court. Like other plaintiffs, he framed his grievance not simply in legal or economic terms but through the language of dignity \u2014 <em>kibir<\/em> in Amharic. Berihun felt a sense of pride in the bridge, which was being constructed in his hometown of Bahir Dar. But he claimed that safety measures, such as fluorescent vests and hard hats, were used only when a government official or Chinese manager visited the site. He was forced to hand both back the next day. \u201cIt\u2019s just for show,\u201d he said. \u201cThey do not care about safety.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Berihun\u2019s case is still not decided, but his emphasis on worker dignity expands the meaning of labor conflict. As Driessen writes, plaintiffs situate their claims beyond the workplace in opposition to the \u201call-consuming realm of capitalist accumulation,\u201d not only contesting wages and contracts but asserting a moral vision of the respect and social worth they are owed. Through litigation, they articulate grievances that extend beyond individual disputes to collective questions about dignity, citizenship and national pride. In some cases, they describe mistreatment by Chinese managers not merely as personal injustice but as a broader insult to Ethiopian identity, transforming workplace conflicts into claims of national humiliation. In short, once these disputes reach the courts, they raise much larger questions about national sovereignty.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">There is an ironic parallel between contemporary China-Ethiopian relations and 19th century European-China relations. From the 1840s, China endured what is sometimes known as \u201csemi-colonialism,\u201d where coercive treaties between China and the British opened Chinese cities to foreign trade, treaty tariffs and extraterritorial legal protection for foreigners. This period, often referred to in China as the \u201cCentury of Humiliation\u201d (\u767e\u5e74\u56fd\u803b), parallels some of the contemporary dynamics of China\u2019s trade with and investment in Ethiopia, including claims of legal immunity for Chinese workers and companies there.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Yet Chinese managers often interpret the same conflicts through a different moral and historical framework. Many express frustration with Ethiopia\u2019s strict regulatory environment and the frequency of litigation, viewing its legal system as overly rigid. Some attribute China\u2019s rapid development to the absence of such legal constraints during earlier periods of industrialization, and emphasize cultural values associated with Chinese work ethic.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Driessen draws here on themes from her earlier book <a href=\"https:\/\/hkupress.hku.hk\/index.php?route=product\/product&amp;product_id=428&amp;search=tales+of+bitterness\"><em>Tales of Hope, Tales of Bitterness: Chinese Road Builders in Ethiopia<\/em><\/a> (Hong Kong University Press, June 2019), which examined the experiences of Chinese road builders working in Ethiopia. In Chinese, enduring hardship is often described as \u201ceating bitterness\u201d (\u5403\u82e6), conveying the idea that the sacrifice of personal comfort is a necessary step toward economic advancement. For some Chinese expatriates in Ethiopia, labor discipline and the endurance of hardship represent the cultural foundations of China\u2019s development success. Ethiopian workers, however, often evaluate their employment through expectations about dignity, compensation and life-work balance. The result is not simply a clash of interests but a clash of moral economies.<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>There is an ironic parallel between contemporary China-Ethiopian relations and late 19th century European-China relations.<\/p><\/blockquote><\/figure>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">While Driessen\u2019s analysis unfolds largely in courtrooms and legal disputes, similar tensions appear on factory floors themselves. These dynamics are vividly captured in the 2024 documentary <a href=\"https:\/\/www.imdb.com\/title\/tt14122026\/\"><em>Made in Ethiopia<\/em><\/a>, directed by Max Duncan and Xinyan Yu, which follows a Chinese company\u2019s efforts to expand Ethiopia\u2019s Eastern Industrial Park (EIP), also an SEZ and one of the country\u2019s largest manufacturing zones. Rather than portraying one national viewpoint to be superior, the film shows that while the promise of development can get disparate parties to join forces, if the wages and working conditions are not transformative, true progress is difficult to achieve.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ab6006bce2e7&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ab6006bce2e7\" class=\"wp-block-image alignright size-large is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1778\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-2-1200x1778.jpeg\" alt=\"\" class=\"wp-image-12198\" style=\"width:300px\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-2-1200x1778.jpeg 1200w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-2-600x889.jpeg 600w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-2-768x1138.jpeg 768w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-2-675x1000.jpeg 675w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-2-1350x2000.jpeg 1350w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-2-1037x1536.jpeg 1037w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-2.jpeg 1382w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/www.madeinethiopiafilm.com\/\"><em>Made in Ethiopia<\/em><\/a> is available to stream on <a href=\"https:\/\/www.pbs.org\/pov\/films\/madeinethiopia\/\">PBS<\/a> and <a href=\"https:\/\/www.madeinethiopiafilm.com\/screenings\">elsewhere<\/a>.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">One of the central figures in the documentary is Motto Ma, a Chinese factory director working to attract foreign investors in order to expand the park. Having spent years in Ethiopia, Motto represents the ambitions of developers who envision industrial parks as engines of economic transformation. She guides potential investors through massive factory complexes where Ethiopian workers produce garments, shoes and other consumer goods destined for global markets. Motto frequently tells stakeholders \u2014 workers, managers, farmers, investors, government officials \u2014 that everyone can \u201cwin.\u201d But her optimism is obstructed by Ethiopian workers, farmers and government officials\u2019 continuous claims to dignity.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Beti, a young Ethiopian woman employed at one of the park\u2019s garment factories, earns wages that barely cover her basic living costs. The film captures moments of quiet resistance among workers who question whether intensified labor will meaningfully improve their lives. They argue with another Chinese manager that the requested output is impossible, and threaten to stop working unless they are given more rest. \u201cThe Chinese work ethic is admirable,\u201d Beti remarks at one point, \u201cbut we Ethiopians have our own way. We work, but we enjoy ourselves.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Her comment highlights a recurring tension throughout the documentary. Chinese managers often criticize Ethiopian workers as lacking discipline, and Chinese workers in Ethiopia, many of whom left their families behind in search of better work abroad, do not understand why the Ethiopian workers are unwilling to \u201ceat bitterness.\u201d Many Ethiopian workers, however, see no need to hustle when it\u2019s not to their benefit, and the sacrifices demanded by factory labor \u2014 long hours, low wages, strict supervision \u2014 do not align with their expectations of a dignified life. \u201cYou don\u2019t see any change in your life, you just work and work,\u201d one woman says in the film, reflecting that her salary does not increase when she works harder.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Immunity on Trial<\/em> provides a fresh framework for understanding these conflicts. Driessen notes that Ethiopian women working in industrial zones sometimes turn to strikes or collective protest to express grievances, while male workers more often pursue litigation. In both cases, labor disputes become vehicles for broader political claims, including accusations of Chinese exploitation, racism and colonialism. Workers also make political claims about Ethiopian sovereignty and what the Ethiopian state owes its citizens.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ab6006bce7b4&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ab6006bce7b4\" class=\"wp-block-image alignleft size-full is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"563\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-3.jpeg\" alt=\"\" class=\"wp-image-12199\" style=\"width:400px\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-3.jpeg 1000w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-3-600x338.jpeg 600w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-3-768x432.jpeg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Motto Ma speaks to members of an Ethiopian regional government delegation inside the Eastern Industry Park, Ethiopia.<em> (Max Duncan\/Hard Truth Films)<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">This is particularly evident in cases involving corporate immunity. Some Chinese companies operating in Ethiopia claim protections based on diplomatic arrangements or international agreements. Ethiopian plaintiffs and their lawyers challenge these claims, arguing that companies must remain subject to Ethiopian law when operating within the country\u2019s borders. Courtrooms become arenas where the authority of the Ethiopian state, the rights of workers and the privileges of foreign investors are renegotiated. Legal proceedings thus transform everyday labor conflicts into debates about development and a contest over sovereignty.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Much public discussion of Chinese investment in Africa occurs at the level of geopolitics, framed either as <a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/10220461.2013.811337?utm_source=chatgpt.com\">benevolent cooperation<\/a> or as a form of <a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/23792949.2019.1689828?src=recsys\">debt-trap diplomacy<\/a>. Yet these big-picture questions often overlook the everyday social relationships through which development projects actually unfold. By foregrounding the lived experiences of workers and managers navigating industrial expansion, <em>Immunity on Trial<\/em> and <em>Made in Ethiopia <\/em>challenge the idea that industrial parks and special economic zones function as politically neutral spaces.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">SEZs helped propel China\u2019s extraordinary economic transformation by carving out exceptional spaces in which new relationships among capital, labor and the state could be tested. As that model travels abroad, however, the meaning of the experiment changes. With Chinese corporations expanding overseas, Ethiopian workers sometimes find themselves making strikingly familiar claims to China\u2019s own when it was a victim of colonial powers: that a foreign economic power should not place corporations or individuals beyond the reach of national law. The historical circumstances are radically different, but the resonance matters. The very language of sovereignty that has been so important to China\u2019s account of its own emergence as a global power is now being mobilized by those people negotiating the consequences of Chinese power abroad. \u220e<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><em>Feature image: Aerial view of the Eastern Industry Park, Oromia region, Ethiopia. (Hard Truth Films)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:20% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"265\" height=\"284\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image.png\" alt=\"\" class=\"wp-image-12200 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/www.hannahborenstein.com\/\">Hannah Borenstein<\/a> is an anthropologist and Professor of Anthropology at Florida International University. Her research and writing focus on the intersections of labor, race, gender and global capitalism, with a particular focus on Ethiopia.<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Beijing is investing heavily in Ethiopia, helping to run Special Economic Zones similar to China&#8217;s own. But African workers are questioning whether the states of legal exception and national indignity that they creates are worth the development it brings.<\/p>\n","protected":false},"author":15,"featured_media":12203,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13],"topic":[17],"class_list":["post-12197","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","topic-politics"],"acf":[],"yoast_head":"<title>China\u2019s Industrial Parks in Africa | China Books Review<\/title>\n<meta name=\"description\" content=\"China is investing heavily in Ethiopia, helping to run Special Economic Zones similar to its own. But workers are questioning whether the states of legal exception and national indignity that it creates are worth the development it brings.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/chinabooksreview.com\/2026\/09\/17\/africa-industrial-parks\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"China\u2019s Industrial Parks in Africa | China Books Review\" \/>\n<meta property=\"og:description\" content=\"China is investing heavily in Ethiopia, helping to run Special Economic Zones similar to its own. But workers are questioning whether the states of legal exception and national indignity that it creates are worth the development it brings.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/chinabooksreview.com\/2026\/09\/17\/africa-industrial-parks\/\" \/>\n<meta property=\"og:site_name\" content=\"China Books Review\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-17T11:55:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image2-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"1125\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Alexander Boyd\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alexander Boyd\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"19 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/2026\\\/09\\\/17\\\/africa-industrial-parks\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/2026\\\/09\\\/17\\\/africa-industrial-parks\\\/\"},\"author\":[{\"@type\":[\"Person\"],\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/#\\\/schema\\\/person\\\/hannah-borenstein\",\"name\":\"Hannah Borenstein\"}],\"headline\":\"China\u2019s Industrial Parks in Africa\",\"datePublished\":\"2026-09-17T11:55:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/2026\\\/09\\\/17\\\/africa-industrial-parks\\\/\"},\"wordCount\":1984,\"publisher\":{\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/2026\\\/09\\\/17\\\/africa-industrial-parks\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/chinabooksreview.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/image2-1.jpg\",\"articleSection\":[\"Review\"],\"inLanguage\":\"en-US\",\"isAccessibleForFree\":false,\"hasPart\":{\"@type\":\"WebPageElement\",\"isAccessibleForFree\":false,\"cssSelector\":\".paid-content\"}},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/2026\\\/09\\\/17\\\/africa-industrial-parks\\\/\",\"url\":\"https:\\\/\\\/chinabooksreview.com\\\/2026\\\/09\\\/17\\\/africa-industrial-parks\\\/\",\"name\":\"China\u2019s Industrial Parks in Africa | China Books Review\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/2026\\\/09\\\/17\\\/africa-industrial-parks\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/2026\\\/09\\\/17\\\/africa-industrial-parks\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/chinabooksreview.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/image2-1.jpg\",\"datePublished\":\"2026-09-17T11:55:00+00:00\",\"description\":\"China is investing heavily in Ethiopia, helping to run Special Economic Zones similar to its own. 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Born in England in 1946, he read Chinese studies at Oxford University and the Australian National University. He is best known for his translation of Chinese classics, such as the last 40 chapters of <a href=\"https:\/\/www.penguinrandomhouse.com\/series\/BVJ\/story-of-the-stone\/\"><em>The Story of the Stone<\/em><\/a>, as well as <a href=\"https:\/\/www.penguinrandomhouse.com\/books\/668918\/the-art-of-war-by-sun-tzu-edited-translated-and-with-an-introduction-by-john-minford\/\"><em>The Art of War<\/em><\/a>, the <a href=\"https:\/\/www.penguinrandomhouseretail.com\/book\/?isbn=9780143106920\"><em>I Ching<\/em><\/a> and the <a href=\"https:\/\/www.penguinrandomhouse.com\/books\/529321\/tao-te-ching-by-lao-tzu-translated-with-an-introduction-and-commentary-by-john-minford\/\"><em>Tao Te Ching<\/em><\/a>. He has also translated Louis Cha&#8217;s martial arts novel <a href=\"https:\/\/global.oup.com\/academic\/product\/the-deer-and-the-cauldron-9780190836054?cc=us&amp;lang=en&amp;\"><em>The Deer and the Cauldron<\/em><\/a> and a selection of Pu Songling&#8217;s <a href=\"https:\/\/www.penguinrandomhouse.com\/books\/299446\/strange-tales-from-a-chinese-studio-by-pu-songling-translated-with-a-introduction-by-john-minford\/\"><em>Strange Tales from a Chinese Studio<\/em><\/a>, as well as editing the new anthology <em><a href=\"https:\/\/reaktionbooks.co.uk\/work\/ching-a-chinese-book-of-love\">Chi&#8217;ing, A Chinese Book of Love<\/a><\/em>. In this latest installment of our occasional <a href=\"https:\/\/chinabooksreview.com\/category\/bookshelf\/\">bookshelf<\/a> column, we caught up with Minford over email to ask about his library of China-related books, and for a selection of five interesting titles from his shelf.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>When did you start collecting books on China, and how did your shelf expand?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I began studying Chinese at Oxford University in 1966. At that time, the Cultural Revolution was just getting into full swing and Chinese books were hard to come by. As a student I had scant resources. I did, however, manage to save up \u00a320 to buy the big revised edition of Herbert A. Giles\u2019 Chinese-English <a href=\"https:\/\/archive.org\/details\/b31352583\/page\/n3\/mode\/2up\">dictionary<\/a> [around $650 today].<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It was really only in 1980, when I embarked on a two-year stint teaching in the northern city of Tianjin, that I was able to start buying Chinese books (mostly of poor quality). From 1982 to 1986, when I was living in Hong Kong and Taiwan, I started building up a more comprehensive library of traditional Chinese literature, philosophy, art and history. I have tended to collect books that are relevant to whatever I was translating at the time. So from the very start I was looking out for books about <em>The Story of the Stone<\/em> (\u7ea2\u697c\u68a6), then I broadened the scope to take in the Hong Kong authors I was working on, PK Leung (\u4e5f\u65af) and Louis Cha (\u91d1\u5eb8), before putting together a generous library of works related to <em>The Art of War<\/em> (\u5b6b\u5b50\u5175\u6cd5), the <em>I Ching<\/em> (\u6613\u7ecf), <em>Tao Te Ching<\/em> (\u9053\u5fb7\u7ecf) and the <em>Strange Tales<\/em> of Pu Songling (\u804a\u658b\u5fd7\u5f02).<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ab6006bd1da5&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ab6006bd1da5\" class=\"wp-block-image alignright size-full is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"464\" height=\"554\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image.jpeg\" alt=\"\" class=\"wp-image-12154\" style=\"width:300px\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Minford by a portion of his bookshelf. <em>(Jane Hayter-Hames)<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">As I went along, I added other books of a general nature, often old ones by missionaries, connoisseurs and consular officials about aspects of traditional Chinese society, religion, culture, art, music, theater, furniture, games, calligraphy, epigraphy and so on. Everything from <a href=\"https:\/\/archive.org\/details\/waysthataredarks00wals\"><em>Ways that are Dark<\/em><\/a> (1890) by W. Gilbert Walshe to Jan Jakob Maria de Groot\u2019s <a href=\"https:\/\/archive.org\/details\/religionofchines00groo\/page\/n5\/mode\/2up\">volumes<\/a> on Chinese religion and Robert van Gulik\u2019s books on connoisseurship and sexual life. I have always had a particular interest in books about fellow sinologists, from the early Jesuits onwards. I also felt the need to have the basic Chinese texts to hand, of classical fiction and poetry, as well as background studies on Chinese culture, folklore, social customs and erotica. I collected a wide selection of translations, mostly English and quite a few French, including a pretty complete collection of the translations of Ezra Pound, Arthur Waley and David Hawkes. And, of course, a comprehensive collection of dictionaries and other reference works, such as histories and biographies.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Where is the collection now, and how do you organize it?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">My books are all kept in our 19th century house in Plymouth, England. I moved them to Britain just over two years ago, from my previous house in New Zealand. They came in a container containing 420 boxes. I am still in the process of organizing them. I also shipped nearly 20 beautiful hand-made bookcases made from recycled Rimu (native New Zealand pine) by my friend Malcom, a local Wairarapa joiner, now supplemented by an array of less attractive Ikea shelving. My shelves need to reach the ceiling, to maximize space, so I spend a lot of time up a ladder. When I lived in New Zealand, I gave my library the Chinese name \u201cThree Dog Hall\u201d (\u4e09\u72ac\u5802) after my three dogs who loved to keep me company among my books. The dogs have died but I have kept the name.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ab6006bd21b5&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ab6006bd21b5\" class=\"wp-block-image alignleft size-full is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"640\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image-1.jpeg\" alt=\"\" class=\"wp-image-12155\" style=\"width:300px\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">With his collection of Chinese musical instruments.<em> (Jane Hayter-Hames)<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In another room further downstairs, beyond the kitchen, I keep three ceiling-high bookshelves, devoted to the <em>I Ching<\/em>, <em>The Story of the Stone<\/em> and the <em>Tao Te Ching<\/em> (all three past projects in which I still have a lively interest). Upstairs in our main bedroom, one of the beautiful Rimu bookcases contains my poetry library, perfectly placed for bedtime reading. Two built-in bookcases in the same room contain my selection of traditional fiction. Pride of place goes to the Proust shelf, with the complete French text and (most unusually) the multi-volume Chinese translation, published in Nanjing shortly after the Tiananmen killings. My favourite authors of English fiction are well represented, and betray my rather old-fashioned taste: John Galsworthy, <a href=\"https:\/\/chinabooksreview.com\/2026\/07\/16\/w-somerset-maugham\/\">Somerset Maugham<\/a>, H. Rider Haggard, Rudyard Kipling.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Of course, there is also the inevitable overflow of unsorted (but nonetheless interesting) books. For the time being, these are either \u201cup in the loft\u201d (such as the complete translations of Fu Lei \u5085\u96f7), or else \u201cdown in the garage,\u201d biding their time.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>What else lives on your bookshelf?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In my study, in order to create something of the studio ambiance, I keep a beautiful <em>guqin<\/em> \u2014 made for me by an elderly master <em>qin<\/em>-maker from Yangzhou \u2014 leaning against the wall. Above it is a framed couplet given to me in 1982 by my calligraphy teacher in Tianjin: \u201c\u60c5\u672a\u9759\u65f6\u8bf8\u5984\u4f5c\uff0c\u4eba\u5f53\u609f\u540e\u4e00\u8a00\u65e0.\u201d (While passions are unsettled, delusions run wild; once one is englightened, there is nothing to say.) I also keep in my study, for purely sentimental reasons, an enormous rare book in a beautiful brocade silk cover, containing a series of Chinese poems in both the original Chinese and Czech paraphrases by the poet Bohumil Mathesius (1888-1952), given to me by a dear Czech friend.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">My favourite \u201cshelf\u201d is a large Chinese-style display structure, bought in Hong Kong in about 1998. This contains my Chinese treasures: an old ivory Buddha; a blue-and-white Qianlong dragon ceramic bowl, a small \u201csang-de-boeuf\u201d Kangxi vase; a Shang shamanic <em>bi<\/em> jade signifying Heaven; a couple of rare ink-sticks; a calligraphy by Jao Tsung-I; all interspersed with a number of old thread-bound classical texts. A bookcase below contains Chinese calligraphies and rubbings, photos and reproductions of Chinese landscape paintings. On the floor to one side sit two antique leather boxes I bought in Tianjin in 1981, containing my old draft translations of Pu Songling.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>How do you consume your books? Do you annotate or mark them up? Any thoughts on physical vs. digital editions, or the act of reading?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I try not to write on my books, but tend to interleave them with written notes. I often keep notes when reading, sometimes in separate notebooks. Digital editions are useful, but they are sometimes unreliable. Real printed books have a life of their own, and my library is full of my old friends. It is wonderful to come back to the same book 30 years later and discover new things on the same, much-read page.<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>I gave my library the Chinese name \u201cThree Dog Hall\u201d (\u4e09\u72ac\u5802) after my three dogs who loved to keep me company among my books. The dogs have died but I have kept the name.<\/p><\/blockquote><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">John Minford&#8217;s book picks<\/h4>\n\n\n\n<div id=\"vertical-book-list-block_50b6ca77f4671dbf9c9bfb3d1d9639bf\" class=\"vertical-book-list-block show-numbers\">\n\n\n\n\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.penguinrandomhouse.com\/series\/BVJ\/story-of-the-stone\/\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/81fYV1LdEjL._SL1500_.avif\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/Story-Stone-Dream-Chamber-Vol\/dp\/0140442936?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/www.penguinrandomhouse.com\/series\/BVJ\/story-of-the-stone\/\">The Story of the Stone<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4>\u7ea2\u697c\u68a6<\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Cao Xueqin (tr. David Hawkes, John Minford)<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tMarch 30, 1974\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>Penguin Classics<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">Without any doubt the one \u201cChina book\u201d that has had the greatest impact on my life is the long 18th century novel <\/span><i><span style=\"font-weight: 400\">The Story of the Stone<\/span><\/i><span style=\"font-weight: 400\"> (also called <\/span><i><span style=\"font-weight: 400\">Dream of the Red Chamber<\/span><\/i><span style=\"font-weight: 400\">). I first started reading it as an undergraduate at Oxford in 1967, and began translating its \u201cconclusion\u201d (the final 40 chapters out of 120) in 1970. I submitted my doctoral thesis on the subject in 1980, and finished the translation itself in 1986. I have collected just about every translation and edition of the novel, including facsimiles of all the early hand-written transcripts. But its influence has been far more than scholarly. The novel follows the rise and decline of a wealthy Chinese family through the tragic love and coming-of-age story of Jia Baoyu and the women around him, and its themes are universal. It is a book that changes people\u2019s lives, and it certainly changed mine.<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/press.princeton.edu\/books\/hardcover\/9780691097503\/the-i-ching-or-book-of-changes?srsltid=AfmBOooLzASTxcUbD6f7ZmO9gmavMI5yTuVdn5zjtR1UKfRDUU_ublRl\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/515NriXw79L._SL1500_.avif\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/Ching-Book-Changes-Bollingen\/dp\/0691284571?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/press.princeton.edu\/books\/hardcover\/9780691097503\/the-i-ching-or-book-of-changes?srsltid=AfmBOooLzASTxcUbD6f7ZmO9gmavMI5yTuVdn5zjtR1UKfRDUU_ublRl\">I Ching<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4>\u6613\u7ecf<\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">(tr. Richard Wilhelm, Cary F. Baynes)<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tOctober 21, 1967\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>Princeton University Press<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">For the wondrous <\/span><i><span style=\"font-weight: 400\">I Ching<\/span><\/i><span style=\"font-weight: 400\">, I go to the translation by Richard Wilhelm and Cary F. Baynes, published in 1950 (from Wilhelm\u2019s original German translation of 1924). I also refer to my much worn copy of the <\/span><i><span style=\"font-weight: 400\">Zhouyi Benyi<\/span><\/i><span style=\"font-weight: 400\"> (\u5468\u6613\u672c\u4e49) by Zhu Xi (\u6731\u71b9), the 12th century Neo-Confucian philosopher, and indeed to the whole panoply of translations, editions and commentaries that I have collected on this remarkable and timeless divination text, not to mention my own 2014 <\/span><a href=\"https:\/\/www.penguinrandomhouse.com\/books\/294076\/i-ching-by-translated-with-an-introduction-and-commentary-by-john-minford\/\"><span style=\"font-weight: 400\">translation<\/span><\/a><span style=\"font-weight: 400\"> of it. My own favourite commentary is that of the 18th century Taoist Magister Liu Yiming, <\/span><a href=\"https:\/\/www.penguinrandomhouse.com\/books\/28658\/the-taoist-i-ching-by-liu-i-ming\/\"><i><span style=\"font-weight: 400\">The Taoist I Ching<\/span><\/i><\/a><span style=\"font-weight: 400\">. The <\/span><i><span style=\"font-weight: 400\">I Ching<\/span><\/i><span style=\"font-weight: 400\"> itself is, as Bob Dylan said in 1965, \u201cthe only thing that is amazingly true, period.\u201d The great 11th century Chinese philosopher Cheng Yi (\u7a0b\u9890) agreed: \u201cThe <\/span><i><span style=\"font-weight: 400\">I Ching<\/span><\/i><span style=\"font-weight: 400\"> is grand in its scope; it is all-encompassing. To those who contemplate its depth and practice its discipline, the text will provide everything.\u201d<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/us.macmillan.com\/books\/9780312278496\/theglassbeadgame\/\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/715K6tS9e8L._SL1500_.avif\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/Glass-Bead-Game-Magister-Novel\/dp\/0312278497?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/us.macmillan.com\/books\/9780312278496\/theglassbeadgame\/\">The Glass Bead Game<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4>(Magister Ludi) A Novel<\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Herman Hesse (tr. Richard Winston, Clara Winston)<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tJanuary 1, 1969\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>Holt Paperbacks<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">The 20th century German-Swiss novelist Hermann Hesse was deeply influenced by Indian and Chinese philosophy and religion. While that is most famously evident in <\/span><i><span style=\"font-weight: 400\">Siddartha<\/span><\/i><span style=\"font-weight: 400\">, his 1943 novel <\/span><i><span style=\"font-weight: 400\">The Glass<\/span><\/i> <i><span style=\"font-weight: 400\">Beadgame <\/span><\/i><span style=\"font-weight: 400\">\u2014 about an intellectual in a future scholarly order who masters an elaborate game synthesizing all human knowledge, but who questions the overly cerebral world it represents \u2014 was inspired by the <\/span><i><span style=\"font-weight: 400\">I Ching<\/span><\/i><span style=\"font-weight: 400\">. Since the late 1960s I have read and re-read all of Hesse\u2019s writings, from the early novels through <\/span><i><span style=\"font-weight: 400\">Demian<\/span><\/i><span style=\"font-weight: 400\"> and <\/span><i><span style=\"font-weight: 400\">Narziss and Goldmund<\/span><\/i><span style=\"font-weight: 400\">. I also listen again and again to the three Hesse poems set so lovingly to music by Richard Strauss, in his <\/span><i><span style=\"font-weight: 400\">Four Last Songs<\/span><\/i><span style=\"font-weight: 400\">. I always find comfort and nourishment in the works of this passionate pilgrim \u2014 as well as in the writings of Alan Watts, a prolific and inspiring teacher whose <\/span><i><span style=\"font-weight: 400\">Myth and Ritual in Christianity<\/span><\/i><span style=\"font-weight: 400\"> I read in my twenties, followed by <\/span><i><span style=\"font-weight: 400\">The Way of Zen<\/span><\/i><span style=\"font-weight: 400\"> and <\/span><i><span style=\"font-weight: 400\">Nature, Man, Woman<\/span><\/i><span style=\"font-weight: 400\">. As with Hesse, Watts treats subjects that are close to my heart.<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.amazon.com\/-\/he\/Robert-van-Gulik\/dp\/B004AB01R2?tag=chnbk-20\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/51SXowBbZyL.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/-\/he\/Robert-van-Gulik\/dp\/B004AB01R2?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/www.amazon.com\/-\/he\/Robert-van-Gulik\/dp\/B004AB01R2?tag=chnbk-20\">Hsi K\u2019ang and His Poetical Essay on the Lute<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4><\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Xi Kang (tr. Robert van Gulik)<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tJanuary 1, 1968\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>Sophia University and Charles E. Tuttle Company<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">Fourth is the Dutch sinologist Robert Van Gulik\u2019s <\/span><i><span style=\"font-weight: 400\">Hsi K\u2019ang and His Poetical Essay on the Lute<\/span><\/i><span style=\"font-weight: 400\">, first published in 1941. I have the modern Tuttle reprint of this classic study, which combines the irresistible magic of the <\/span><i><span style=\"font-weight: 400\">Seven Sages of the Bamboo Grove<\/span><\/i><span style=\"font-weight: 400\"> (\u7af9\u6797\u4e03\u8d24, a group of 3rd century Chinese aesthetes who retreated to a bamboo grove to escape the political corruption of the Wei-Jin period) with the effortless charm of one of the last great European \u201corientalists.\u201d The text describes the cultural, philosophical and musical significance of the <\/span><i><span style=\"font-weight: 400\">qin<\/span><\/i><span style=\"font-weight: 400\"> (\u7434\u00b8 the traditional seven-stringed Chinese zither, often translated as &#8220;lute&#8221;) through the eyes of the eccentric and brilliant Bamboo Grove member Hsi K&#8217;ang (\u5d47\u5eb7). Van Gulik practised what he preached: he knew what he wrote about in a way that so many present-day China \u201cscholars\u201d simply fail to do. The presence of his books on my shelves (I have an almost complete collection) is deeply reassuring to me.<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/openresearch-repository.anu.edu.au\/items\/4866ead3-2b75-4eae-9da6-036df8ed8686\/request-a-copy?bitstream=e29499d0-521d-4b39-a525-12b7390fbdc9\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/Screenshot-2026-09-14-at-3.53.08-PM.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/chinaheritage.net\/tracks-in-the-snow\/\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/openresearch-repository.anu.edu.au\/items\/4866ead3-2b75-4eae-9da6-036df8ed8686\/request-a-copy?bitstream=e29499d0-521d-4b39-a525-12b7390fbdc9\">Tracks in the Snow<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4>\u9e3f\u96ea\u56e0\u7f18\u56fe\u96c6<\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Lin Qing (tr. Yang Tsung-han, Christina Sanderson) (ed. John Minford)<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p><\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">Last in my list is the memoir <\/span><i><span style=\"font-weight: 400\">Tracks in the Snow<\/span><\/i><span style=\"font-weight: 400\"> by the Qing dynasty Manchu official and poet Linqing (\u9e9f\u5e86). I first encountered this little-known work in 1979, when I was exploring the life of Gao E (\u9ad8\u9e57), the scholar who edited the last 40 chapters of <\/span><i><span style=\"font-weight: 400\">Story of the Stone<\/span><\/i><span style=\"font-weight: 400\">). It so happens that Linqing was a friend of Gao, and among the superb 240 woodblock illustrations in <\/span><i><span style=\"font-weight: 400\">Tracks in the Snow <\/span><\/i><span style=\"font-weight: 400\">is to be found a charming representation of Gao E riding on a donkey! Somehow this memoir made its way into my life. In the 1980s in Hong Kong I was lucky enough to be able to commission a translation from the distinguished elderly Mongol prince Yang Tsung-han. Although he only completed 170 of the 240 episodes (his manuscript now sits in six yellow boxes in my study), many years later a talented young scholar in Australia, Christina Sanderson, <\/span><a href=\"https:\/\/chinaheritage.net\/tracks-in-the-snow\/\"><span style=\"font-weight: 400\">completed<\/span><\/a><span style=\"font-weight: 400\"> the task as part of her PhD. One of my few remaining projects is to edit and publish, in a faithful de luxe format, the complete translation of this astonishing work, which offers an illuminating insight into the life of a cultivated Manchu gentleman of the 19th century. \u220e<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The veteran literary translator tells us how his collection began, why his library is called \u201cThree Dog Hall,\u201d and that New Zealand pine is the best shelving material.<\/p>\n","protected":false},"author":15,"featured_media":12171,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11],"topic":[25,20],"class_list":["post-12152","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bookshelf","topic-culture","topic-fiction"],"acf":[],"yoast_head":"<title>John Minford\u2019s China Bookshelf | China Books Review<\/title>\n<meta name=\"description\" content=\"The veteran literary translator tells us how his collection ballooned, why his library is called \u201cThree Dog Hall,\u201d and how New Zealand pine is the best shelving material.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/chinabooksreview.com\/2026\/09\/15\/john-minford\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" 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Pine: Channeling Silent Voices"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\">\u201cI\u2019m not trying to become Chinese,\u201d the American translator and travel writer Bill Porter tells me over Zoom. \u201cI\u2019m trying to accompany the Chinese poet.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The genial, lavishly bearded man on my laptop screen, speaking from his home in Port Townsend, Washington, has published over 30 books on China. Most of them are the translations of classical Chinese poetry and Buddhist religious texts he has released under the pen name Red Pine, while another seven volumes are the accounts of his travels in China, from the 1980s into the 2010s, that he issues under his own name. All seven of the travel books have been translated into Chinese (also as Red Pine, \u8d64\u677e), earning healthy <a href=\"https:\/\/archive.nytimes.com\/sinosphere.blogs.nytimes.com\/2014\/07\/17\/q-and-a-bill-porter-on-travel-writing-in-china\/?_php=true&amp;_type=blogs&amp;_php=true&amp;_type=blogs&amp;partner=rss&amp;emc=rss&amp;_r=2\">sales<\/a> figures and winning him more renown there than in America, thanks in part to his fluency in Mandarin and familiarity with traditional Chinese culture.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cI love what the Chinese poets do,\u201d Porter says, explaining his modus operandi for translating classical Chinese poetry. \u201cThat\u2019s how I came up with the idea of dancing. It is so much like dancing.\u201d The reference is an allusion to \u201cDancing with the Dead: Language, Poetry, and the Art of Translation,\u201d his 2004 <a href=\"https:\/\/royhamric.com\/2010\/08\/14\/red-pine-language-poetry-translation\/\">essay<\/a> and artistic credo in which he declares translation \u201cthe ultimate literary art, the ultimate challenge in understanding as well as in performance.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"444\" height=\"689\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/images-1.jpg\" alt=\"\" class=\"wp-image-12116\" style=\"width:300px\"\/><figcaption class=\"wp-element-caption\">The documentary <em>Dancing with the Dead<\/em> is now <a href=\"https:\/\/vimeo.com\/ondemand\/redpine\">streaming<\/a> on Vimeo.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">That essay provides the title for an absorbing new documentary about Bill Porter\u2019s life and work, <a href=\"https:\/\/redpinemovie.com\/\"><em>Dancing with the Dead: Red Pine and the Art of Translation<\/em><\/a> (October 2023), directed by Ward Serrill and now available to <a href=\"https:\/\/vimeo.com\/ondemand\/redpine\">stream<\/a> online. And Porter continues to dance, having published two new translations since: <a href=\"https:\/\/www.coppercanyonpress.org\/books\/choosing-to-be-simple-collected-poems-of-tao-yuanming\/\"><em>Choosing To Be Simple: Collected Poems of Tao Yuanming<\/em><\/a> (2023) and <a href=\"https:\/\/www.coppercanyonpress.org\/books\/if-the-mountain-lion-could-sing-by-xin-qiji-tr-red-pine\/\"><em>If a Mountain Lion Could Sing: The Lyric Poems of Xin Qiji<\/em><\/a> (2025), both released by his longstanding publisher Copper Canyon Press. When we talked, Porter was also just back from Chengdu, capital of Sichuan province, where he signed a contract for a book (currently in progress) about one of Sichuan\u2019s most revered native sons, poet Su Dongpo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Porter is a vivid raconteur with a frank, quintessentially American manner \u2014 his straightforward style, combined with his formidable facial hair and the flannel shirt he wore during our talk, initially called to mind the kind of veteran character actor who plays grizzled prospectors in old Hollywood movies. Yet as the conversation went on, the many sides of his nature became apparent: he spoke with equal candor about engaging with the words of the Buddha and grappling, in his younger days, with a mountain of credit card debt. I also noted the ease with which he dropped Chinese words and phrases, even the occasional Sanskrit term, into our talk.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Though I was nominally conducting an interview, I quickly became content just to sit and listen to a voice whom the journalist Ian Johnson describes, in <em>Dancing with the Dead<\/em>, as \u201ca source of endless fascination\u201d inside China: \u201ca Westerner who really gets it, who really understands China, who clearly loves Chinese culture, who\u2019s devoted his life to it.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>Under the pen name Red Pine, Porter has become one of the best-known American translators of classical Chinese poetry and Buddhist sutras.<\/p><\/blockquote><\/figure>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">Bill Porter\u2019s life is certainly colorful enough to warrant a feature-length documentary. His father, William Arnold Porter, was a onetime bank robber who served six years in prison after being wounded in a shootout with the police in Detroit in 1926. On his release he went into the hotel business, where he managed to amass a fortune by the time his son Bill was born, in Los Angeles in 1943. Bill grew up surrounded by luxury; at the elite boarding school he attended as a child, one of his classmates was the son of Joe DiMaggio. But Porter senior was an abusive alcoholic who ultimately lost his millions, in part through a ruinous divorce settlement. (It\u2019s tempting to speculate that growing up amid his father\u2019s downfall may have given Bill an early grounding in Buddhist principles of detachment.)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Porter\u2019s early years suggest a period of drift. He made a couple of failed attempts at college, followed by three years in the U.S. Army, stationed in West Germany, beginning in 1964. One commanding officer told him he was \u201cthe worst soldier he\u2019d ever seen.\u201d Returning stateside, Porter earned a degree in anthropology from UC Santa Barbara. He then went to Columbia University for graduate study in anthropology and Chinese language \u2014 the latter largely because it was his ticket to scholarship money. A growing fascination with Buddhism led him to drop out in 1972 and move to Taiwan, where he spent a year living in a monastery. He then relocated to a hilltop farming community overlooking Taipei, and began to eke out a living as a scriptwriter for Taiwan\u2019s English-language radio station ICRT.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Dancing with the Dead<\/em> imparts a scapegrace charm to this phase of Porter\u2019s life. For several years he wooed a fellow student he had met in a Taipei classroom, Ku Lien-chang. When they finally married, after seven years of courtship, her family insisted on a proper banquet and a honeymoon trip to Japan \u2014 both sizable hurdles for Porter\u2019s hand-to-mouth existence. He managed to finance the honeymoon by participating in a watch-smuggling scheme that entailed in-and-out visits to Hong Kong, Tokyo and Seoul several times a month. A few of the other smugglers ended up going to jail, but thanks to a decisive intervention by his wife, he managed to stay clear of the law.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ab6006bd8cb3&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ab6006bd8cb3\" class=\"wp-block-image alignleft size-large is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1032\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image4-1200x1032.jpg\" alt=\"\" class=\"wp-image-12075\" style=\"width:300px\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image4-1200x1032.jpg 1200w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image4-600x516.jpg 600w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image4-768x660.jpg 768w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image4-1000x860.jpg 1000w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image4-1536x1321.jpg 1536w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image4.jpg 1840w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Bill Porter with Abbot at Haiming Temple, Taiwan.<em> (Woody Creek Pictures)<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">As Porter started writing, the pseudonym Red Pine came to him through chance inspiration on a Taipei street, before he learned it was the name of a legendary figure in Taoist lore. He began translating poetry to improve his Chinese, with the first of many volumes, <a href=\"https:\/\/www.coppercanyonpress.org\/books\/the-collected-songs-of-cold-mountain-by-han-shan-cold-mountain-tr-bill-porter-red-pine\/\"><em>Cold Mountain Poems<\/em><\/a>, appearing in 1983. Later he added sacred texts to his portfolio, beginning with <a href=\"https:\/\/us.macmillan.com\/books\/9780865473997\/thezenteachingofbodhidharma\/\"><em>The Zen Teaching of Bodhidharma<\/em><\/a> in 1987. And in the spring of 1989, his travels to China\u2019s Zhongnan Mountains became the basis for his breakout 1993 travel book <a href=\"https:\/\/www.counterpointpress.com\/books\/road-to-heaven\/\"><em>Road to Heaven: Encounters with Chinese Hermits<\/em><\/a>. (His early years in Taiwan coincided with the later phase of the Cultural Revolution, which meant he was cut off from the mainland, wellspring of the traditions that fascinated him.)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">At this time, an English-language radio station in Hong Kong commissioned a series of China travelogues from Porter: multi-part radio programs, each centered on a particular region, that were meant to uncover traces of China\u2019s past in its present. Porter drew on those radio shows (which ultimately numbered in the hundreds) for the impressive series of travel works he has published, on regions from the Central Plains (<a href=\"https:\/\/www.chinmusicpress.com\/product-page\/yellow-river-odyssey\"><em>Yellow River Odyssey<\/em><\/a>, 2014) to Yunnan province (<a href=\"https:\/\/www.counterpointpress.com\/books\/south-of-the-clouds\/\"><em>South of the Clouds: Travels in Southwest China<\/em><\/a>, 2015) to the Silk Road (<a href=\"https:\/\/www.counterpointpress.com\/books\/the-silk-road\/\"><em>The Silk Road: Taking the Bus to Pakistan<\/em><\/a>, 2016). These books\u2019 lightly worn erudition and humor make them companionable additions to the shelf of China travel literature by Westerners, while their accounts of challenging conditions (Porter made his journeys years before the arrival of high-speed rail) give them an added patina of historical interest.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 1993, after more than 20 years abroad, Porter returned to the United States with his wife and their two children. They settled in Port Townsend, Washington, a small seaside community Porter knew as the headquarters of Empty Bowl Press \u2014 the independent publisher that backed his earliest volumes of translations. At first the going was hard: the family subsisted on food stamps until a providential inheritance and earnings from the Chinese translations of his travel books put them on a steadier footing. Around this time the literary establishment started recognizing his work as well, with a raft of awards that include a Guggenheim fellowship and a PEN Translation Prize. Not bad for a translator who had relied on food stamps.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ab6006bd920b&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ab6006bd920b\" class=\"wp-block-image alignright size-large is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image3-1200x900.jpg\" alt=\"\" class=\"wp-image-12076\" style=\"width:300px\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image3-1200x900.jpg 1200w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image3-600x450.jpg 600w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image3-768x576.jpg 768w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image3-1000x750.jpg 1000w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image3-1536x1152.jpg 1536w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image3.jpg 2000w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Bill Porter with a Stonehouse manuscript at Taipei Central Library, Taiwan. <em>(Martin Merz)<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Years later, Porter still doesn\u2019t seem quite ready to take his material success for granted. \u201cI can\u2019t believe some days that I own a house,\u201d he confided. And now there is a documentary film about his life. \u201cWhat surprised me,\u201d Porter said, \u201cwas that [<em>Dancing with the Dead<\/em>] wanted to focus on me as a translator, not as somebody who goes to the mountains to find hermits.\u201d One unexpectedly moving scene finds Porter visiting the Rare Books Room of Taiwan\u2019s National Central Library. Staff there have presented him with a treasure: the only known first-edition copy of <em>Mountain Poems<\/em> (\u5c71\u5c45\u8bd7) by the Yuan dynasty Buddhist poet Stonehouse (\u77f3\u5c4b), published in 1368 \u2014 one of the first works to inspire Porter\u2019s love of Chinese literature and curiosity about the hermit culture Stonehouse exemplified.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As he turns the pages of the string-bound volume with gloved hands and begins translating out loud, Porter\u2019s reverence for the text, and his excitement at encountering it in this format, are palpable. A viewer gets the impression of a translator directly communing with the source of his inspiration. \u201cThese are the poems that really made me fall in love with Chinese poetry,\u201d he says in the accompanying voiceover. (<a href=\"https:\/\/www.coppercanyonpress.org\/books\/the-mountain-poems-of-stonehouse-by-stonehouse-tr-bill-porter-red-pine\/\"><em>The Mountain Poems of Stonehouse<\/em><\/a> was Porter\u2019s fourth published volume of translations, coming out in 1986.)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What distinguishes Porter\u2019s translations is an effect of near transparency. In his 1994 essay \u201cWhat Poetry Did in China,\u201d the American poet Gary Snyder writes that classical Chinese poetry relies on \u201cstrategies of apparent simplicity and understatement.\u201d Porter honors both those traits with limpid renderings that imprint concrete, sensuous imagery \u2014 features of a landscape, or a human face \u2014 on the reader\u2019s mind while also leaving space for the underlying spiritual or philosophical resonances to show through. As Porter puts it in <em>Dancing with the Dead<\/em>: \u201cWhen you translate poetry, of course, you don\u2019t translate the words. You translate something behind the words.\u201d His discreet annotations to the translations point to the presence of that \u201csomething,\u201d giving just enough information for the reader to appreciate the poems from a deeper perspective.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Porter\u2019s renditions of Buddhist sacred texts \u2014 including <a href=\"https:\/\/www.counterpointpress.com\/books\/the-diamond-sutra\/\"><em>The Diamond Sutra<\/em><\/a> (2002) and <a href=\"https:\/\/www.counterpointpress.com\/books\/the-heart-sutra\/\"><em>The Heart Sutra<\/em><\/a> (2005) among others \u2014 are every bit as important to him as his poetry translations. \u201cThe Dharma and poetry,\u201d he declares in <em>Dancing with the Dead<\/em>, have been \u201cthe polestars of my creative life.\u201d Yet, he told me, they require a different approach: \u201cThe spiritual texts are slow. There\u2019s not a lot of movement in a Buddhist sutra, as there is in poetry.\u201d He continued:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">You have to question everything. You\u2019re looking for a language that has the same impact as the Buddha had in his language. \u2026 You don\u2019t see a lot of scholastics coming up with language, putting words in the Buddha\u2019s mouth, that are going to inspire anybody. These are inspiring texts. So my job is to come up with something that\u2019s clear and not laden with technical terms. This is the Buddha talking.<\/p>\n<\/blockquote>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>When you translate poetry, you don\u2019t translate the words. You translate something behind the words.<\/p><cite><em>Bill Porter<\/em><\/cite><\/blockquote><\/figure>\n\n\n\n<div id=\"single-book-block_ab0b5e01658ce73c1e856bddba1770f5\" class=\"single-book-block alignright\">\n\n\n\n\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.coppercanyonpress.org\/books\/choosing-to-be-simple-collected-poems-of-tao-yuanming\/\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/71vL4KMMYL._SL1500_.avif\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/dp\/1556596723?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\t\t\t\t\n\n\n<\/div>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">Red Pine and Tao Yuanming (\u9676\u6e0a\u660e), the 4th century poet and self-exiled official whom he translates in <em>Choosing To Be Simple<\/em>, are an especially apt match. Tao\u2019s straightforward language makes him a good fit for Porter\u2019s plainspoken style, while his near-reclusive existence dovetails with Porter\u2019s longstanding interest in the Chinese hermit tradition.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tao Yuanming\u2019s stature in the Chinese literary tradition derives from both his verses and from the ideals his life embodied. After several short-lived stints in government service, he renounced public office in favor of a hardscrabble existence as an impoverished farmer. His poetry can be read as an autobiographical paean to the modest joys of the simple life: cultivating the land, reading and writing, entertaining occasional visitors, and (not least of all) enjoying wine as a means to heightened consciousness.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the first of the \u201cPallbearer Songs\u201d he wrote toward the end of his life \u2014 effectively an elegy for himself \u2014 Tao famously announced (in Porter\u2019s translation):<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<style>\n.cbr-verse{\n  clear: both;\n  display: grid;\n  grid-template-columns: max-content max-content;\n  justify-content: start;\n  column-gap: 1.5em;\n  row-gap: 0.1em;\n  align-items: baseline;\n  margin: 1.6em 0;\n  padding-left: 0;\n  font-size: 19px;\n}\n.cbr-verse p{\n  margin: 0;\n  line-height: 1.4;\n}\n.cbr-verse .cbr-verse__en{\n  font-family: \"adobe-caslon-pro\", \"Adobe Caslon Pro\", \"ACaslonPro\", Georgia, serif;\n  font-size: 1em;\n}\n.cbr-verse .cbr-verse__zh{\n  font-family: \"Songti SC\", \"Noto Serif SC\", \"Source Han Serif SC\", \"SimSun\", serif;\n  font-size: 0.96em;\n}\n@media (max-width: 600px){\n  .cbr-verse{\n    grid-template-columns: minmax(0,1fr);\n    row-gap: 0;\n  }\n  .cbr-verse .cbr-verse__zh{\n    margin-bottom: 0.4em;\n  }\n}\n<\/style>\n\n<div class=\"cbr-verse\">\n  <p class=\"cbr-verse__en\">I only regret while I was alive<\/p>\n  <p class=\"cbr-verse__zh\">\u4f46\u6068\u5728\u4e16\u65f6<\/p>\n  <p class=\"cbr-verse__en\">I didn&rsquo;t get more wine<\/p>\n  <p class=\"cbr-verse__zh\">\u996e\u9152\u4e0d\u5f97\u8db3<\/p>\n<\/div>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">In his 2016 travel book <a href=\"https:\/\/www.coppercanyonpress.org\/books\/finding-them-gone-visiting-chinas-poets-of-the-past-by-bill-porter-red-pine\/\"><em>Finding Them Gone<\/em><\/a>, Porter writes of Tao Yuanming: \u201cI wish I could have been his neighbor.\u201d I asked him to elaborate, and he responded matter-of-factly, \u201cWell, I like to drink, too.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Taken cumulatively, Tao\u2019s poems are a major statement of Taoist and Confucian principles even as they acknowledge the hardships imposed by adhering to those principles. Porter described his attraction to Tao\u2019s work after first encountering it in a Taiwanese bookstore in 1972:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">I\u2019ve always wanted to translate him. But I never could, because he\u2019s so hard. His line is so dense. Tao Yuanming sort of initiated and mastered the five-syllable line. Basically, you\u2019ve got five words, five syllables in a line. A lot\u2019s going on, and Chinese characters are so ambiguous as to their grammatical status, whether two of those characters go together, or whether they\u2019re separate ideas. \u2026 They\u2019re simple yet profound.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">I asked whether he sees any affinity between Tao Yuanming\u2019s celebrated renunciations of society and China\u2019s present-day \u201c<a href=\"https:\/\/chinabooksreview.com\/2024\/02\/29\/the-reverse-migrants\/\">lying flat<\/a>\u201d movement, in which young Chinese turn their backs on a relentlessly careerist culture. \u201cNo, not at all,\u201d Porter replied. \u201cTao Yuanming\u2019s poems are full of suffering as a result of his choice. He had to beg for food on several occasions. He had made a commitment to a way of life that involved <em>not<\/em> lying flat but grabbing his hoe and going out and working the fields. It was a rough go.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cOf course, the people who are \u2018lying flat\u2019 are college educated,\u201d he continued. \u201cSooner or later, they\u2019re going to have to get up. \u2026 It\u2019s not really a philosophical choice they\u2019re making. It\u2019s just an expression of dissatisfaction with what Chinese society and the Chinese economy have created.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Porter had long been curious about China\u2019s tradition of hermits, the men and women who heed a spiritual call and abandon ordinary life in favor of a semi-reclusive existence in remote rural areas. In the spring of 1989, he and the photographer Steven R. Johnson spent several weeks trekking through the Zhongnan Mountains, south of Xi\u2019an, historically a center of eremetic practice. There they encountered a surprising number of Taoist practitioners (along with a few Buddhists) who still abided by the old austerities.<\/p>\n\n\n\n<div id=\"single-book-block_3df782ed9071c2f3e2ef81f583f2abc0\" class=\"single-book-block alignleft\">\n\n\n\n\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.counterpointpress.com\/books\/road-to-heaven\/\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/71lWuDn4syL._SL1500_.avif\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/Road-Heaven-Encounters-Chinese-Hermits\/dp\/1582435235?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\t\t\t\t\n\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Porter recounted that experience in <em>Road to Heaven<\/em>, in which he writes: \u201cDetached from values imposed by whim or custom, hermits have remained an integral part of Chinese society because of their commitment to their culture\u2019s own most ancient values. If nothing else, they represent its mythic past.\u201d The first and best-known of Porter\u2019s travel series, the book gracefully synthesizes shelves\u2019 worth of scholarly lore while keeping the focus on a remarkable group of people dedicated to \u201cthe same unchanging goal: to follow the Tao.\u201d (Porter avoids overt political commentary, but the book is clear about the ravages that the Red Guards inflicted during the Cultural Revolution on the hermits, their places of worship, and the traditions they embodied.)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A Chinese translation of <em>Road to Heaven<\/em> arrived in 2001, and its reissue in 2009 became an unexpected best seller, propelling Porter to an improbable level of public recognition inside China. Ian Johnson\u2019s <em>New York Review of Books<\/em> <a href=\"https:\/\/www.nybooks.com\/online\/2012\/05\/29\/zen-book-contracts-bill-porter-beijing\/\">profile<\/a> of Porter in 2012 captures an author in the full flush of literary celebrity, shadowed by a TV news crew as he signs autographs for an admiring crowd at Beijing\u2019s largest bookstore. Several years later, the male lead in the popular TV show <a href=\"https:\/\/www.imdb.com\/title\/tt5704228\/\"><em>Ode to Joy<\/em><\/a> (\u6b22\u4e50\u9882), characterized by Porter as \u201csort of like the Chinese version of <em>Sex and the City<\/em>,\u201d urged his girlfriend to read <em>Road to Heaven<\/em>, holding a copy of it in front of the camera. \u201cClearly more and more foreigners are beginning to learn about Chinese culture,\u201d the character notes approvingly.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Yet is genuine hermitage still possible, a generation later? In 2013, ahead of the 25th anniversary of his 1989 journey, Porter made a follow-up visit to the Zhongnan Mountains in the company of a Chengdu-based film crew. Instead of finding fewer hermits, they came across even more of them living in the same territory Porter had covered \u2014 several hundred instead of several dozen. Porter explained the difference as one of kind, not just degree:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Before, the typical hermit was what I would call a spiritual devotee. Now they\u2019re professionals. Beijing University graduate school dropouts. No one was educated when I was interviewing anybody. If they had gone to high school, well, that would have been something. And now everybody in the mountains is educated. You\u2019re getting people dropping out in their forties and fifties, too.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">He described the appeal of such an arduous lifestyle: \u201cThe hermits I\u2019ve met in China are among the happiest people I\u2019ve ever met. The reason being that they\u2019ve given up so much \u2014 because what makes us unhappy are the things we\u2019re attached to. And these people have let a lot of that go.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I asked if the Chinese eremetic tradition, and Tao Yuanming\u2019s poetry, holds lessons for those in the 21st century United States as much as in the 4th century China:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">I\u2019d say so. I mean, we have to take drugs just to manage our attachments. Once you get attached to a bunch of stuff, you\u2019re going to have issues. Because things break, things are taken away from you, and of course, you have issues with other humans who are fighting over the same things. So yeah, it would be better to have less than more.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Something has rubbed off from Porter\u2019s time among the hermits, and from his lifelong commitment to Zen study and practice. Throughout <em>Dancing with the Dead<\/em>, and even over Zoom, he exudes an unassuming charisma: the rare equanimity of someone who has gone his own way.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I asked Ward Serrill, the documentary\u2019s director, to corroborate this impression. He replied via email:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">I spent four years off and on with Bill in the making of this film. I saw him in the good times and bad and what I most marvel at is the steadiness of his innate good cheer and enthusiasm for life in all circumstances. Even at eighty, there is a fire that burns in his eyes, a fire of passion of a lifetime devoted to the Dharma. He won\u2019t talk about Zen or even \u2018spiritual\u2019 things, waving them off as just more words about something that can\u2019t be named. He lives the Unnamed Way.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Now in his eighties, Porter plans to continue traveling, writing and translating for the foreseeable future. In our Zoom talk he was still jet-lagged from his most recent visit to China \u2014 but made it clear he expected his work to take him back there again a few weeks later. \u201cFour, five, or six years ago,\u201d he told me, \u201cI was thinking, \u2018Maybe I\u2019ll just garden.\u2019 But my wife has taken over the garden, and it\u2019s her garden. And I can\u2019t take over the kitchen either, so there\u2019s not much left other than to just\u2014\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Porter\u2019s voice trailed off thoughtfully. I considered mentioning my favorite line in all of his translations, from the Bloodstream Sermon of Bodhidharma: \u201cUnderstanding comes in midsentence.\u201d But I remembered how much of Red Pine\u2019s art lies in what is left unsaid, and we ended our conversation there. \u220e<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><em>Header: Bill Porter at Bamboo Lake, Taiwan, reciting a poem by Tao Yuanming. (Woody Creek Pictures)<\/em><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><em><a href=\"https:\/\/www.imdb.com\/title\/tt29380854\/\">Dancing with the Dead: Red Pine and the Art of Translation<\/a>, dir. Ward Serrill (October 2023), is available to <a href=\"https:\/\/vimeo.com\/ondemand\/redpine\">stream<\/a> now. <\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:20% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1066\" height=\"1066\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image1.png\" alt=\"\" class=\"wp-image-12077 size-full\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image1.png 1066w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image1-600x600.png 600w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image1-150x150.png 150w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image1-768x768.png 768w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image1-500x500.png 500w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image1-1000x1000.png 1000w\" sizes=\"auto, (max-width: 1066px) 100vw, 1066px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Jeff Tompkins is a writer based in New York. He has contributed articles and reviews to <a href=\"https:\/\/chajournal.com\/category\/jeff-tompkins\/\"><em>Cha: An Asian Literary Journal<\/em><\/a>, <a href=\"https:\/\/brooklynrail.org\/contributor\/jeff-tompkins\/\"><em>The Brooklyn Rail<\/em><\/a> and <a href=\"https:\/\/www.impulsemagazine.com\/\"><em>IMPULSE Magazine<\/em><\/a>, among others. Tompkins is currently the communications coordinator for the Weatherhead East Asian Institute at Columbia University.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Over 50 years and 30 books, the American Bill Porter \u2014 better known as \u201cRed Pine\u201d \u2014 has followed the trails and trials of China\u2019s classical poets, Buddhist sages and modern hermits. Now a documentary tells his own story.<\/p>\n","protected":false},"author":15,"featured_media":12074,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9],"topic":[25],"class_list":["post-12073","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-profile","topic-culture"],"acf":[],"yoast_head":"<title>Red Pine: Channeling Silent Voices | China Books Review<\/title>\n<meta name=\"description\" content=\"Over 50 years and 30 books, the American Bill Porter \u2014 better known as \u201cRed Pine\u201d \u2014 has followed the trails and trials of China\u2019s classical poets and modern hermits. 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A new documentary tells his own story.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/chinabooksreview.com\/2026\/09\/10\/red-pine\/","og_locale":"en_US","og_type":"article","og_title":"Red Pine: Channeling Silent Voices | China Books Review","og_description":"Over 50 years and 30 books, the American Bill Porter \u2014 better known as \u201cRed Pine\u201d \u2014 has followed the trails and trials of China\u2019s classical poets and modern hermits. A new documentary tells his own story.","og_url":"https:\/\/chinabooksreview.com\/2026\/09\/10\/red-pine\/","og_site_name":"China Books Review","article_published_time":"2026-09-10T11:55:00+00:00","article_modified_time":"2026-09-10T15:54:59+00:00","og_image":[{"width":1999,"height":1125,"url":"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image2.jpg","type":"image\/jpeg"}],"author":"Alexander Boyd","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Alexander Boyd","Est. reading time":"27 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/chinabooksreview.com\/2026\/09\/10\/red-pine\/#article","isPartOf":{"@id":"https:\/\/chinabooksreview.com\/2026\/09\/10\/red-pine\/"},"author":[{"@type":["Person"],"@id":"https:\/\/chinabooksreview.com\/#\/schema\/person\/jeff-tompkins","name":"Jeff Tompkins"}],"headline":"Red Pine: Channeling Silent Voices","datePublished":"2026-09-10T11:55:00+00:00","dateModified":"2026-09-10T15:54:59+00:00","mainEntityOfPage":{"@id":"https:\/\/chinabooksreview.com\/2026\/09\/10\/red-pine\/"},"wordCount":3302,"publisher":{"@id":"https:\/\/chinabooksreview.com\/#organization"},"image":{"@id":"https:\/\/chinabooksreview.com\/2026\/09\/10\/red-pine\/#primaryimage"},"thumbnailUrl":"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image2.jpg","articleSection":["Profile"],"inLanguage":"en-US","isAccessibleForFree":false,"hasPart":{"@type":"WebPageElement","isAccessibleForFree":false,"cssSelector":".paid-content"}},{"@type":"WebPage","@id":"https:\/\/chinabooksreview.com\/2026\/09\/10\/red-pine\/","url":"https:\/\/chinabooksreview.com\/2026\/09\/10\/red-pine\/","name":"Red Pine: Channeling Silent Voices | China Books Review","isPartOf":{"@id":"https:\/\/chinabooksreview.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/chinabooksreview.com\/2026\/09\/10\/red-pine\/#primaryimage"},"image":{"@id":"https:\/\/chinabooksreview.com\/2026\/09\/10\/red-pine\/#primaryimage"},"thumbnailUrl":"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image2.jpg","datePublished":"2026-09-10T11:55:00+00:00","dateModified":"2026-09-10T15:54:59+00:00","description":"Over 50 years and 30 books, the American Bill Porter \u2014 better known as \u201cRed Pine\u201d \u2014 has followed the trails and trials of China\u2019s classical poets and modern hermits. A new documentary tells his own story.","breadcrumb":{"@id":"https:\/\/chinabooksreview.com\/2026\/09\/10\/red-pine\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/chinabooksreview.com\/2026\/09\/10\/red-pine\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/chinabooksreview.com\/2026\/09\/10\/red-pine\/#primaryimage","url":"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image2.jpg","contentUrl":"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/09\/image2.jpg","width":1999,"height":1125},{"@type":"BreadcrumbList","@id":"https:\/\/chinabooksreview.com\/2026\/09\/10\/red-pine\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/chinabooksreview.com\/"},{"@type":"ListItem","position":2,"name":"Red Pine: Channeling Silent Voices"}]},{"@type":"WebSite","@id":"https:\/\/chinabooksreview.com\/#website","url":"https:\/\/chinabooksreview.com\/","name":"China Books Review","description":"essays, reviews, book lists and more","publisher":{"@id":"https:\/\/chinabooksreview.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/chinabooksreview.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/chinabooksreview.com\/#organization","name":"China Books Review","url":"https:\/\/chinabooksreview.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/chinabooksreview.com\/#\/schema\/logo\/image\/","url":"","contentUrl":"","caption":"China Books Review"},"image":{"@id":"https:\/\/chinabooksreview.com\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/chinabooksreview.com\/#\/schema\/person\/8e07b5179868486483d40582bd7613bf","name":"Alexander Boyd","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/6d69ce34206556390ec95c2cce91c83c4399b656159a16935b6e471b2a9990e6?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/6d69ce34206556390ec95c2cce91c83c4399b656159a16935b6e471b2a9990e6?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6d69ce34206556390ec95c2cce91c83c4399b656159a16935b6e471b2a9990e6?s=96&d=mm&r=g","caption":"Alexander Boyd"}}]}},"_links":{"self":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts\/12073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/comments?post=12073"}],"version-history":[{"count":38,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts\/12073\/revisions"}],"predecessor-version":[{"id":12149,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts\/12073\/revisions\/12149"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/media\/12074"}],"wp:attachment":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/media?parent=12073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/categories?post=12073"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/topic?post=12073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":11753,"date":"2026-09-08T07:55:00","date_gmt":"2026-09-08T11:55:00","guid":{"rendered":"https:\/\/chinabooksreview.com\/?p=11753"},"modified":"2026-08-27T17:49:25","modified_gmt":"2026-08-27T21:49:25","slug":"tcl-hard-work","status":"publish","type":"post","link":"https:\/\/chinabooksreview.com\/2026\/09\/08\/tcl-hard-work\/","title":{"rendered":"Translated Chinese Literature: Hard Work"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\">This May, <a href=\"https:\/\/chinabooksreview.com\/2025\/02\/13\/taiwan-travelogue\/\"><em>Taiwan Travelogue<\/em><\/a> by Y\u00e1ng Shu\u0101ng-z\u01d0 (tr. Lin King) became the first book written in Mandarin Chinese, and the first from Taiwan, to win the International Booker Prize. (Readers might remember it also <a href=\"https:\/\/chinabooksreview.com\/2025\/05\/13\/2024-prize-winners\/\">won<\/a> our 2025 Baifang Schell Book Prize, and the 2024 National Book Award for Translated Literature.) This was only the second time a Taiwanese novel has been nominated for the Booker; the first was when <a href=\"https:\/\/www.textpublishing.com.au\/books\/the-stolen-bicycle-9781911231240\"><em>The Stolen Bicycle<\/em><\/a> by Wu Ming-yi (tr. Darryl Sterk) made the longlist in 2018. That nomination was marred by controversy, after the Booker Prize Foundation, caving to pressure from the Chinese Embassy in London, changed Wu Ming-yi\u2019s listed nationality from Taiwan to \u201cTaiwan, China,\u201d before public outcry prompted them to quickly change it back. This year\u2019s triumph marks something of a full-circle moment: Taiwanese literature brought back into the spotlight by none other than a postcolonial novel.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A Booker win by a Chinese-language novel promises direct implications for both this column and us readers in the not-too-distant future. So make space on your bookshelves now, before the new translations from Chinese start rolling out thick and fast, we hope. Or, if nothing else, to make room to fit in a couple of the recommendations below. In the breadth of their subjects and styles, these five books provide a glimpse of the sheer variety of Sinophone work that\u2019s out there, ripe for translation. So read on for tales of hard work and harder luck, featuring a migrant worker youth; a locomotive full of loco motives; a no-holds-barred imaginarium; S&amp;M transcendence; and the race to the top for a self-loathing bottom.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div id=\"vertical-book-list-block_132fe686a83b38c5d0df06adc5fa38aa\" class=\"vertical-book-list-block show-numbers\">\n\n\n\n\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.twolinespress.com\/shop\/books\/night-train\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/03\/51ApM8GR69L._SL1000_-1.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/Night-Train-Zechen-Xu\/dp\/1949641988\/?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/www.twolinespress.com\/shop\/books\/night-train\">Night Train<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4><\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Xu Zechen (tr. Jeremy Tiang)<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tMay 12, 2026\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>Two Lines Press<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">Xu Zechen is a fiction writer who made his name writing <\/span><i><span style=\"font-weight: 400\">about<\/span><\/i><span style=\"font-weight: 400\"> migrant workers. Both his previous works in translation, <\/span><a href=\"https:\/\/www.twolinespress.com\/shop\/books\/beijing-sprawl\"><i><span style=\"font-weight: 400\">Beijing Sprawl<\/span><\/i> <\/a><span style=\"font-weight: 400\">(tr. Eric Abrahamsen, Jeremy Tiang) and <\/span><a href=\"https:\/\/www.twolinespress.com\/shop\/books\/running-through-beijing\"><i><span style=\"font-weight: 400\">Running Through Beijing<\/span><\/i><\/a><span style=\"font-weight: 400\"> (tr. Eric Abrahamsen), feature characters scrambling to get by in whatever way they can, mostly after an honest living has been proven an unattainable fantasy. Yet the choices they make tend to hinder rather than help their aspirations. In Xu\u2019s latest novel, <\/span><i><span style=\"font-weight: 400\">Night Train<\/span><\/i><span style=\"font-weight: 400\">, even the campus setting and a guaranteed spot in a postgraduate program can\u2019t save protagonist Munian from a similar predicament: in a desperate bid to go traveling before his PhD in classical Chinese literature begins, he tells his trishaw-driving dad that he strangled a man and dumped the body in a river, and so needs money to flee. When he returns, this lie has put an end to his future at the school, and there starts a slow downward spiral for Munian and his quirky neighbors \u2014 the Van-Gogh wannabe, the flaccid lothario Little Japan, and Munian\u2019s uninterested love interest. It\u2019s maddening how needlessly the lives of this affable bunch fall apart, but Jeremy Tiang\u2019s swaggering translation and Xu Zechen\u2019s crack timing with gags make the novel hard to put down.<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/accentsisters.myshopify.com\/products\/pre-order-masters-of-sleep-and-other-stories?variant=47927089561652\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-26-at-3.55.10-PM.png\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/accentsisters.myshopify.com\/products\/pre-order-masters-of-sleep-and-other-stories?variant=47927089561652\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/accentsisters.myshopify.com\/products\/pre-order-masters-of-sleep-and-other-stories?variant=47927089561652\">Masters of Sleep<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4>And Other Stories<\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Zhu Yue (tr. Jianan Qian, Alyssa Asquith)<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tJuly 15, 2026\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>Accent Edition<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">Put something other than rural misery, urban listlessness and societal discontent at the center of Chinese fiction, and what do you get? An anthology of mind-boggling, planet-hopping and mischievous thought-experiments-slash-stories, which reads like <\/span><a href=\"https:\/\/www.penguinrandomhouse.com\/books\/299446\/strange-tales-from-a-chinese-studio-by-pu-songling-translated-with-a-introduction-by-john-minford\/\"><i><span style=\"font-weight: 400\">Strange Tales from Liaozhai<\/span><\/i><\/a><span style=\"font-weight: 400\"> for the modern day or the uncut version of <\/span><a href=\"https:\/\/www.imdb.com\/title\/tt6710474\/\"><i><span style=\"font-weight: 400\">Everything Everywhere All at Once<\/span><\/i><\/a><span style=\"font-weight: 400\"> (and not just because one character leaves surgery with wheat noodles for fingers). <\/span><i><span style=\"font-weight: 400\">Masters of Sleep<\/span><\/i><span style=\"font-weight: 400\"> is the long-awaited culmination of years of work by translator duo Jianan Qian and Alyssa Asquith to bring into English one of China\u2019s most inventive writers. From former lawyer Zhu Yue\u2019s earliest three collections come stories about a man chasing his eye across a barren landscape; a country boy whose dream of escape lands him alone in an alien world; and a compendium of \u201cextreme sleeping\u201d (among much more, some of it <\/span><a href=\"https:\/\/www.guernicamag.com\/running\/\"><span style=\"font-weight: 400\">available online<\/span><\/a><span style=\"font-weight: 400\">). As an editor at Beijing-based Post Wave Publishing (\u540e\u6d6a), Zhu Yue nurtures genuinely experimental work in a literary ecosystem that usually doesn\u2019t support it. Meanwhile, we have the New York-based <\/span><a href=\"https:\/\/www.accentaccent.com\/publishing\/masters-of-sleep-and-other-stories\"><span style=\"font-weight: 400\">Accent Edition<\/span><\/a><span style=\"font-weight: 400\"> (co-founded by our very own columnist <\/span><a href=\"https:\/\/chinabooksreview.com\/contributor\/na-zhong\/\"><span style=\"font-weight: 400\">Na Zhong<\/span><\/a><span style=\"font-weight: 400\">) to thank for taking the leap of releasing as its first translated publication a China book that isn\u2019t immediately political.<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/sinoistbooks.com\/product\/tibetan-sky\/\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2025\/12\/tibetan-sky.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/sinoistbooks.com\/product\/tibetan-sky\/\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/sinoistbooks.com\/product\/tibetan-sky\/\">Tibetan Sky<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4><\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Ning Ken (tr. Thomas Moran)<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tOctober 31, 2025\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>Sinoist Books<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p><i><span style=\"font-weight: 400\">Tibetan Sky <\/span><\/i><span style=\"font-weight: 400\">is Ning Ken\u2019s fourth novel, the first of his to be translated into English, and his latest to be set in Tibet. Born in 1959, in the same generation as household names Yan Lianke and Mo Yan, Ning is also Han Chinese. That might raise some eyebrows: a Han author writing about Tibet. English literature already furnishes enough problematic depictions of \u201cthe Other\u201d to last a reader a lifetime. But Ning Ken knows he\u2019s on shaky ground \u2014 he admits, in one of the sometimes pages-long metafictional interjections, \u201cFor years I have tried to write about Tibet but to little avail.\u201d Where he does succeed here is in dismantling some of the spiritual exoticism of Tibet as Shangri-La. Wang Mojie, the novel\u2019s Han protagonist, shares his shallow grasp of the enigma. An academic in Beijing trying to leave behind a messy divorce, Wang signs on to a \u201cTeach for China\u201d scheme which assigns him to a rural school outside Lhasa. He\u2019s followed there by the ghosts of events on \u201cthe Square,\u201d which only satisfying his masochistic desires can exorcise. Relief finds him in the form of Ukyi Lhamo, a half-Han, half-Tibetan woman trying to connect with her roots after an atheist upbringing in Beijing, who proceeds to pick apart everything Wang thought he knew about Tibet, its history and culture, Buddhism, philosophy.<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.harpercollins.com.au\/9780063435926\/spent-bullets\/#:~:text=Biography,and%20Validated%20by%20Harpercollins%2C%20Inc.\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2025\/09\/61smTBSyrFL._SL1500_.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/Spent-Bullets-Terao-Tetsuya\/dp\/0063435918\/?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/www.harpercollins.com.au\/9780063435926\/spent-bullets\/#:~:text=Biography,and%20Validated%20by%20Harpercollins%2C%20Inc.\">Spent Bullets<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4><\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Terao Tetsuya (tr. Kevin Wang)<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tOctober 14, 2025\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>HarperVia<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">Terao Tetsuya, a Taiwanese writer, worked as a programmer at Google for eight years before the intense pressure of the job and the impact it was having on his mental health led him to quit in favor of full-time writing. <\/span><i><span style=\"font-weight: 400\">Spent Bullets<\/span><\/i><span style=\"font-weight: 400\">, his debut collection of nine interconnected stories, is in part about fiercely ambitious and gifted young people caught in the rat race to the top \u2014 who, unlike him, find no way out. The title alone provides a stark metaphor for survival in the hyper-competitive and merciless battleground that is Silicon Valley, evoking shots fired, targets hit and missed, and lives lost. Opening with narrators Yi-Hsiang, Jie-Heng and Ming-Heng meeting in a Taipei boys\u2019 prep school, the collection ends with two of their number returning to the casinos of Las Vegas for the annual memorial of the third, who threw himself off a balcony there despite having achieved everything he\u2019d ever worked for. The other stories fill in the intervening decades, toggling back and forth between Taipei and California, and in between the three queer narrators, whose cavalier (if, in Kevin Wang\u2019s clever translation, intentionally indistinguishable) delivery of the graphic details of sex and violence, both real-life and imagined, only makes them all the more shocking. Strap in for piss play, torture fantasies and a botched suicide.<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/granta.com\/products\/adrift-in-the-south\/\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/01\/81GhZMN6FcL._SL1500_.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.co.uk\/Adrift-South-Xiao-Hai\/dp\/1738536262\/?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/granta.com\/products\/adrift-in-the-south\/\">Adrift in the South<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4><\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Xiao Hai (tr. Tony Hao)<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tApril 7, 2026\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>Granta<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">Stories of the down-and-out have long found eager readers in China, even before Lu Xun\u2019s Ah Q was written into being in the 1920s. But only in the past decade or so have the best-received accounts of life on the bottom rung come from those who are living it themselves. Migrant workers&#8217; literature, or <\/span><a href=\"https:\/\/chinabooksreview.com\/2026\/05\/21\/workers-literature\/\"><span style=\"font-weight: 400\">new workers\u2019 literature<\/span><\/a><span style=\"font-weight: 400\">, is the diverse output of a small cohort from the country\u2019s nearly 300 million internal migrants, who work for measly wages in cities where they are ineligible for residency and, therefore, healthcare, housing and other basic social protections. <\/span><i><span style=\"font-weight: 400\">Adrift in the South <\/span><\/i><span style=\"font-weight: 400\">(rightly translated in unvarnished prose by Tony Hao)<\/span> <span style=\"font-weight: 400\">is the powerful memoir of the poet Xiao Hai, one of the grassroots movement\u2019s most prominent voices alongside viral sensations <\/span><a href=\"https:\/\/www.whatsonweibo.com\/fan-yusu-%E6%88%91%E6%98%AF%E8%8C%83%E9%9B%A8%E7%B4%A0-full-translation\/\"><span style=\"font-weight: 400\">Fan Yusu<\/span><\/a><span style=\"font-weight: 400\">, Hu Anyan (<\/span><a href=\"https:\/\/astrapublishinghouse.com\/product\/i-deliver-parcels-in-beijing-9781662603044\/\"><i><span style=\"font-weight: 400\">I Deliver Parcels in Beijing<\/span><\/i><\/a><span style=\"font-weight: 400\">, tr. yours truly) and <\/span><a href=\"https:\/\/thebaffler.com\/poems\/low-flight-jibing\"><span style=\"font-weight: 400\">Wang Jibing<\/span><\/a><span style=\"font-weight: 400\">, <\/span><span style=\"font-weight: 400\">this year\u2019s <\/span><a href=\"https:\/\/www.npr.org\/2026\/08\/08\/nx-s1-5922489\/how-a-delivery-driver-and-poet-won-one-of-chinas-highest-honors-in-literature\"><span style=\"font-weight: 400\">winner<\/span><\/a><span style=\"font-weight: 400\"> of the Lu Xun Literary Prize for poetry. For Xiao Hai, who at 15 years old was sent 150 miles from home to learn to be a barber so his parents could afford his younger brother\u2019s education, the China Dream touted by the south\u2019s many economic boomtowns only ever looked like a string of dead-end factory jobs. But he was able to keep ennui and bitterness at bay by finding purpose and community, away from the assembly line, in poetry. \u220e<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\n\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-cream-background-color has-background has-medium-font-size wp-block-paragraph\"><a href=\"https:\/\/asiasociety.org\/center-us-china-relations\/events\/adrift-south-chinas-migrant-literature\">Register now<\/a> to hear Xiao Hai and translator Tony Hao talk about <em>Adrift in the South<\/em> and workers&#8217; literature, at Asia Society on Friday October 30, 6:30pm.<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:20% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2023\/09\/hargreaves.jpg\" alt=\"\" class=\"wp-image-1456 size-full\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2023\/09\/hargreaves.jpg 400w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2023\/09\/hargreaves-150x150.jpg 150w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2023\/09\/hargreaves-300x300.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\">Jack Hargreaves is a London-based translator from East Yorkshire. His published and forthcoming full-length works include\u00a0<em>Winter Pasture<\/em>\u00a0by Li Juan (2020) and\u00a0<em>Seeing\u00a0<\/em>by Chai Jing (2023), co-translated with Yan Yan;\u00a0<em>Mutual Strangers<\/em>\u00a0by Gu Qian\u00a0(2025);\u00a0<em>I Deliver Parcels in Beijing<\/em>\u00a0by Hu Anyan (2025); and\u00a0<em>The Man Under Water<\/em>\u00a0by Xiaoyu Lu (2027). He occasionally contributes to\u00a0<a href=\"https:\/\/paper-republic.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">Paper Republic<\/a>.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We recommend five new books translated from Chinese, spanning workers\u2019 literature and disaffected youth, all the way to alien landscapes, Tibet and Silicon Valley.<\/p>\n","protected":false},"author":15,"featured_media":11755,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7],"topic":[20],"class_list":["post-11753","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-book-list","topic-fiction"],"acf":[],"yoast_head":"<title>Translated Chinese Literature: Hard Work | China Books Review<\/title>\n<meta name=\"description\" content=\"We recommend five new books translated from the 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Boyd"}}]}},"_links":{"self":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts\/11753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/comments?post=11753"}],"version-history":[{"count":31,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts\/11753\/revisions"}],"predecessor-version":[{"id":11995,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts\/11753\/revisions\/11995"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/media\/11755"}],"wp:attachment":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/media?parent=11753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/categories?post=11753"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/topic?post=11753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":12000,"date":"2026-09-01T07:55:00","date_gmt":"2026-09-01T11:55:00","guid":{"rendered":"https:\/\/chinabooksreview.com\/?p=12000"},"modified":"2026-09-01T04:03:59","modified_gmt":"2026-09-01T08:03:59","slug":"clarissa-wei","status":"publish","type":"post","link":"https:\/\/chinabooksreview.com\/2026\/09\/01\/clarissa-wei\/","title":{"rendered":"Food Writing with Clarissa Wei"},"content":{"rendered":"\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/www.buzzsprout.com\/2252666\/follow\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1200\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2024\/09\/square-large-1-1200x1200.jpg\" alt=\"\" class=\"wp-image-4858 size-full\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2024\/09\/square-large-1-1200x1200.jpg 1200w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2024\/09\/square-large-1-600x600.jpg 600w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2024\/09\/square-large-1-150x150.jpg 150w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2024\/09\/square-large-1-768x768.jpg 768w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2024\/09\/square-large-1-500x500.jpg 500w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2024\/09\/square-large-1-1000x1000.jpg 1000w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2024\/09\/square-large-1.jpg 1400w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\"><br><em>This is an episode of the China Books Podcast, from China Books Review. <a href=\"https:\/\/www.buzzsprout.com\/2252666\/follow\">Follow<\/a> us to listen to the pod on your favorite platform, including <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/china-books\/id1708840799\">Apple Podcasts<\/a> and <a href=\"https:\/\/open.spotify.com\/show\/5Rb4fiEUB3RffbJjqP83wg\">Spotify<\/a>, where a new episode <em><em>lands on the first Tuesday of every month.<\/em><\/em><\/em> <em>Or listen to this episode right here, where we also post the transcript.<\/em><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div id=\"single-book-block_9144923ddcb8f5c2848d1f2f54fd6b5f\" class=\"single-book-block alignright\">\n\n\n\n\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/wwnorton.com\/books\/9781324116875\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/04\/81d8E8NL-PL._SL1500_.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/Sitting-Month-Postpartum-Recipes-Recovery\/dp\/1324116870?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\t\t\t\t\n\n\n<\/div>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">Stir-fried Amaranth. Salt-Fried Eucommia Bark. Ginseng and Astragalus Tea. Egg Drop Seaweed Soup. Coffin bread. Vegan blood cake. Grass jelly. Crystal meatball. These are just some of the recipes in the cookbooks of Clarissa Wei, a Taiwan-based journalist and food writer, and our guest on the podcast this month. She\u2019s the author of <a href=\"https:\/\/www.simonandschuster.com\/books\/Made-in-Taiwan\/Clarissa-Wei\/9781982198978\"><em>Made in Taiwan: Recipes and Stories from the Island Nation<\/em><\/a> (Simon &amp; Schuster, September 2023), that celebrates Taiwan&#8217;s unique culture and cuisine, and of <a href=\"https:\/\/wwnorton.com\/books\/9781324116875\"><em>Sitting the Month: Postpartum Recipes for Rest and Recovery<\/em><\/a> (W.W. Norton, September 2026), about the centuries-old Chinese cultural practice framing the month following childbirth as a sacred period for rest and recovery.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">We were joined by Clarissa, over the line from Taipei, to tell us more about both of those culinary cultures, and about some of the recipes that came out of those traditions too:<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div id=\"buzzsprout-player-19731707\"><\/div><script src=\"https:\/\/www.buzzsprout.com\/2252666\/episodes\/19731707-food-writing-with-clarissa-wei.js?container_id=buzzsprout-player-19731707&#038;player=small\" type=\"text\/javascript\" charset=\"utf-8\"><\/script>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Guest<\/h4>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:20% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1149\" height=\"1149\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/image1.png\" alt=\"\" class=\"wp-image-12002 size-full\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/image1.png 1149w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/image1-600x600.png 600w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/image1-150x150.png 150w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/image1-768x768.png 768w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/image1-500x500.png 500w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/image1-1000x1000.png 1000w\" sizes=\"auto, (max-width: 1149px) 100vw, 1149px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Clarissa Wei is a food writer, born in Los Angeles and based in Taipei. Her reporting and essays have appeared in <em>The New York Times<\/em>, <em>The New Yorker<\/em>, <em>The Los Angeles Times<\/em>, <em>Monocle<\/em> and <em>Foreign Policy<\/em>, among other places. She is the author of <a href=\"https:\/\/www.simonandschuster.com\/books\/Made-in-Taiwan\/Clarissa-Wei\/9781982198978\"><em>Made in Taiwan<\/em><\/a> (2023) and <a href=\"https:\/\/wwnorton.com\/books\/9781324116875\"><em>Sitting the Month<\/em><\/a> (2026). Wei is also co-founder of <a href=\"https:\/\/www.heydoh.co\/\">Heydoh,<\/a> a single-origin soy sauce brand based in Brooklyn.<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>In traditional Chinese culture, foods are categorized by temperature. So things like yogurt and salad are considered cooling, and ingredients like lamb and jujubes are considered warming and hot.<\/p><\/blockquote><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Transcript<\/h4>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong><em>Alec Ash: <\/em>So you were born and raised in Los Angeles, but you have Taiwanese heritage, and you moved to Taipei in 2020, was it? Did you grow up with a close connection to Taiwanese culture and indeed food? Why did you move there, and did you always have an interest or intention in writing cookbooks?<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><em>Clarissa Wei:<\/em> So my parents are from Tainan in the south of Taiwan, and since the age of two, they&#8217;ve dragged me and my brother back every single year just for the food. In fact, in my childhood, I remember them lugging back a styrofoam case of fresh fish from Taiwan to LA. And then I was a journalism major in college, and shortly after I graduated I just spent a lot of time in Taiwan and started writing a couple of freelance articles. 2013, 2015 was the age of the listicle, so I did a lot of listicles of where to eat in Taiwan, based on my experience there. And then in 2018, I moved to Hong Kong and was a reporter for the <em>South China Morning Post<\/em>, where I was covering the food and culture of China, and also traveling to Taiwan a lot. And when the pandemic hit, I decided I wanted to move to Taiwan and really focus on Taiwanese food and culture, and dive deep into the history of this country where my family is from.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>And when you were visiting Taiwan as a kid growing up, and as an adult, what were the foods at the street markets or at the restaurants that really made you salivate?<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Yeah, so my perception of Taiwanese food is really shaped by this southern Taiwanese food, and a lot of these dishes you don&#8217;t see outside of Taiwan. So like <em>\u00d4r \u00c1 Tsian<\/em> (\u86b5\u4ed4\u714e), which is an oyster omelet, or <em>Bah U\u00e2n <\/em>(\u8089\u5706), which is kind of a sticky rice meatball with pork inside. There&#8217;s this really common and famous dish called <em>H\u00e1i S\u00e1n Mu\u00e2i<\/em> (\u6d77\u7522\u7cdc), a seafood porridge soup. And it&#8217;s just old rice, and you put water and then seafood in it. And I used to think it was my mom being really lazy, but then I realized this is just a traditional way to use leftover rice, and then you use a lot of squid, oysters and fish filets inside. So that was kind of my perception of Taiwanese food, very southern. And then in my teens, I started visiting Taipei and then realized there was a lot of influence from mainland China in the 1940s and &#8217;50s, and that&#8217;s when I encountered beef noodle soup and xiaolongbao. But prior to that, my perception was very much southern Taiwanese.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Right. It changes a lot geographically. In Taipei, everyone goes for soup dumplings at Din Tai Fung, and then when you get to the coast, it&#8217;s sort of oyster sauce and fishy. So you published <\/strong><strong><em>Made in Taiwan<\/em><\/strong><strong> in 2023. We reviewed it alongside a few other cookbooks, and part of the point of that book was to differentiate Taiwanese cuisine to Chinese cuisine. Indeed, you write in the introduction, &#8220;Our food isn&#8217;t a subset of Chinese food because Taiwan isn&#8217;t a part of China,&#8221; which is accurate, but there&#8217;s certainly overlap. So can you give us a few examples, or expand on that, on how the recipes and ingredients of Taiwanese food make it distinct?<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Yeah. And I also want to caveat that Chinese food is a huge and important part of Taiwanese cuisine. But again, like I wrote in the book, it is not the only thing that distinguishes us. And one of the points I make in my book is that if you look at the building blocks of Taiwanese cuisine today \u2014 the way that we make soy sauce, the way that we make rice wine and vinegar \u2014 it&#8217;s very much today in the Japanese style, and that&#8217;s because Taiwan was a Japanese colony for 50 years. And this was something that I found out through old-school journalism, by calling up factories and asking them how they make their condiments. Because prior to me writing this book, you really could not Google this online. So if we want to get really into the granular, black vinegar, for example. Black vinegar in China is made by fermenting rice, and the Maillard reaction is what makes it black. In Taiwan, we have a black vinegar, but it&#8217;s actually regular rice vinegar that&#8217;s been steeped with fruits, kind of similar to how they make Worcestershire sauce, where they will steep it with fish and seafood. And then that&#8217;s a style that was brought over by Japan. Also, how our soy sauce is made is more Japanese. We don&#8217;t have <em>shengchou<\/em> (\u751f\u62bd) or <em>laochou<\/em> (\u8001\u62bd), which are styles common in southern China. In Taiwan, most people have an all-purpose soy sauce. And then we have something called <em>jiangyougao <\/em>(\u9171\u6cb9\u818f), which is a soy paste, and that&#8217;s something that is very special to Taiwan. It&#8217;s very similar to oyster sauce, if you will, but it doesn&#8217;t have oysters in it. So if you just look at the building blocks of Taiwanese cuisine, you can see how distinctly different it is from our neighbors. And that kind of formed the thesis of my book, and it really took me calling up these factories and learning how they produce it to even realize it. It was kind of my eureka moment.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>I love a good Worcestershire sauce. I never thought of it as Britain&#8217;s fish sauce until now. We should also probably plug your own co-founded brand of soy sauce, <\/strong><a href=\"https:\/\/heydoh.co\/pages\/about-us\"><strong>Heydoh<\/strong><\/a><strong>, out of Brooklyn, New York, made from Taiwanese black soybeans, presumably using that recipe you were talking about.<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Yeah, actually, so that style of soy sauce came before the Japanese. That was, I believe, the 18th century. When the first Fujianese immigrants moved to Taiwan, they brought black soybeans with them, and then they made soy sauce with black soybeans. When Taiwan became a Japanese colony, then the island transitioned to yellow soybeans, and actually yellow soybean soy sauce has the vast market share in Taiwan today. Black soybean is actually just kind of a niche subset. And interestingly enough, Taiwan is one of the few, if not the only, country in the world that still specializes in black soybean soy sauce. So from my understanding, in Fujian, even though they had this history of making soy sauce with black soybeans, it&#8217;s not a dominant industry anymore. But Taiwan has kind of preserved that. And so, growing up in LA, in America, where it is full of immigrants, you see how dishes are brought over and transformed with time. American Chinese food is a really great example. And when I started living in Taiwan and trying to formulate my thesis for <em>Made in Taiwan<\/em>, I really realized that even though Taiwan looks like a homogenous society from the outside, we really are a nation of immigrants, and with each wave of immigration has come a completely different new food culture. And Taiwanese cuisine today is a synthesis of all of these different waves of immigration, starting from the 16th century, to the Japanese influence, to when Taiwan was taken over by the Nationalist government. And then there was another change in the early 2000s when we transitioned to a democracy, and the food culture is so vibrant and different. And while we have overlapping dishes like xiaolongbao, these dishes have become a part of Taiwanese history. It&#8217;s not to say they aren&#8217;t Chinese, but they are also Taiwanese.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Yeah, it really is a book as much about Taiwan as it is about food, or about Taiwan through food. One of the earliest lines is that Taiwan is shaped like a sweet potato, so you&#8217;re certainly seeing things through that lens. I loved how you brought out the history of the island through the recipes with these overlapping influences and time periods, as you mentioned, from Hokkien and indigenous populations through Japanese colonialism, mainland migration, American influence even, all the way to modern street food and concepts like QQ, or chewiness. And Taiwan really is such a palimpsest in that respect. Its identity can feel like a moving target, to me at least. So through the research of these recipes, did you feel that you understood something, or that something clicked, as to what Taiwanese identity really is?<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">If anything, doing the book made me realize that no one truly understands what Taiwanese identity even is, because it&#8217;s such, like you said, a moving target, and because there&#8217;s been so many changes in our history. And just for people listening who don&#8217;t have that context, my grandmother, who I believe was born in the &#8217;30s, grew up speaking Japanese and she didn&#8217;t speak Mandarin, and Taiwanese Hokkien was her mother tongue as well. My parents were told when they grew up, they were encouraged to speak Mandarin, and they know Hokkien. But they were told that they would one day return to China and Taiwan would be returned to China. And then my friends in Taiwan who grew up in Taiwan don&#8217;t identify with Japan or China at all. They just see themselves as Taiwanese, regardless of what their family heritage is. So with all of these generations, the identity of Taiwan has changed, and therefore the food has changed. And I think starting from the 2000s is when Taiwan has really been trying to carve out its distinct identity. And I think the island is still in the process of doing that, and if anything, increasing cross-strait tensions and regional conflict has kind of put a fire underneath that, and this discussion is really happening throughout society. But I don&#8217;t think there is as strong a national, or at least culinary, identity, because that&#8217;s what I specialize in, compared to our neighbors like Korea, for example. Everyone will say kimchi. Taiwan is kind of still figuring that out. What is our national dish? What are we known for? And that&#8217;s in flux because people&#8217;s identity has been in flux.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Well, you have bubble tea. That was a bigger export even than semiconductors.<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">That\u2019s true. That is true.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>So three years later, you&#8217;re now coming out with this new book, <\/strong><strong><em>Sitting the Month<\/em><\/strong><strong>, which presumably was long in gestation itself. This book is as much a paean to the act of childbirth and motherhood as it is a cookbook per se. So let me start by asking you how and why you decided to write about this as your next topic?<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Yeah. So I gave birth to my son about three years ago, and I had asked my mom whether or not she would help me do my postpartum month, which is a concept that has been ingrained in me ever since I was a little girl, and a lot of the Chinese-speaking diaspora can attest to this. There&#8217;s a saying in Taiwan that is \u201cwhen you are pregnant, you take care of the baby; after you give birth, you take care of your body\u201d (\u4ea7\u524d\u517b\u80ce\uff0c\u4ea7\u540e\u517b\u8eab). And the idea is that if you don&#8217;t properly do your month of confinement, or take care of yourself in postpartum, it will ruin your body for the rest of your life. And this was something that I knew and my mom ingrained in me, and she basically said to me, &#8220;Do you want me to die? It&#8217;s so exhausting taking care of a newborn. Why don&#8217;t you just check into a postpartum center?&#8221; Postpartum centers in Taiwan are very expensive. They&#8217;re not, contrary to popular belief, subsidized by the government. In fact, most Taiwanese couples will save up to 30% of their annual salary to pay for a postpartum center, but people do it.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Is that a common practice?<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">It is a common practice. 65% of new parents in Taiwan check into a postpartum center. [We have the most] postpartum centers per capita in the world, probably close to Korea, and that&#8217;s because our postpartum industry has been established for around 30 years already. Now, obviously, in China and Southeast Asia, Hong Kong even, there are postpartum centers, but a lot of these initial centers in these other places were established by Taiwanese people who got roped into helping them start it. So long story short, there&#8217;s a deep, deep culture in postpartum hotels.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">So I checked into one. I <a href=\"https:\/\/www.newyorker.com\/culture\/the-weekend-essay\/life-in-a-luxury-hotel-for-new-moms-and-babies\">wrote<\/a> about the experience for <em>The New Yorker<\/em>, and I sort of realized that what I experienced was very different from what I, as a member of the Chinese diaspora, had thought postpartum was all about. So I think for my mom&#8217;s and grandmother&#8217;s generation, they subsisted on broths that were all rice wine, and they probably had sesame oil rice wine soup for all 30 days. And the older generation, the people that I have talked to, especially in my research for <em>Made in Taiwan<\/em> too, they complained about their postpartum month, because it was just bitter, disgusting soups with a lot of rice wine. But at the postpartum center, I noticed that most postpartum centers have a Western nutritionist and a Chinese medicine herbalist working in tandem to create a meal plan that is balanced, and they actually aren&#8217;t chock-full of Chinese herbs. They balance it, and it&#8217;s diluted a little bit, so it actually tastes good. And for modern Taiwanese women, pleasure is actually a big part of this hotel experience now. And then it sort of hit me that the way that Taiwanese women, or East Asian women, are experiencing postpartum today is very different from my mom&#8217;s and grandmother&#8217;s generation, because so much has changed, obviously, in the last 30 years. And I sought out to document that. So I spent the next two years writing this cookbook. But of course, I don&#8217;t have a background in herbalism, so I partnered with Stella Wang, who is around the same age as me. She also gave birth to her first kid the same time I did, but she&#8217;s a second-generation herbalist. And in most Chinese medicine apothecaries in Taiwan, they all have postpartum blends. You just go in and ask them for it, and then they have their own blend that they&#8217;ll give to you. So a lot of the recipes in the book are based on her herbal shop&#8217;s blends. And then I also just interviewed a bunch of people and kind of copied down the menu I was served, and adapted recipes based on that.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Great. And so before we get into the recipes, can you just explain for our readers what exactly is \u201csitting the month\u201d (\u5750\u6708\u5b50)? What&#8217;s the philosophy behind it, the history, and the science even, under this broader umbrella of traditional Chinese medicine (TCM)?<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Sitting the month is the practice of staying home for 30 days after giving birth and keeping your body warm. And keeping your body warm manifests itself in different ways. It means, in a literal sense, that you&#8217;re not supposed to have the AC blowing on your hair. Traditionally, women were told not to wash their hair, because back then they didn&#8217;t have blow dryers and your head would get cold. You&#8217;re supposed to wear socks, keep yourself wrapped in blankets. That warmth also manifests in a food sense, if you will. So you&#8217;re supposed to eat foods that are thermally warm. So in traditional Chinese culture, foods are categorized by temperature. So things like yogurt and salad are considered cooling, and ingredients like lamb and jujubes are considered warming and hot.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>So the basic idea is that childbirth depletes your energy, or your qi even, and then the goal is to sort of <\/strong><strong><em>buqi<\/em><\/strong><strong> (\u8865\u6c14), to add these heated elements to restore the body to equilibrium on a TCM level, right?<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Yeah, exactly. And because the woman after giving birth is considered cold, you&#8217;re supposed to eat hot foods. I thought that was the extent of it, but as I dove more into this tradition, you&#8217;re not supposed to just overwhelm yourself with hot foods. You&#8217;re supposed to eat a progression of hot foods. So in the beginning, you start off light and bland because you&#8217;re shedding. Your body&#8217;s really weak. You don&#8217;t want to overwhelm yourself. And I kind of use the metaphor of building a campfire to explain this in my book, where the spark is just kindling. You don&#8217;t want to add too much wood. And then the second phase is strengthening. Okay, now you have the spark going. You want to add a little bit of logs in, but not too much. This is the strengthening phase, and this is when you can start to introduce some herbs, but stay away from ginseng, for example, because that&#8217;s way too hot. And then after the strengthening phase, then you have the restoration phase. And that&#8217;s when you can go all out and have the ginseng and the cinnamon and all of these herbs that are considered, again, within Chinese medicine, to be very, very hot. So that&#8217;s the general practice. The history of it is kind of rooted in a patriarchal tradition. Originally, when a woman gives birth, she is bleeding a lot, and a woman&#8217;s blood was considered unclean, not just post-childbirth blood, but also period blood. And so she was advised to stay away from the family and confined literally for 30 days, because they didn&#8217;t want her to bring misfortune onto the family. And there were these crazy taboos, like you weren&#8217;t allowed to hang your dirty laundry outside because it would curse your family. And interestingly enough, for my second child \u2014 I just gave birth to my daughter four months ago \u2014 I sat the month at home using the recipes in my cookbook. And obviously, I&#8217;m born in the West. I will follow these traditions, but I&#8217;m also a little bit more lax. I think a week in, I went outside for a walk with my kid and my family, and my neighbors yelled at me. They were like, &#8220;Why are you out? This is so bad for you. Go back in.&#8221; These mentalities have stayed in Taiwan as well. I don&#8217;t think they meant it as I would bring them misfortune or curse them, but leaving the house is seen as very bad for your body.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>I&#8217;ve been a guest in households in China where a woman was sitting the month, and sometimes it does feel a little ridiculous, the extent to which they&#8217;re basically forced to rest, sometimes just fully lying in bed, being told not to bathe or to go out, and it can seem a little patronizing or patriarchal, as if they lack the agency to kind of get up and go for a walk.<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Yeah. What I discovered about this tradition is that it&#8217;s very, very subjective. There is no one exact way, and it really differs based on your family, or who&#8217;s telling you what to do, or what hotel you&#8217;re staying at. But there are dishes that repeat themselves throughout, and I just kind of wanted to distill the basic principles and point out these classical dishes, and sort of give people the tools, give women the tools they would need to make decisions for themselves. So with my first kid, when I was at the postpartum hotel, I actually developed postpartum anxiety, which may seem strange because I was pampered for 30 days. I didn&#8217;t have to do anything. All three meals were accounted for. My baby was taken care of by an army of nurses. And in retrospect, I think that anxiety came from following the rules and doing all of these things, but not knowing why I was eating this soup and not knowing why I had to stay in bed, and just kind of feeling trapped. It felt like a quarantine hotel, and I stayed in one because I was in Taiwan during Covid. They loved their quarantine hotels. And with my second kid, I basically just followed the recipes in my cookbook. I stayed at home, and it was night and day: (A) because I&#8217;m a second-time mom; but (B) I just knew what I was eating. I knew why I was eating this dish. I prepared the dishes myself, and I just felt so much more in control, and I could make decisions for myself.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>So how do views of postpartum recovery differ in the West and the Sinophone world, and the wisdom of how long to recover?<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Yeah, I actually interviewed an OB-GYN in the States, and she was saying that she doesn&#8217;t even know how to tell her clients about postpartum recovery, because that&#8217;s not something they learned in medical school. I think with this whole online trend of China-maxxing, there definitely is more awareness of this East Asian philosophy, Chinese philosophy, of sitting the month, but people don&#8217;t really understand how to follow it. And there are cookbooks on postpartum recovery, and a lot of them are just suggesting you eat a lot of protein, keep yourself fed, warm soups, things that are very standard. But this sitting the month, these dishes have kind of existed in a black box, being passed down from generation to generation, or just gatekept by the postpartum hotels and meal providers. And I really just wanted to distill that so that people don&#8217;t have to pay for a fancy meal service or a fancy hotel. So I am curious to see how this will be received, because it can be a bit difficult preparing some of these dishes, as these herbs are not common in the States. But I do think there&#8217;s a hunger for it.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Well, I certainly got hungry reading it. The recipes in the book look delicious, and there&#8217;s gorgeous food photography as well. So they&#8217;re organized into soups, protein, greens, carbs, drinks and desserts. Can you give just one example maybe of a recipe in there that you&#8217;re particularly fond of, or think is especially interesting or unique, to give us a flavor of that?<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Yeah, so I&#8217;m really proud of my sesame oil chicken soup (\u9ebb\u6cb9\u96de\u6e6f) recipe. In Taiwan, that is the banner postpartum dish. And traditionally it was a whole chicken boiled in rice wine and then finished off with black sesame oil. And I&#8217;ve tasted versions like that before, and it&#8217;s just too intense. If you&#8217;re boiling a whole chicken in rice wine, it&#8217;s going to taste bitter, and it will make you sweat, but it&#8217;s not nice. And I&#8217;ve also interviewed women who said that when they did their postpartum, they ate that dish for 30 days nonstop. So what I did in my recipe was I diluted the rice wine with water, and just added a little bit of sesame oil at the end, and I find that it&#8217;s very balanced. And also in that recipe, again based on interviews with herbalists, it&#8217;s really only recommended for your last week of recovery, to give yourself that extra boost. So I highly encourage, if anyone had to try any recipe from the book, it would be this one, because you can really notice the difference if you&#8217;ve had the traditional rendition.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Well, it sounds yummy, not just for new mothers. Besides these warming sort of soups and soft digestible foods, what else can and can&#8217;t you eat while sitting the month?<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Yeah. So one of the biggest things that&#8217;s taboo is raw food. Salads are absolutely off the table, and that&#8217;s actually something that when I was pregnant and just going to my doctor checkups, they were like, &#8220;Absolutely do not have any salads after you give birth. Don&#8217;t do it.&#8221; And to medical practitioners in Taiwan, even if they&#8217;re not trained in TCM, this is just common knowledge. It&#8217;s just things they tell all of their patients. Even when pregnant, you get a list of things not to eat and what to eat. You&#8217;re not supposed to have watermelon. And some of these things I find a little bit too arbitrary, but it is interesting how ingrained these principles are in Taiwan.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>So is that from the concept of being energetically cold, as you put it, the idea of sort of shanghuo (\u4e0a\u706b), giving internal heat, and quhuo (\u53bb\u706b), removing internal heat? So raw vegetables, raw food, raw salads: can you explain exactly why that&#8217;s taboo in Chinese cuisine?<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">So it&#8217;s considered, yeah, energetically cold. But when I was in China and just doing a lot of research on the food, I realized that a lot of these taboos probably stem from common sense. I went into villages where the sewage system was intertwined with their farming system. So you obviously could not eat the vegetables raw, because you would get food poisoning and potentially kill yourself. So I think a lot of these taboos stem from sanitary conditions back in the day. And the whole concept of boiling a whole chicken in 100% rice wine comes from that too, because it&#8217;s probably a village where the drinking water was iffy at best. And rice wine, alcohol, when you boil it, you know that the mom won&#8217;t get sick. It won&#8217;t taste nice, but it&#8217;s better having boiled alcohol than boiled water, because who knows what was in the water supply. So yeah, a lot of it is these TCM principles, but the more I dug into it, I was like, wow, a lot of this probably just had to do with conditions generations ago.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>You also write about how raw food in the earliest Chinese cuisines was considered uncivilized, but a marker of civilization and progress was to cook food. When I was first traveling in China as a 21-year-old, I was really surprised when I had my first ever hot pot and they put the lettuce in there. It didn&#8217;t occur to me that you would heat up your lettuce before eating it.<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Yeah, I think it&#8217;s so ingrained in the culture. So even when I am in Sweden visiting my husband&#8217;s family, at the end of the day my in-laws will end with a glass of wine, and to me that doesn&#8217;t sound very appealing. I want a hot cup of tea, because that&#8217;s how we wind down, not with an icy cold white wine. A lot of these food cultures or food quirks are so ingrained in our culture, and just growing up we have these quirks that we don&#8217;t even think twice about.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Yeah, what is the deal with no cold or iced drinks? I feel like avoiding those is such a repeat refrain in TCM. Whatever the circumstance, everyone tells you not to drink cold water.<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Yeah, so it just boils down to it makes your body cold. Cold water, icy stuff makes your body cold, and when you are sick, when you&#8217;re in need of recovery, you want warm things. And again, that applies literally in the temperature sense, but also thermally, and depending on how each food is classified.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Right. Where it slightly loses me is the thermal properties of food, because there are long lists of which types of food add heat or remove heat. So ginger and ginseng would add heat, mung beans and cucumber would remove heat. I think mandarin adds heat but orange removes heat, and they feel like such similar types of fruit to me. So how did the TCM doctors of yore figure out which foods add and remove heat, and how can you tell the difference?<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Yeah, that&#8217;s a great question. So I think people who have my background, growing up with immigrant parents, we kind of know the basics, but when it gets really nuanced, most people don&#8217;t know the difference. And I&#8217;ve realized that some doctors contradict themselves too, because it also depends on how something is prepared. So for example, pork is neutral. Some of the vegetables in my book are neutral, but then when you pair it with ginger, it becomes warming. And it just becomes, again, with a lot of these things, when you go very, very deeply into it, it&#8217;s a little bit arbitrary. And I say that in my book, that I&#8217;m not a trained practitioner, and that&#8217;s why in the book I don&#8217;t say this helps your spleen qi or your kidney qi. I truly don&#8217;t know. I just picked the dishes that I saw repeat themselves over and over again in the cookbooks and in the menus, and that the herbalists talked about.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Yes, and you mentioned that these recipes often have a lot of herbs that might be difficult to source. Is that because a lot of the herbs, and sometimes the roots, that are involved in cooking these dishes are herbs that might be used in medicine?<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">No, so in the States these herbs are classified as food. There just isn&#8217;t a demand for a lot of these. But based on my research, I started interviewing a lot of herbalists in the States, and within the last couple of years there have been more people importing more of these. And they actually will import these herbs from China and Taiwan and do third-party testing. So interestingly enough, in Taiwan, when they import herbs in from China, they will do random testing. It&#8217;s very strict. These herbs are regulated more strictly than food. In the States, it&#8217;s not. It&#8217;s the same as food, so you don&#8217;t know if the herb has heavy metals or contaminants, or what the quality is. But there are some companies like Clear Source Herbs, where they do their own testing and they work with organic farms. And I just think we just need more people using them for more of these ingredients to be in the States. It&#8217;s not like they aren&#8217;t in the States, it&#8217;s just no one&#8217;s asking for them yet.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>You use this phrase <\/strong><strong><em>yaoshitongyuan <\/em><\/strong><strong>(\u85e5\u98df\u540c\u6e90), that medicine and food are from the same source.&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Yeah, that&#8217;s a realization, again, I had while making this book. I think when I looked at these herbs, I got really intimidated. There was one day where Stella gave me a recipe that had 15 different herbs, and I accidentally put in the wrong herb for one of them, and I freaked out. I was like, can I eat this? Did I poison myself? And then I realized, it&#8217;s just food. It&#8217;s the same as when you put bay leaf in your pot. We&#8217;re not using medicinal levels, or powdered or distilled versions of these herbs. It won&#8217;t harm you. It&#8217;s like when someone makes a great chili, they&#8217;re putting all of these herbs inside. It&#8217;s the same with these soups as well.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>And as you say in the book, it&#8217;s not just about eating your bitter medicine, it&#8217;s about delicious, yummy recipes which are pleasurable to eat, and all of those desserts with the longan and jujube. It&#8217;s about tasty dishes, which are good for the soul as well as the body.<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Yeah. A lot of the herbal soups are sold in vegan restaurants especially, in Taipei in the winter. And it&#8217;s not geared just for postpartum women. So a lot of these formulas are just normal soup formulas that they will have in the winter, because it warms the body. So when I realized that, then I became less paranoid and just realized this is just another dish. It&#8217;s another soup dish, much like beef noodle soup. It has tons of spices inside. The difference between this and beef noodle soup is that people haven&#8217;t heard of these soups yet.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Did you get the impression that the practice of sitting the month is less common or dying out to any extent in Taiwan among the younger generation, or even in China, if you happen to know that as well?<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">So Taiwan has one of the lowest birth rates in the world. But again, 65% of all new parents check into a postpartum hotel. It is dying out in the respect that no one is staying at home and having their mother-in-law do their postpartum month, which is the tradition. Most people prefer to order in, or have the hotel provide all of their food. If they&#8217;re not in a hotel, they stay home and then order postpartum meal delivery services. And this culture is still very, very strong in Taiwan. But again, it depends on how you view that phrase, &#8220;dying out.&#8221; It&#8217;s not the same as it was in my parents&#8217; generation, but it still very much is practiced in its own modern way today.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">And I think that&#8217;s a thematic commonality in my work too, especially the fact that I&#8217;m based in Taiwan. I&#8217;ve realized that how the diaspora especially sees Taiwan or East Asia is very different from how we live in East Asia today. A lot of our perceptions are stuck in time, based on what our parents experienced. But how my mom and dad lived in Taiwan, that Taiwan doesn&#8217;t exist anymore. And a lot of my work is telling people in the States especially what life in Taiwan is like today. Yes, there are a lot of these traditional principles at play, but it has very much been upgraded by now. And even with <em>Made in Taiwan<\/em>, I know in 15, 20 years people will look back at it and be like, oh, this doesn&#8217;t reflect Taiwan today. But I say in my book that I wanted that cookbook to be a snapshot of the Taiwan I live in today. But because Taiwanese identity is constantly changing, the recipes, or what dishes are important, will change. And it&#8217;s the same thing with postpartum recovery. This concept of recovering after giving birth is still very strong in East Asia, in China, Korea and Taiwan, but how women are practicing it is very different. And I think it&#8217;s important for people in the West to know that, and especially the diaspora, because the diaspora in the States especially, they&#8217;re kind of the mouthpieces, they&#8217;re kind of the people telling folks in the West how these traditions are played out, and I just don&#8217;t think there has been enough awareness of what is actually happening in East Asia among their modern counterparts.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Yes, culture and cuisine are constantly in flux, but that also makes it so valuable for someone like you to record these recipes and these traditions and put them down for English speakers. I gather you&#8217;re working on a third cookbook. Are you willing to tell us what it&#8217;s about?<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Yeah, so this is completely different from my other works. It&#8217;s called <em>Chinese Barbecue at Home<\/em>. I&#8217;m working with a chef in LA who has been cooking char siu and Hainan chicken. He&#8217;s kind of known as the Prince of Poultry, and we&#8217;re really trying to distill these grandiose recipes of roast duck and char siu and poaching a whole chicken down for the home cook, so that anyone can make restaurant-quality Hong Kong-style roast duck at home. So completely different from my cultural anthropology works, but it&#8217;s been a very fun project so far. We&#8217;re only a couple of months in.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Well, I&#8217;m salivating at the prospect, and I will get my blowtorch ready for when that book comes out. Clarissa Wei, thank you so much for coming on the podcast.<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Thank you so much for having me. \u220e<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:20% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2023\/06\/alec-ash.jpg\" alt=\"\" class=\"wp-image-1557 size-full\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2023\/06\/alec-ash.jpg 500w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2023\/06\/alec-ash-150x150.jpg 150w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2023\/06\/alec-ash-300x300.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\">Alec Ash is a writer focused on China, and editor of <em>China Books Review<\/em>. He is the author of <a href=\"https:\/\/www.panmacmillan.com\/authors\/alec-ash\/wish-lanterns\/9781447237969\"><em>Wish Lanterns<\/em><\/a> (2016), following the lives of young Chinese in Beijing, and <em><a href=\"https:\/\/scribepublications.co.uk\/books-authors\/books\/the-mountains-are-high-9781914484377\">The Mountains Are High<\/a><\/em> (2024) about city escapees in Dali, Yunnan. His articles have appeared in <em>The New York Review of Books, The Atlantic<\/em> and elsewhere. Born and educated in Oxford, England, he lived in China from 2008-2022, and is now based in New York.<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The author of a new book of postpartum recovery recipes tells us what to eat while \u201csitting the month,\u201d and how Taiwanese food is distinct from Chinese cuisine.<\/p>\n","protected":false},"author":15,"featured_media":12001,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21],"topic":[25],"class_list":["post-12000","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-podcast","topic-culture"],"acf":[],"yoast_head":"<title>Food Writing with Clarissa Wei | China Books Review<\/title>\n<meta name=\"description\" content=\"The author of a new book of postpartum recovery recipes tells us what to eat while \u201csitting the month,\u201d and how Taiwanese food is 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Mingjie on Chinese Folk Belief"},"content":{"rendered":"\n<p class=\"has-drop-cap has-medium-font-size wp-block-paragraph\">Welcome back to&nbsp;<em>What China\u2019s Thinking<\/em>, our interview&nbsp;<a href=\"https:\/\/chinabooksreview.com\/category\/qa\/\">column<\/a>&nbsp;with Chinese public intellectuals, thinkers and creators on the ideas that impassion them.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">China is among the world\u2019s least religious countries, if the <a href=\"https:\/\/www.pewresearch.org\/short-reads\/2023\/08\/30\/is-china-a-religious-country-or-not-its-a-tricky-question-to-answer\/\">statistics<\/a> are to be believed: only 10% of Chinese adults say they adhere to a faith. But if asked about their more general beliefs, a different picture of faith in China begins to emerge.&nbsp;Nearly half of Chinese people believe in <em>fengshui<\/em>, a traditional form of geomancy, and over 24% of Chinese adults plan important life events for \u201causpicious days.\u201d Someone who proclaims not to be religious might still go to a temple to burn incense before their child takes the <em><a href=\"https:\/\/chinabooksreview.com\/2025\/10\/23\/hongbin-li\/\">gaokao<\/a><\/em> exam; flip through the Yellow Calendar (\u9ec4\u5386, a divination guide) before their marriage; venerate their ancestors on Tomb-Sweeping Day; or pray to a spirit for deliverance upon running into trouble.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ab6006be9f94&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ab6006be9f94\" class=\"wp-block-image alignright size-large is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1697\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/Mingjie-Li-1200x1697.jpg\" alt=\"\" class=\"wp-image-11773\" style=\"width:300px\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/Mingjie-Li-1200x1697.jpg 1200w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/Mingjie-Li-600x849.jpg 600w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/Mingjie-Li-768x1086.jpg 768w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/Mingjie-Li-707x1000.jpg 707w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/Mingjie-Li-1414x2000.jpg 1414w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/Mingjie-Li-1086x1536.jpg 1086w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/Mingjie-Li-1448x2048.jpg 1448w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/Mingjie-Li-scaled.jpg 1810w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Li Mingjie. <em>(Lauren Crow for CBR)<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">So what do Chinese people actually believe? I asked&nbsp;Li Mingjie, a former professor of Chinese language and cultural anthropology at East China Normal University [ENCU], now an adjunct instructor in NYU\u2019s Department of East Asian Studies. Trained as a linguist, Li\u2019s study of internet slang led her to explore social change in contemporary China. In 2017 she started to research Chinese &#8220;paper gods,&#8221; cheap printed texts and images that serve as portals to the divine.&nbsp;Li&#8217;s research became the basis for her Chinese-language book <em>Sacred Understanding: The Research of the Chinese Paper Gods Collection at the C.V. Starr East Asian Library of Columbia University<\/em> (<a href=\"https:\/\/book.douban.com\/subject\/36962279\/\">\u795e\u4ea4: \u7ebd\u7ea6\u54e5\u6bd4\u4e9a\u5927\u5b66\u201c\u4e2d\u56fd\u7eb8\u795e\u4e13\u85cf\u201d\u7814\u7a76<\/a>, Commercial Press, 2025), which uses paper gods to explore how Chinese people have expressed their ideas about family, fate and the unknown. Li studied paper gods in their two most common iterations: door gods (\u95e8\u795e) and <em>zhima<\/em> (\u7eb8\u9a6c) or &#8220;paper horses.&#8221; The former guard gateways; the latter are burned as offerings to the nether world.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Li Mingjie and I spoke a number of times in New York about faith and belief in China. She is easygoing and bubbly, and always smiled as we talked. Our discussion ranged widely from paper gods to a poetry journal she founded with the inmates of Tilanqiao Prison in Shanghai. In one of our conversations, I asked her what she thought about the new youth trend in China of praying to the Buddha.&nbsp;She did not think it was evidence of a genuine religious revival. Instead, she believes prayer has become an outlet for private speech amid a notable decline in freedom of expression: &#8220;Say a prayer, worship a god. At least there&#8217;s someone you can say it to, and say it to safely.&#8221;<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\"><strong><em>Yi Liu: <\/em>Your academic career has taken a few twists and turns. Why did you choose linguistics and then folklore studies? Does it have to do with how you grew up?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Li Mingjie: <\/em>My family is originally from Ningbo, in Zhejiang. My grandparents moved to Shanghai \u2014 all the top industry and commerce people in Shanghai at the time came from Ningbo, and my family made its money there. A lot of dialects were spoken in my house. My parents spoke Shanghainese; my father, an executive and engineer, spoke Ningbo dialect with his sister and his parents; and many of his colleagues and the workers spoke Wuhan dialect. So I speak Shanghainese and Wuhan dialect and Ningbo dialect and Mandarin. I also speak Henan dialect, and Cantonese because I worked in Hong Kong.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">There were also particular reasons [for my studying linguistics]. My father thought I was too sensitive for literature, and that linguistics might be a better alternative. Having been born into a capitalist family, he worried a great deal about my getting too caught up in literature, ideology and politics. I entered East China Normal University in 1987 and stayed until 2023, growing from an undergraduate into a professor, all at ECNU.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 2017 I came across the &#8220;paper gods&#8221; material at Columbia University and began going back and forth to New York, to study it. By the time I retired in 2023, New York had come to exert an enormous cultural pull on me. I had become interested in New York&#8217;s archives of Chinese folk culture, and in the work devoted to introducing Chinese folk culture to America.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For me, the thread running from linguistics to folklore studies to cultural anthropology is a consistent one. What I have always cared about is this: how the customs, rituals and images expressed through language present our memory and expression of the past and of the present. That expression is in fact our everyday practice \u2014 how a person settles himself through daily practice, understands the world, and then copes with social change.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Across your whole academic shift \u2014 from language to folklore to cultural anthropology \u2014 it seems to me you&#8217;ve been answering one question the entire time: how you understand the world, and your own relationship to it.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I don&#8217;t emphasize myself that much; I&#8217;m not important. What I&#8217;ve been trying to understand all along is human existence as such \u2014 how a person situates themself within social ideas. In the end, that&#8217;s what this research is looking at too: how, in a profoundly uncertain world (and from my own vantage as a professor it has been very uncertain, in the wild surf of an era), a person stays steady inside themself and does no harm.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This probably has to do with my own experience. Both my parents were &#8220;stay-out-of-it&#8221; types during the Cultural Revolution, which was rare. They were very important designers at a large plant. But they came through it safely, because they knew early on that harming people was wrong, that persecuting people has no dignity in it, that you cannot treat human beings that way. So I learned fairly early to hold honor and disgrace, rise and fall, a little lightly \u2014 and also that within those rises and falls there is the true and the false, things you can let go of and things you must not. Which is also why I would go on to study why people have faith, and what faith is.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>You recently published <\/strong><span><em style=\"font-weight: bold;\">Sacred Understanding<\/em><b>. What exactly are China&#8217;s paper gods? And why did you write this book?<\/b><\/span><\/p>\n\n\n\n<div id=\"single-book-block_4c9de42fa173d357f0d09ba4bdb0c581\" class=\"single-book-block alignleft\">\n\n\n\n\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.cp.com.cn\/book\/91171a77-8.html\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/s35168444.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/book.douban.com\/subject\/36962279\/\">Buy the book<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\t\t\t\t\n\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">In 2017, after I transferred from ECNU&#8217;s Chinese department to the Institute of Folklore, I wanted to open up some new ground and do comparative urban folklore. New York was the obvious case to set against Shanghai. As it happened, Jim Cheng, then director of Columbia&#8217;s C.V. Starr East Asian Library, introduced me to Columbia&#8217;s <a href=\"https:\/\/www.columbia.edu\/cu\/lweb\/digital\/collections\/eastasian\/paper_gods\/index.html\">Chinese Paper Gods Collection<\/a>. In 1930 an American woman, Anne Swann Goodrich, came to Beijing for the second time, following her husband, with three children in tow. The following year she bought up every paper god in the Renhe paper shop in Beijing \u2014 a full panoramic record of the actual state of folk belief in early Republican Beijing. The book is built around that collection.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On page eight I give a definition of the paper god. The concept itself isn&#8217;t a Chinese one \u2014 Europeans and Americans both like the term \u201cpaper god.\u201d In China, though, it means &#8220;door gods plus <em>zhima<\/em>.&#8221; Door gods [divine guardians of doors and gates] are easy enough to understand. <em>Zhima<\/em>, paper horses, are comparatively harder. We used to think of door gods and <em>zhima<\/em> as two separate things. But it was because of the Europeans, the French above all, that we came to see that door gods and paper horses are both gods. This is all a system of gods that ordinary Chinese believe in. Paper gods \u2014 door gods plus <em>zhima<\/em> \u2014 is our pantheon. It is the pantheon of the common people, the pantheon of Chinese folk religion. Not Daoist, not Buddhist.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">These beliefs can only be seen from the standpoint of the other. Much of Chinese academia, and ordinary Chinese too, have never heard of paper gods, and assume the foreigners must have gotten it wrong \u2014 a misreading. But the thinking of the other is not necessarily all misreading. Set against<em> zhima<\/em>, the door-god system is relatively simple: generally historical figures and immortals. Shenshu and Yul\u00fc, say, who are immortals out of the <em>Classic of Mountains and Seas<\/em> (\u5c71\u6d77\u7ecf), or Qin Qiong and Yuchi Gong who are historical figures. We know that Chinese people will elevate historical figures, people who made important contributions, into gods.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>With urbanization moving so fast in China, the rise of the middle class and the growth of the internet \u2014 how widespread is the paper gods tradition in China now?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Because economic and cultural conditions differ from place to place, it&#8217;s uneven across regions. In Yunnan province, for instance, you can buy <em>zhima<\/em> at any grocery store; they&#8217;re an ordinary everyday item. Or take Nantong [in Jiangsu province, next to Shanghai] \u2014 they are also an entirely common item there. In Shanghai they may survive in the form of &#8220;intangible cultural heritage&#8221;: woodblock-and-watercolor prints, say, sold as tourist souvenirs and no longer objects of belief. But that doesn&#8217;t mean they&#8217;ve disappeared. When you hand out a red envelope at New Year, that too is a mutation of the paper god; only the medium has changed. China is too vast.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>But can you say with confidence that any Chinese person knows what these are?<\/strong><\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ab6006beab83&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ab6006beab83\" class=\"wp-block-image alignright size-full is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"540\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/image.png\" alt=\"\" class=\"wp-image-11771\" style=\"width:300px\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">A door god print of Shenshu, an immortal from the <em>Classic of Mountains and Seas<\/em>, crafted in Tianjin. <em>(Li Mingjie)<\/em> <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Of course \u2014 everyone has seen them. But there&#8217;s another point: what survives overseas is more extensive still. In New York, the larger Chinese supermarkets all have a dedicated counter selling <em>zhima<\/em>. Hong Kong Supermarket in Manhattan&#8217;s Chinatown has an enormous counter for <em>zhima<\/em> and folk-worship supplies. And another one, Huale Supermarket, has several whole floors of <em>zhima<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>So in plain terms, <\/strong><strong><em>zhima<\/em><\/strong><strong> are a kind of Chinese belief and blessing \u2014 hopes printed onto paper \u2014 or a visualization of how Chinese people imagine the gods.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It is a human deity. In the Qin and Han dynasties it was connected to burial sacrifice. Back then the aristocracy sacrificed real horses \u2014 buried real horses alive, as grave goods. Later that came to seem too extravagant, too wasteful, and so they made a horse out of paper. You can still see this kind of paper horse today in the funerary paper shops of Manhattan&#8217;s Chinatown. Look at Sun Yat-sen&#8217;s funeral: paper horses appear there.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Why are the paper horses burned<\/strong>?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">How do you go about getting a wish to reach the gods? The simplest method is to burn it, because when you burn it the smoke goes up. Chinese people are both very romantic and very concrete: if you want to tell a god something, how do you make sure he receives it? You burn it for him.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>So the smoke is the means of transmission, something like a telephone line?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It&#8217;s express delivery. Among the god images there is even a god for exactly this: Sanjie Zhifu Shizhe (\u4e09\u754c\u76f4\u7b26\u4f7f\u8005), who holds a box in his hands; you put your words in the box, and he carries them up for you. Even today, in China&#8217;s Central Plains, the kitchen god (\u7076\u541b) sacrifice before Spring Festival keeps the custom alive \u2014 after the offering [of sweet treats] you scatter a handful of soybeans across the roof, and their rattling is the sound of hooves.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Why do Chinese people place their belief in paper, fragile as it is?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Because it isn&#8217;t a courtly aesthetic or an elite one. It&#8217;s thoroughly of the common people \u2014 it belongs to the bottom, to ordinary people. Paper is the medium an ordinary person can most easily get hold of, the cheapest and simplest, and it can be burned too. That fits the Chinese imagination of the gods: immortals ride the clouds and mists, they&#8217;re all up above.<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>Paper gods are the pantheon of the common people, the pantheon of Chinese folk religion. Not Daoist, not Buddhist.<\/p><\/blockquote><\/figure>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\"><strong><em>Zhima<\/em> are fascinating, but they&#8217;re a small part of Chinese folk culture. Could we talk about the broader history of Chinese folklore and religion?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chinese folk belief is very old. It begins with the worship of nature gods: the Queen Mother of the West (\u897f\u738b\u6bcd), the God of Mount Tai (\u6cf0\u5c71\u795e), the Duke of Thunder (\u96f7\u516c) and the Mother of Lightning (\u7535\u6bcd). This is the kind of nature worship every country and every people has some version of.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">But what we see today in China, what in some sense is still alive today, is a conception of ancestor worship that became systematic after the Ming and Qing dynasties. In my book I quote a <a href=\"https:\/\/scholarsarchive.byu.edu\/jeal\/vol2023\/iss177\/2\/\">passage<\/a> from the scholar Anne Swann Goodrich:&nbsp;<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">The Chinese were conscious that the problems of life were too great for human beings to solve by themselves, so they turned to the spirits of the dead, who, having been human, would understand the problems, and being spirits, had supernatural power to help. They were conscious of the reality of spiritual, supernatural forces in everyday life, that influenced their own lives individually. Each person worshipped the god he thought would help him most. Belief in the supernatural is one of the foundations of Chinese culture. Without belief in the continuation of life after death, resulting in ancestor worship, China would have developed a different society.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Chinese folk belief recovered very quickly after Reform and Opening. Why did it come back so fast? You once recommended to me the scholar Adam Yuet Chau&#8217;s book <em><a href=\"https:\/\/www.sup.org\/books\/asian-studies\/miraculous-response\">Miraculous Response: Doing Popular Religion in Contemporary China<\/a><\/em> (2005), that laid out three explanations. First, that the organizational mechanisms of popular religion reproduce secular ways of living, so it recovers easily. Second, that village elites treat temples as political, economic and symbolic capital, so the growth of popular religion is closely bound up with the emergence of a new kind of local elite. Third, local government. Do you accept those three explanations, and are there examples of it?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Entirely reasonable. Let me give an example: the Miaofengshan temple fair [a traditional<br>cultural event in the mountains to the west of Beijing], which has a very long tradition. Since the Ming and Qing dynasties it has been dedicated to Bixia Yuanjun (\u78a7\u971e\u5143\u541b), an extremely important fertility goddess for women \u2014 a little like Mary in Western religion. First of all, it&#8217;s a tradition. Even after people weren&#8217;t permitted to believe [during the Cultural Revolution], they might practice their belief not by way of &#8220;going to burn incense&#8221; but by way of climbing the mountain, and so it carried on. If a family held a wedding, or a wedding or a funeral, people mobilized and organized very easily. That&#8217;s how it works.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Climbing the mountain, spring outings, ascending the heights, excursions \u2014 they all end up at the temple. That&#8217;s its first organizing principle. Including going as a village, together. They organize by village, township, pilgrimage association or social organization, and the connections run extraordinarily wide. It&#8217;s stubborn. The roots go deep and fine, and are very hard to clear out. The organizational capacity of the folk didn&#8217;t disappear because religious belief was disallowed. It is isomorphic. Or understand it this way: religious organization and the social-mobilization organization at the base of folk society are isomorphic \u2014 they are one organization.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ab6006beb31e&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ab6006beb31e\" class=\"wp-block-image alignleft size-full is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"900\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/image-1.png\" alt=\"\" class=\"wp-image-11772\" style=\"width:300px\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/image-1.png 794w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/image-1-600x680.png 600w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/image-1-768x871.png 768w\" sizes=\"auto, (max-width: 794px) 100vw, 794px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">A <em>zhima<\/em> of a &#8220;Spirit Tablet of the Efficacious Heavenly Immortal Holy Mother and the Nine Ladies&#8221; used to watch over child-bearing women. <em>(Li Mingjie)<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Then there&#8217;s the government&#8217;s &#8220;culture sets the stage, the economy performs the play.&#8221; China put forward that slogan. The Miaofengshan fair has become a local tourism brand, an economic brand. I went to observe it a couple of years ago: business was booming, spirits were high, and under the banner of going to the fair to worship the gods people also got a spring outing out of it. It combines the various Chinese habits of belief very neatly. Toward folk belief the government is, if anything, supportive. There is one thing I&#8217;m not sure it&#8217;s convenient to say \u2014 what the Chinese government worries about most is Christianity. A great deal of Christian activity is controlled.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Across all these years of repeated maneuvering with politics, folk religion has turned out to be an extremely adroit player. It isn&#8217;t an institutional religion, so the ruling class doesn&#8217;t worry about it as intensely. An institutional religion has strict organization \u2014 a pope, a church \u2014 whereas a folk temple fair looks unorganized. So the governing apparatus isn&#8217;t on guard against it. And when there&#8217;s a larger &#8220;enemy&#8221; \u2014 Christianity, say, an institutional religion it feels it needs to guard against \u2014 it will encourage the one and suppress the other. Which makes folk religion something the government often uses, and even assists.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the years when it was absent on the mainland, Taiwan and Hong Kong \u2014 and [the diaspora] overseas, Malaysia included \u2014 served as a mirror of Chinese society, and it survived there. In that sense we even have a surviving strand. It persisted at the base, it&#8217;s grass that wildfire can&#8217;t burn out: the roots are there and all you&#8217;ve done is cut off the top. Hong Kong&#8217;s intangible heritage, for instance \u2014 Hong Kong folk custom \u2014 is entirely an expression of folk belief, preserved whole, never broken. It&#8217;s a cultural lineage.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>China has more than 1.4 billion people. People must find a place for their spiritualism. But by the statistics, China&#8217;s rate of religious belief is very low. So do Chinese people have faith? And if they do, what is it they believe in?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">They do. It&#8217;s a belief diffused through life \u2014 dissolved into life. A belief that I should do something, that life should be made better, that all of life&#8217;s troubles should be dealt with. What ordinary people care about is whether this religion is useful. Does it solve an actual problem? That is the essence of Chinese folk religion. Efficacy, efficacy, efficacy \u2014 it has to be efficacious, and efficacious means useful. So Chinese gods are very concrete. There&#8217;s a god for getting rich and a god for having children \u2014 my book discusses childbirth, and the fertility gods are extremely specific: one for conception, one for hastening labor, all different gods.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ab6006beb7d7&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ab6006beb7d7\" class=\"wp-block-image alignright size-full is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1022\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/v2-4a664fba655de1b6d07f0d40e52bfa01_1440w.jpg\" alt=\"\" class=\"wp-image-11952\" style=\"width:300px\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/v2-4a664fba655de1b6d07f0d40e52bfa01_1440w.jpg 1080w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/v2-4a664fba655de1b6d07f0d40e52bfa01_1440w-600x568.jpg 600w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/v2-4a664fba655de1b6d07f0d40e52bfa01_1440w-768x727.jpg 768w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/v2-4a664fba655de1b6d07f0d40e52bfa01_1440w-1000x946.jpg 1000w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\"><br>A&nbsp;paper horse (<em>zhima<\/em> or <em>jiama<\/em>) from Dali, Yunnan province. <em>(\u6700\u5927\u7406\/Zhihu)<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Chinese belief doesn&#8217;t necessarily show up first as &#8220;what religion do I believe in&#8221; but rather as &#8220;how do I handle uncertainty in daily life.&#8221; We can&#8217;t simply answer the question &#8220;what does a Chinese person believe&#8221; \u2014 gods, ancestors, morality, relationships. More precisely, the structure of Chinese belief is usually not organized around an exclusive doctrinal system. It is diffused through family, ancestors, local society, ethical order, festival ritual, trade organizations, everyday life. Chinese people look as though they believe in nothing, in the sense that it isn&#8217;t centered on an independent church, fixed doctrine and a clearly marked believer&#8217;s identity. A person may never say &#8220;I am an adherent of such-and-such a religion,&#8221; but that doesn&#8217;t mean he has no structure of belief. Much of Chinese belief comes through <em>doing<\/em> \u2014 Adam Chau has a concept for it, &#8220;doing religion.&#8221; It is doing: you have to do it, your body has to be in place, you have to show up, the money has to show up. If those aren&#8217;t there, your intent is a fake.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">So we can&#8217;t say that Chinese folk belief has no system. Its system doesn&#8217;t take the form of religious organization familiar to Westerners; its order is hidden inside daily life. Like salt going into water, and water going into life. In folk religion, many elements come from Buddhism, from Daoism, and even from elsewhere \u2014 Matteo Ricci, for instance, is also a god in folk religion. Within the Chinese religious sphere, Ricci is no longer a Catholic. He&#8217;s the patron god of the clock and watch trade, because precision timepieces came from abroad [in the late Ming] and at that time the greatest foreigner Chinese people knew of was Matteo Ricci.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Why is Chinese belief so very different from organized religion in the West?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">History, geography, ethnicity \u2014 it&#8217;s far too complex. The differences among the 56 ethnic groups are too great. Down in the southwest people follow Buddhism, Islam, even Mormonism. Religion in Quanzhou, in Fujian, was extraordinarily developed in the Ming; every religion in the world gathered there, so Quanzhou has temples of every kind, different two paces apart.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Second, our illiteracy rate used to be very high, which made organizing and disciplining thought difficult. A great deal of our knowledge was transmitted through opera and drama \u2014 things passed from mouth to ear are very hard to systematize. A religious system requires singing hymns and reading scripture. There was no way to manage it.<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p><br>The structure of Chinese belief is usually not organized around an<br>exclusive doctrinal system. It is diffused through family, ancestors, local<br>society, ethical order, festival ritual, trade organizations, everyday life.<\/p><\/blockquote><\/figure>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\"><strong>On Chinese social media I&#8217;ve noticed a lot of young people starting to pray to gods and worship the Buddha.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Young people going to temples, buying amulets, taking part in intangible-heritage events doesn&#8217;t necessarily mean they&#8217;ve become religious believers in the traditional sense. A great deal of the time they are looking, inside a life that is intensely competitive, intensely mobile and intensely uncertain, for somewhere to put their feelings, for a cultural belonging and a touchable sense of order \u2014 even if the emotional relief lasts only a moment.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Does that count as a revival of belief? <\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-medium\" style=\"width:650px\">\n<style type=\"text\/css\">\n.cbr-recs {\n  border: 2px black solid;\n  border-collapse: collapse;\n  font-family: futura-pt, sans-serif;\n  width: 100%;\n}\n.cbr-recs th {\n  color: #fff;\n  background-color: black;\n  padding: 10px 0;\n  text-align: center;\n  font-size: 20px;\n}\n.cbr-recs td {\n  font-size: 17px;\n  padding: 12px 20px;\n  vertical-align: top;\n  white-space: nowrap;\n}\n.cbr-recs td:first-child {\n  width: 1%;\n  padding-right: 8px;\n}\n.cbr-recs td:last-child {\n  white-space: normal;\n}\n<\/style>\n<table class=\"cbr-recs\">\n<tbody>\n<tr><th colspan=\"2\">LI MINGJIE&#8217;S RECOMMENDATIONS<\/th><\/tr>\n<tr>\n<td>BOOKS:<\/td>\n<td><em><a href=\"https:\/\/cup.columbia.edu\/book\/course-in-general-linguistics\/9780231157278\/\">Course in General Linguistics<\/a><\/em> by Ferdinand de Saussure (1916); <em><a href=\"https:\/\/www.penguinrandomhouse.com\/books\/803573\/tractatus-logico-philosophicus-by-ludwig-wittgenstein-translated-by-alexander-booth-introduction-by-jan-zwicky\/\">Tractatus Logico-Philosophicus<\/a><\/em> by Ludwig Wittgenstein (1921)<\/td>\n<\/tr>\n<tr>\n<td>FILMS:<\/td>\n<td><em><a href=\"https:\/\/www.imdb.com\/title\/tt0106332\/\">Farewell My Concubine<\/a><\/em>, dir. Chen Kaige (1993); <em><a href=\"https:\/\/www.imdb.com\/title\/tt0068646\/\">The Godfather<\/a><\/em>, dir. Francis Ford Coppola (1972)<\/td>\n<\/tr>\n<tr>\n<td>MUSIC:<\/td>\n<td>\u00c9dith Piaf; Jacqueline du Pr\u00e9<\/td>\n<\/tr>\n<tr>\n<td>HOBBIES:<\/td>\n<td>Keeping company with plants and with rivers, lakes and seas \u2014 and talking to them<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">No. It&#8217;s a collusion of politics and economics. So many questions can&#8217;t be discussed in China now, but a nationalist revival under the name of patriotism can be, and it dresses itself up as patriotism. With the economy in difficulty and foreign trade increasingly obstructed, this is the only direction left to move in. That&#8217;s the negative reading, of course. The positive reading is that after 40 years of Reform and Opening, China&#8217;s culture has established itself further, and people are starting to feel that wearing <em>huafu<\/em> \u2014 Tang and Han dynasty dress \u2014 is no longer ridiculous. In fact the media took part in that, too. So it&#8217;s a collusion of media and politics. And it&#8217;s permitted: wear Tang or Han dress and nobody says anything to you; be openly gay and people will have something to say; wear a kimono and you&#8217;ll still be abused for it. So this doesn&#8217;t even deserve to be called a revival. From the standpoint of scholarly observation I&#8217;d go further: this so-called revival strikes me as dangerous.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For instance, Xi Jinping <a href=\"https:\/\/www.jswyw.com\/org\/xiehui\/mj\/xhdt\/202307\/t20230717_17711.shtml\">went<\/a> to Suzhou [in 2023] to try his hand at local woodblock New Year prints. But that culture is only a performance. It&#8217;s a collusion of economics and politics, because he wanted to stimulate Suzhou&#8217;s economy and needed a representative for it. In reality the craft is already dead. Nobody in Suzhou uses it now and nobody carves it \u2014 probably fewer than ten people can carve at all, and they&#8217;re inside art academies.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Your view differs from what Ian Johnson observes in <em><a href=\"https:\/\/www.penguinrandomhouse.com\/books\/241115\/the-souls-of-china-by-ian-johnson\/\">The Souls of China: The Return of Religion After Mao<\/a><\/em> (2017). In that book he thinks a revival of belief is underway in China.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">That book was written before the pandemic. Before and after the pandemic are two different worlds. The political ideology isn&#8217;t the same either. Before the pandemic, China and the United States cooperated; they were important trading partners. Now that&#8217;s changed \u2014 China&#8217;s relationship with Russia, China&#8217;s relationship with the whole world, have all changed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The more the economy falters and the more uncertainty people face, the more easily belief becomes the only current thing and the only floor beneath them, because there is nothing else to choose. So the paper god is a medium for handling our unstable relationship with the world. You may not print <em>zhima<\/em> any more, but you&#8217;ll take up a religion, say a prayer, worship a god \u2014 and you&#8217;ll ask more concretely: give me a child, find me a job. At least there&#8217;s someone you can say it to, and say it to safely.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Speaking of the pandemic reminds me of an infamous exchange back then. Officials enforcing a Covid lockdown threatened a young man, telling him that his compliance with pandemic controls would affect his children&#8217;s future. The young man&#8217;s <\/strong><a href=\"https:\/\/chinadigitaltimes.net\/2022\/05\/were-the-last-generation-becomes-a-slogan-for-chinas-disenchanted\/\"><strong>answer<\/strong><\/a><strong> was: \u201cWe&#8217;re the last generation, thanks.\u201d That video shocked a great many Chinese people at the time.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It was extremely shocking. When your ancestor dies they become a god who protects you. A great many Chinese still think this way \u2014 that once mama&#8217;s she will still watch over you. But that young man\u2019s line means that, at the root of it, in order to spare his child your fear, he has cut himself away from Chinese tradition, from folk belief, entirely. A total severance. Social contradiction had reached its peak at that moment.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">When these young people say &#8220;there&#8217;ll be no next generation,&#8221; I can feel their pain, because in fact they have placed themselves in the position of a ghost: I&#8217;m willing to be a ghost, and still I won&#8217;t cooperate with you. That is utter despair. Chinese expectations of descendants and of wealth are extremely stubborn, it&#8217;s fair to say. If something that important gets abandoned, you can see how thoroughly the policy had lost the people. Life in China is very hard. Modern Chinese history has never been good. If that sliver of possibility didn&#8217;t exist, I think Chinese life would have collapsed altogether.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>I remember being utterly shaken when I saw that video online. But when I shared it with my American colleagues, they clearly weren&#8217;t as shocked as I was.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Because in Western culture each life answers to God alone, and so it&#8217;s a life that can be celebrated. But for a Chinese person, I am not returning to heaven, to God \u2014 I am to become an ancestor who watches over the next generation. In that sense a Chinese person is a person inside social relations. They aren&#8217;t an independent individual; they are a point within a social order. They may belong to a guild, to a community, to a family. So if you dig that person out of those relations, they suffer terribly. Which is why &#8220;may you be the last of your line&#8221; (\u65ad\u5b50\u7edd\u5b59) is the most vicious curse in the Chinese language.<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p><br>They are looking inside a life that is intensely competitive, mobile and<br>uncertain, for somewhere to put their feelings, for a cultural belonging<br>and a touchable sense of order.<\/p><\/blockquote><\/figure>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\"><strong>In an <a href=\"https:\/\/news.qq.com\/rain\/a\/20251009A025CP00\">interview<\/a>, you mentioned that you still regularly teach poetry classes to inmates serving long sentences in a prison in Shanghai. How did that begin?&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A student of mine killed a man. His wife was having an affair \u2014 she was in my class too, I was their counselor \u2014 and he killed the man his wife was living with. That was the situation. Prison reformed him, and then he put my name forward, asked me to run a poetry society with him, to give lectures. So from 2009, after I went to see him, I agreed to lecture on poetry, to run activities for them, a kind of cultural salon. The prisoners who behaved well could take part, and for that half-day they wouldn&#8217;t have to work.  Prison [in China] is a place of heavy physical labor. A lot of our export orders are made by them. Light bulbs, shoe soles \u2014 they make all of it, because it&#8217;s fast and cheap, and they have to be kept in there anyway, so: labor, hard labor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>How often do you go, and how many people are there?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The poetry society has more than 50 members. But every session is networked, so they can listen online too, sitting in their own cells. Sometimes they hold a full assembly, 300 or 400 people, or everyone comes, [up to] 1800 people, all sitting below, face to face. Back then I went to lecture on poetry about once every three months. I&#8217;ve lectured on Feng Zhi\u2019s <a href=\"https:\/\/scholarworks.wmich.edu\/cgi\/viewcontent.cgi?article=1256&amp;context=transference\">sonnets<\/a>, on Shakespeare. Most recently, in 2025, when I went I also met Chen Nianxi, the <a href=\"https:\/\/www.nytimes.com\/2021\/11\/13\/world\/asia\/china-miner-poet-chen-nianxi.html\">miner poet<\/a> [who once worked as a poetry teacher in the prison]. Whenever I&#8217;m back [in China], I go.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Was there anything that particularly stood out to you in this class?&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">There was a murderer in his twenties who couldn\u2019t write. After taking the class, he asked someone else to write down his words and composed a poem called \u201cTo My Mother.\u201d It was beautifully written.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ab6006bebfe3&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ab6006bebfe3\" class=\"wp-block-image alignleft size-full is-resized wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1500\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/image.jpeg\" alt=\"\" class=\"wp-image-11770\" style=\"width:300px\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/image.jpeg 1000w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/image-600x900.jpeg 600w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/image-768x1152.jpeg 768w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/image-667x1000.jpeg 667w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">The poem &#8220;Embrace,&#8221; written by an inmate at Tilanqiao prison. <em>(Li Mingjie)<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">He also wrote a poem called \u201cEmbrace.\u201d He originally said that Confucius taught us to repay injury directly \u2014 if someone treats me badly then I have to kill him. That&#8217;s what Confucius said [he thought]: repay injury with injury, I can&#8217;t repay injury with kindness. And he refused to repent, refused to admit fault. When I saw him that time there was nothing worth saying to him, so I gave him a hug. What was there to urge on him? What he did was a grave crime. On the question of good and evil, right and wrong, there is no compromise. But he could still be loved. What I mean is: Tilanqiao prison holds long-sentence convicts, not ordinary ones \u2014 it&#8217;s a men&#8217;s prison for serious offenders. Even in the most severely constrained circumstances, a person still needs language, needs expression, needs to meet face to face.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">They cry every time. Whole rows of them crying, rows of tears, always. Some of them cry from start to finish. Think about it: this is reform through labor, a policy of compulsory reform, where the officers call people by their numbers. Everyone is a number. So to be treated as a person, for one afternoon out of several months, is an enormous opportunity. \u220e<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><em>Translated from Chinese by Alexander Boyd and Claude.<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:20% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"485\" height=\"485\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/01\/yi-liu.png\" alt=\"\" class=\"wp-image-9610 size-full\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/01\/yi-liu.png 485w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/01\/yi-liu-150x150.png 150w\" sizes=\"auto, (max-width: 485px) 100vw, 485px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size wp-block-paragraph\"><br>Yi Liu is a bilingual journalist from Chongqing, based in New York. She is a staff writer at <em>China Books Review<\/em>, and previously worked at <em>The Wire China<\/em>, <em>The New York Times<\/em>\u00a0and <em>The Beijing News<\/em>. Her articles have also appeared in <em>The China Project<\/em>, <em>Initium Media<\/em>\u00a0and other outlets.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The academic and author walks us through Chinese folk religion today, from paper gods to ancestor worship, and explains how faith in China is fundamentally social.<\/p>\n","protected":false},"author":15,"featured_media":11769,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[34],"topic":[25,78],"class_list":["post-11768","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-qa","topic-culture","topic-religion"],"acf":[],"yoast_head":"<title>Li Mingjie on Chinese Folk Belief | China Books Review<\/title>\n<meta name=\"description\" content=\"The academic and author walks us through Chinese folk religion, and puts forth 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in.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/chinabooksreview.com\/2026\/08\/27\/wct-li-mingjie\/","og_locale":"en_US","og_type":"article","og_title":"Li Mingjie on Chinese Folk Belief | China Books Review","og_description":"The academic and author walks us through Chinese folk religion, and puts forth her argument about what China really believes in.","og_url":"https:\/\/chinabooksreview.com\/2026\/08\/27\/wct-li-mingjie\/","og_site_name":"China Books Review","article_published_time":"2026-08-27T11:44:21+00:00","article_modified_time":"2026-08-27T22:24:11+00:00","og_image":[{"width":1100,"height":1000,"url":"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/08\/wctlimingjie.jpeg","type":"image\/jpeg"}],"author":"Alexander Boyd","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Alexander Boyd","Est. reading 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Review"},"image":{"@id":"https:\/\/chinabooksreview.com\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/chinabooksreview.com\/#\/schema\/person\/8e07b5179868486483d40582bd7613bf","name":"Alexander Boyd","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/6d69ce34206556390ec95c2cce91c83c4399b656159a16935b6e471b2a9990e6?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/6d69ce34206556390ec95c2cce91c83c4399b656159a16935b6e471b2a9990e6?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6d69ce34206556390ec95c2cce91c83c4399b656159a16935b6e471b2a9990e6?s=96&d=mm&r=g","caption":"Alexander Boyd"}}]}},"_links":{"self":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts\/11768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/comments?post=11768"}],"version-history":[{"count":141,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts\/11768\/revisions"}],"predecessor-version":[{"id":11997,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/posts\/11768\/revisions\/11997"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/media\/11769"}],"wp:attachment":[{"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/media?parent=11768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/categories?post=11768"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/chinabooksreview.com\/wp-json\/wp\/v2\/topic?post=11768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":11094,"date":"2026-08-20T07:50:21","date_gmt":"2026-08-20T11:50:21","guid":{"rendered":"https:\/\/chinabooksreview.com\/?p=11094"},"modified":"2026-08-20T07:50:21","modified_gmt":"2026-08-20T11:50:21","slug":"pax-sinica","status":"publish","type":"post","link":"https:\/\/chinabooksreview.com\/2026\/08\/20\/pax-sinica\/","title":{"rendered":"A New World Disorder?"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\">When Western leaders describe the geopolitical landscape that lies before them, they invariably reach for the language of upholding the liberal international order. Such framings suggest, somewhat hopefully, that the turmoil and disruptions of present times might recede if people start respecting the rules again. Their nightmare scenario is that Beijing will replace the Pax Americana with a Pax Sinica \u2014 an alternative China-led world order.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">However, Chinese thinkers tend not to focus on laying out the details of what a China-led order might look like. Instead of seeing this as a time for grand designs, they expect the world to endure a protracted period of disorder, reflecting Xi Jinping\u2019s \u201cgreat changes unseen in a century\u201d (\u767e\u5e74\u672a\u6709\u4e4b\u5927\u53d8\u5c40). They direct their energies into finding ways for China to survive the turmoil and position itself for a new era in international relations. They are not interested in preserving the status quo, but they do not want to replace the United States as a global policeman either.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Some of the most interesting debates among Chinese thinkers are focused on fleshing out notions of struggle and survival in times of uncertainty, drawing on Chinese history and nationalist sentiment to do so. They have taken up the contours of official policy which aims for \u201cholistic national security.\u201d As part of this, they are seeking to build security from the ground up rather than rely on global institutions. And they have launched the idea of \u201cdemocratizing the global order,\u201d as part of an asymmetrical response to what they perceive as Washington\u2019s system of international alliances.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This effort rests on the judgment that China has few formal allies, and so must turn weakness into strength \u2014 that Beijing must take advantage of the \u201cgreat changes\u201d that will arise from the disorder of the coming decades. Policymakers are already attempting to put Chinese thinkers\u2019 ideas into practice by winning over countries, especially in the Global South, to their preferred way to conduct international relations.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Beijing\u2019s new quest for power begins with sustaining the ability of the Chinese Communist Party (CCP) and its regime to survive and guide the nation; to shield the country from internal and external threats while maintaining prosperity; and to reshape the existing international order so that it is less defined by Western hegemony. China has spent billions on modernizing its military and preparing for different scenarios with <a href=\"https:\/\/chinabooksreview.com\/2026\/04\/09\/taiwan-war\/\">Taiwan<\/a>, but these issues are politically sensitive and less part of the academic and intellectual debates. First, we must tell the story of the evolving thinking about China as a power \u2014 both as an end goal in the international order, and as the means to achieve it.<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>Some of the most interesting debates among Chinese thinkers are focused on fleshing out notions of struggle and survival in times of uncertainty.<\/p><\/blockquote><\/figure>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">Xi Jinping\u2019s famous phrase \u201cgreat changes unseen in a century\u201d arose from academia rather than a Party document. The first person to apply it in relation to China\u2019s place in the modern global order was a political scientist called Yuan Peng (\u8881\u9e4f), a former president of the China Institutes of Contemporary International Relations (CICIR), the top foreign policy think tank in China, which has close links to the Ministry of State Security. He originally used the phrase in various <a href=\"http:\/\/www.cicir.ac.cn\/UpFiles\/file\/20200722\/6373101393946953971340961.pdf\">essays<\/a> written after the global financial crisis in 2009, but it came to great prominence in the title of his book <a href=\"https:\/\/book.douban.com\/subject\/26898348\/\"><em>Changes Unseen in 400 Years: From Westphalia to a New World Order<\/em><\/a> (Citic Press, 2016).<\/p>\n\n\n\n<div id=\"single-book-block_5176814cf2e6ec113d548fb079211fad\" class=\"single-book-block alignleft\">\n\n\n\n\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/book.douban.com\/subject\/26898348\/\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/81kZEK8cwKL._SL1500_.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/%E5%9B%9B%E7%99%BE%E5%B9%B4%E6%9C%AA%E6%9C%89%E4%B9%8B%E5%8F%98%E5%B1%80-%E4%B8%AD%E5%9B%BD%E3%80%81%E7%BE%8E%E5%9B%BD%E4%B8%8E%E4%B8%96%E7%95%8C%E6%96%B0%E7%A7%A9%E5%BA%8F-Author\/dp\/B01MXE68PE?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\t\t\t\t\n\n\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">In the book, Yuan explains the title\u2019s \u201c400 years\u201d as the time that passed since the Peace of Westphalia. He describes this as the first major event in the formation of the world order as it is known today, followed by the Treaty of Versailles and the Yalta Conference, each of which concluded world wars. Yuan goes on to argue the world is now going through a fourth historic change embodied by revolutions in global populations (Africa\u2019s and Asia\u2019s population growth), technology (a fourth industrial revolution), climate (an energy transition) and power (a shift from West to East). This forms the backdrop to the rivalry between China and the U.S. and the disorder that accompanies it. The outcome of this rivalry will be as consequential for international relations as its historic predecessors.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The wording of \u201cgreat changes unseen in a century\u201d also has strong echoes of the writings of intellectuals 150 years ago, when China experienced what it came to call the \u201ccentury of humiliation\u201d (\u767e\u5e74\u56fd\u803b) \u2014 a period of imperial decline, wars, rebellions and semi-colonization by Western powers and Japan. In the aftermath of the Opium Wars, the late Qing statesman Li Hongzhang (\u674e\u9e3f\u7ae0) described the threat to the Chinese empire from encroaching Western powers as \u201cunprecedented changes unseen in millennia\u201d (\u6570\u5343\u5e74\u672a\u6709\u4e4b\u5927\u53d8\u5c40).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The difference between then and now is that many Chinese thinkers believe both time and fortune are on China\u2019s side \u2014 and that it is the U.S. which risks becoming the victim of global transformations. The phrase has re-emerged at a moment when the official rhetoric is replete with talk of American decline, how \u201cthe sun rises in the East and sets in the West\u201d (\u592a\u9633\u4ece\u4e1c\u8fb9\u5347\u8d77\uff0c\u897f\u8fb9\u843d\u4e0b). In the past decade, the use of the phrase \u201cgreat changes unseen in a century\u201d has skyrocketed. In 2017, it was officially incorporated into CCP rhetoric by then state councilor Yang Jiechi (\u6768\u6d01\u7bea), when he declared it to be a guiding tenet of Xi Jinping Thought on Diplomacy. Soon afterwards, Xi himself endorsed the phrase in a speech to the 2018 Central Foreign Affairs Work Conference.<\/p>\n\n\n\n<figure class=\"wp-block-image alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1290\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image5-1200x1290.png\" alt=\"\" class=\"wp-image-11099\" style=\"width:300px\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image5-1200x1290.png 1200w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image5-600x645.png 600w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image5-768x826.png 768w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image5-930x1000.png 930w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image5.png 1274w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption class=\"wp-element-caption\">The political scientist Yuan Peng.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">As is often the case, this official articulation quickly translated into heightened interest among China\u2019s intellectuals catering to the system\u2019s needs. Academics and think-tankers embarked on a mission to give more practical meaning to Xi\u2019s guiding idea. Until 2017, very few articles containing the phrase \u201cgreat changes unseen in a century\u201d had been published in China, but about 3,700 such pieces appeared in 2018. By the end of 2022, around 40,000 articles featuring the phrase were available in the China Integrated Knowledge Resources System.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This flurry of activity sought to identify the drivers of these great changes, which include the geopolitical, technological, demographic and ecological shifts the world is going through. Analysts present these as harboring both opportunities and threats, with deep implications for the CCP\u2019s domestic logic and international strategy. Much of the debate about global politics in Chinese academia thus centers on how China can prepare for this period of changes, and benefit from it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The idea of survival crops up time and time again \u2014 that China should concentrate on holding its own and protecting itself during this period, rather than attempting to overthrow the entire international order. Alongside this, thinkers are developing a new idea of security which encapsulates all the vulnerabilities of living in a volatile and highly interdependent world. Finally, they argue for China to have an approach to global relationships that contains the power of the U.S. alliance system and turns China\u2019s perceived weaknesses into strengths.<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>Much of the debate about global politics in Chinese academia centers on how China can prepare for this period of changes, and benefit from it.<\/p><\/blockquote><\/figure>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">In the late Qing period of the 19th century, when talk of \u201cchanges unseen\u201d first emerged, another important Chinese narrative thread emerged \u2014 that of \u201cstruggle\u201d (\u594b\u6597 or \u6597\u4e89). This grew out of a Social Darwinist view of China\u2019s development path which held that, like all living organisms, China had to \u201cstruggle for survival\u201d (\u4e89\u5b58). If it failed to adapt to the unprecedented changes by reforming and modernizing, it would find itself subjugated.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A key figure in popularizing this Western idea in China was Yan Fu (\u4e25\u590d), who became famous for translating into Chinese the works of Thomas Huxley, one of Darwin\u2019s close associates (and the grandfather of Aldous Huxley). In the 1870s, Yan became one of the first Chinese students to enroll at the Royal Naval College in London. He introduced the concept of \u201csurvival of the fittest\u201d (\u9002\u8005\u751f\u5b58) to China, and argued that the Chinese people needed to struggle for social progress and the survival of their nation. Laying the foundations for today\u2019s nationalist revival, he observed that \u201chistory records nothing but the endless struggle between established nations and rising powers.\u201d This led not only to a new type of socio-political discourse rooted in the ideas of the necessity of fierce competition and adaptation, but also in an analytical framework of great power competition that remains popular to this day.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Today, scholars once again echo the ideas of struggle and survival. The struggle concept has changed over time. During the Maoist era, it was a purely Marxist-Leninist term, evoking the idea of \u201cclass struggle\u201d (\u9636\u7ea7\u6597\u4e89) between the reactionaries and the proletariat. At the height of the Cultural Revolution, political struggle became both a form of youth emancipation and the legitimizing force behind mass violence. In the reform and opening era, the idea of struggle became much more individualistic, a \u201cpersonal struggle\u201d (\u4e2a\u4eba\u594b\u6597) in line with the dominant idea that \u201cto get rich is glorious\u201d (\u81f4\u5bcc\u5149\u8363), memorably, if apocryphally, credited to Deng Xiaoping. This was about the individual helping make China rich and powerful after the disastrous policies of Mao Zedong, which left the country vulnerable in the superpower competition of the late Cold War era. Today, the sense of struggling to survive as a sovereign state remains central to how Chinese political and intellectual elites view the world.<\/p>\n\n\n\n<figure class=\"wp-block-image alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1098\" height=\"1482\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image1-2.png\" alt=\"\" class=\"wp-image-11100\" style=\"width:290px\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image1-2.png 1098w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image1-2-600x810.png 600w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image1-2-768x1037.png 768w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image1-2-741x1000.png 741w\" sizes=\"auto, (max-width: 1098px) 100vw, 1098px\" \/><figcaption class=\"wp-element-caption\">Wang Honggang, a policy analyst.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Prominent think-tanker Wang Honggang (\u738b\u9e3f\u521a), vice-president of CICIR, has written explicitly about the \u201csurvival of the fittest\u201d and its application to China. He argues that \u201cit is the essence of Chinese culture that the more frustrated you are, the stronger you are.\u201d Wang links the nation\u2019s struggle to the inevitable big power competition between China and the U.S. In a 2019 essay on this strategic competition, he predicted that the U.S. would have the upper hand in the short term, but that China would likely prevail over the longer term. China\u2019s struggle with the U.S. may have forced the country out of what Wang calls its \u201ccomfort zone,\u201d but, he believes, the intensification of this sense of crisis will help it \u201cfind the most powerful source of motivation for its great transformation.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wang\u2019s work depicts a world of hostile forces that are attempting to undermine China\u2019s rise. He advises the Chinese leadership to maintain a high degree of vigilance, warning that the great power competition \u201cacts ruthlessly as a crisis clearing and survival of the fittest, contributing to the continuous evolution of the world system.\u201d In other words, the essential battleground in the new competition is not just the international sphere, but also in the ability of every great power to develop the resilience to cope with great changes. Wang says that the foundation of dealing with great power competition is to do a good job at home. He thinks that only by \u201cmaking proper investments in [itself]\u201d (by undertaking \u201ceconomic, political, social and civilisational\u201d reforms) can China best navigate international competition.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Another scholar, speaking off the record, went even further than Wang in showing the extent to which security is seen in today\u2019s China in defensive terms. He contrasted the current period with the Cold War to show how insecure all the great powers have become. During the Cold War, he argued, outward-looking superpowers with expansive ideologies competed to define the future of the planet. But today\u2019s competition is taking place between two troubled, nostalgic, inward-looking giants, whose foreign policy is driven more by their domestic (identity) politics and security concerns than any grand vision.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The turbulence of Chinese history over many centuries means security has never been far from the minds of Chinese leaders and thinkers. But the way they think about this has fundamentally changed over the last 15 years \u2014 a period where spending on internal security has outstripped spending on national defense. As hundreds of millions of Chinese people escaped from poverty and China became the second-largest economy globally, the guiding concept for navigating the country\u2019s place in the world has moved from one focused on economic growth to one fixated with the idea of maintaining security, even at a significant cost.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Under Xi Jinping, China has entered the \u201csecurity first\u201d era of its development. As so often with the ideas ecosystem of modern China, scholars have responded to the central policy ambition declared by the Chinese leadership. In 2014, many years before Western security establishments became obsessed with the security implications of data, energy and food, Xi set out to broaden the definition of security with his concept of \u201cholistic national security\u201d (\u603b\u4f53\u56fd\u5bb6\u5b89\u5168). In parallel with debates about Chinese solutions on <a href=\"https:\/\/chinabooksreview.com\/2024\/02\/01\/sunset-of-the-economists\/\">economics<\/a>, he talked of the need to develop \u201cnational security with Chinese characteristics.\u201d This was to be defined by a holistic approach because the threats ranged against China are themselves now so diverse.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In his 2014 <a href=\"https:\/\/en.qstheory.cn\/2020-12\/04\/c_607611.htm\">speech<\/a>, Xi said:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">The national security issues facing China encompass far more subjects, extend over a greater range, and cover a longer time scale than at any time in the country\u2019s history. Internally and externally, the factors at play are more complex than ever before.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Xi\u2019s goal was to develop an approach that integrated traditional and non-traditional ideas of security, including political, military, economic, cultural, social, science and technology, information, ecological, resource, <a href=\"https:\/\/chinabooksreview.com\/2026\/05\/07\/the-bomb-is-back\/\">nuclear<\/a> and more. He was keen to develop a new notion of security that starts not only with guns, planes and missiles but with the capacity of governments to withstand challenges from information warfare and cyber-attacks to technology controls and economic decoupling.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As a result, new academic and policy institutions have sprung up to make sense of this. Perhaps the most important is the new Research Center for a Holistic Approach to National Security (or the National Security Centre), which was inaugurated in April 2021. Based in CICIR, with Yuan Peng as secretary general, the Center\u2019s mission was to give life to this notion of \u201cholistic national security.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>The sense of struggling to survive as a sovereign state remains central to how Chinese political and intellectual elites view the world.<\/p><\/blockquote><\/figure>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">By far the biggest \u201cunseen change\u201d affecting the world today is a shift in the global balance of power \u2014 and this is also the biggest challenge to Chinese security. From the Chinese perspective, the biggest source of instability is the way that the U.S. is reshaping global order to counter its relative decline. Many Chinese scholars I interviewed believe that the U.S. has moved from a mix of engagement and containment to a stance of total competition with China. Indeed, it is not putting too fine a point on it to say the Chinese intellectual and political class is obsessed with Washington and its response to Beijing\u2019s challenge to its hegemony.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Many Chinese intellectuals are convinced that the U.S. is intentionally polarizing the world as a way of keeping its edge over China. They especially focus on what they perceive as its ability to mobilise allies in pursuit of this goal. And they think that the U.S. \u2014 faced with the prospect that China might overtake it in economic terms \u2014 is trying to reframe the contest into one between democracies against autocracies: a contest pitting China against an America that is aligned with Australia, Europe, India, Japan and South Korea. In the minds of Chinese intellectuals, America\u2019s inspiration for this strategy is the Cold War.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chinese thinkers have been considering how to respond to this. A decade ago there was an active debate in Beijing about whether China should abandon its policy of \u201cnon-alignment\u201d and seek to develop formal alliances. But with only North Korea as a formal ally, Beijing knows it cannot hope to win a battle of alliances against Washington. So it is trying to counter this situation by adopting an asymmetrical approach towards its opponent. This involves doubling down on \u201cnon-alignment\u201d by not forging Chinese alliances, but making a big show of offering to help countries protect their sovereignty and avoid being forced to join blocs or accept diktats from great powers. Here, China uses its links with developing countries that are particularly sensitive about these issues. It wants to pose as the champion of a new movement towards \u201cnon-alignment\u201d or \u201cmulti-alignment.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1034\" height=\"1314\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image6.png\" alt=\"\" class=\"wp-image-11101\" style=\"width:300px\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image6.png 1034w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image6-600x762.png 600w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image6-768x976.png 768w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image6-787x1000.png 787w\" sizes=\"auto, (max-width: 1034px) 100vw, 1034px\" \/><figcaption class=\"wp-element-caption\">Foreign policy expert Chu Shulong.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Meanwhile, Beijing seeks to portray U.S. attempts to restore the power and international appeal of liberal democracy as a display of \u201cCold War mentality\u201d (\u51b7\u6218\u601d\u7ef4). In countless speeches made by Xi, his officials and state-affiliated media, they argue that this mindset threatens to destroy the current reality of globalization and interdependence, and must be rejected.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In support of this, Chinese thinkers increasingly depict global politics as a contest between two ideas of democracy. They argue that the U.S. focuses on the internal governance of countries and tries to unite liberal democracies against autocracies such as China and Russia. They contrast this with China, which they say focuses on the distribution of power in international governance, which is still too strongly defined by the hegemony of Western ideas. China\u2019s offer is to \u201cdemocratize international relations\u201d (\u56fd\u9645\u5173\u7cfb\u6c11\u4e3b\u5316) by creating a space for non-Western countries to have more of a voice. In their telling, Beijing\u2019s answer to America\u2019s \u201cCold War\u201d against China should be to ramp up engagement with third countries, especially in the Global South and in China\u2019s own neighborhood.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rather than suggesting that third countries should take China\u2019s side, Chinese scholars often talk about how China can offer to protect their sovereignty and meet their desires for multi-alignment, echoing the tradition of the Non-Aligned Movement as a \u201cthird way\u201d for countries situated between the main power blocs. This position is the basis of what some Chinese scholars call \u201cconquering the two-camp imagination\u201d \u2014 an attempt to go beyond Cold War-style dividing lines. One Chinese foreign policy strategist told me that China is in a strong position to contend in this face-off:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">The US isn\u2019t declining, but it is only good at talking to Western countries. The big difference between now and the Cold War is that then the West was very effective at mobilizing developing countries against the USSR in the Middle East, South-East Asia and Africa.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Chinese foreign policy thinkers such as Chu Shulong (\u695a\u6811\u9f99), a scholar at Tsinghua University, have conducted research that supports this overall framing. Chu has argued for some time that Chinese strategists should not underestimate the power of the U.S. and assume that it will decline. He nevertheless maintains that recent events show Washington is losing sway in many parts of the world. In an article published in 2022, he claimed that the Western bloc contains as few as 33 countries and that 167 countries are refusing to be drawn into Western circles. He attributes this to these states\u2019 negative memories of the Cold War, a period when their sovereignty and identity were squeezed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The CCP has used this broad underpinning to communicate the idea that countries should treat each other as equals whatever their political differences. This is also known as \u201cequal-footing diplomacy.\u201d To put this \u201cdemocratization of international relations\u201d into practice, Beijing has set up a number of initiatives, which might be termed \u201cnon-alignment 2.0.\u201d These initiatives include well-established frameworks such as the Belt and Road Initiative (BRI), the Shanghai Cooperation Organisation (SCO) and the BRICS group, alongside some newer formations. But the most recent attempts to create inclusive new international groupings are the \u201c3Gs\u201d: the Global Development Initiative (GDI), Global Security Initiative (GSI) and Global Civilization Initiative (GCI). These are all pet projects of Xi Jinping that grew out of the lessons learned from his previous endeavours, such as the resistance met by the BRI. The 3Gs are deliberately loose endeavours that bring together mutually reinforcing dimensions of Beijing\u2019s current international strategy: development, security and normativity.<\/p>\n\n\n\n<figure class=\"wp-block-image alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1311\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image3-1200x1311.png\" alt=\"\" class=\"wp-image-11102\" style=\"width:300px\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image3-1200x1311.png 1200w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image3-600x655.png 600w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image3-768x839.png 768w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image3-916x1000.png 916w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/image3.png 1214w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption class=\"wp-element-caption\">International relations academic Wang Jisi.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Twenty years ago, scholar Wang Jisi (\u738b\u7f09\u601d) coined the term \u201chot peace\u201d to describe the competitive nature of China-U.S. relations. Wang is founding president of the Institute of International and Strategic Studies at Peking University, and many believe him to be the intellectual inspiration behind the BRI. Wang\u2019s analysis has long centered on the idea that the international order is falling apart, and that China has a big opportunity to reach out to countries ignored by the U.S., rather than confronting it directly. He has sought to encourage the Chinese government to avoid escalating its competition with Washington, to manage the bilateral relationship carefully, and to expand into spaces which are less contentious. Today, Wang argues that this \u201chot peace\u201d has intensified, becoming \u201cmuch hotter in many dimensions\u201d such as economic competition, cybersecurity, military activities in the South China Sea, human rights and the potential hot spot of Taiwan. He has made many trips to the U.S., and is trying to keep channels open even as the competition intensifies.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wang explains that, with its \u201c3G\u201d initiatives, Beijing is working to present principles that will be attractive to others rather than laying down specific plans for how to act. He said:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">The Chinese way of proposing principles is based on an understanding that these principles will not be opposed by any country. So it is about principles, it is not specific, like the condemnation of Russia. \u2026 After all, it is more abstract, and this is the Chinese way of thinking.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">The last few years have strengthened many Chinese scholars\u2019 belief that change and disorder \u2014 rather than order \u2014 are coming to dominate the world. The major wars taking place in Ukraine and Gaza, and now Iran, have reinforced this view and provided opportunities for thinking about how their ideas can be applied in practice. These conflicts have also enabled Chinese leaders to test-run their thinking. Intellectuals have been keen to show how Beijing\u2019s responses should lean into the disorder and promote the \u201cdemocratization of international relations.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>While the West is trying to preserve the rules-based order, China\u2019s goal is to be able to survive without order.<\/p><\/blockquote><\/figure>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">All these academics are part of the Chinese system, but there are nevertheless frustrations with official policy on Ukraine, the BRI and the tone of Chinese diplomacy. Nonetheless, the difference of perspectives between China and the West extends to many other sets of issues: how to cope with pandemics and counter-globalization; how to deal with great power competition; and how to respond to war. The reconstruction of the Chinese state after Covid, and its evolving relationship with the Global South, are fundamental to the CCP\u2019s long-term resilience and regime survival.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In each of these areas, the Chinese possess an analysis and a set of strategies which is in sync with a great number of countries around the world. The West is often seen as trying to preserve an order that has lost legitimacy \u2014 even as it asks other countries to take sides in a bipolar world \u2014 but China is positioning itself as protecting their sovereignty and allowing them to take back control of their affairs. Understanding China\u2019s perspective on the current geopolitical changes and related challenges is thus necessary to understand Beijing\u2019s long-term goals.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What emerges from the thinking of Chinese intellectuals is a fundamentally different way of thinking about the state of the world, and how the international order is changing. While the West is trying to preserve the rules-based order, China\u2019s goal is to be able to survive without order. \u220e<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><em>Excerpted from <\/em><a href=\"https:\/\/ecfr.eu\/publication\/idea-of-china\/\"><em>The Idea of China: Chinese Thinkers on Power, Progress, and People<\/em><\/a><em> by Alicja Bachulska, Mark Leonard and Janka Oertel (European Council on Foreign Relations, July 2024).<\/em> <em>Mark Leonard&#8217;s latest book <em><a href=\"https:\/\/www.amazon.co.uk\/Surviving-Chaos-Geopolitics-When-Rules\/dp\/1509575227\/?tag=chnbk-20\">Surviving Chaos: Geopolitics When the Rules Fail<\/a><\/em> (Polity Press, April 2026) is available now.<\/em><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><em>Feature image: Visitors walk over a world map carved onto stone at a plaza in Chongqing, May 2010. (STR\/AFP\/Getty)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:20% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2024\/01\/image6-1.jpg\" alt=\"\" class=\"wp-image-3002 size-full\" srcset=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2024\/01\/image6-1.jpg 500w, https:\/\/chinabooksreview.com\/wp-content\/uploads\/2024\/01\/image6-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\">Mark Leonard is Co-founder and Director of the <a href=\"https:\/\/ecfr.eu\/\">European Council on Foreign Relations<\/a> (ECFR), as well as the Henry A. Kissinger Chair in Foreign Policy and International Relations at the U.S. Library of Congress. He is author of <a href=\"https:\/\/www.hachettebookgroup.com\/titles\/mark-leonard\/what-does-china-think\/9780786732036\/?lens=publicaffairs\"><em>What Does China Think?<\/em><\/a> (2008), <a href=\"https:\/\/www.penguin.co.uk\/books\/443237\/the-age-of-unpeace-by-leonard-mark\/9780552178273\"><em>The Age of Unpeace<\/em><\/a> (2021) and <em><a href=\"https:\/\/www.amazon.co.uk\/Surviving-Chaos-Geopolitics-When-Rules\/dp\/1509575227\/\">Surviving Chaos<\/a><\/em> (2026), and contributes to <em>Foreign Affairs<\/em> and other publications on geopolitics, China and EU politics.<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>With Pax Americana crumbling, many countries in the Global South are turning to Pax Sinica as an alternative. So what are Chinese thinkers&#8217; vision for its place on the world stage, in such uncertain and changing times?<\/p>\n","protected":false},"author":15,"featured_media":11117,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8],"topic":[17],"class_list":["post-11094","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essay","topic-politics"],"acf":[],"yoast_head":"<title>A New World Disorder? | China Books Review<\/title>\n<meta name=\"description\" content=\"With Pax Americana crumbling, many countries in the Global South are turning to Pax Sinica as an alternative. 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So what exactly are Chinese thinkers&#039; vision for its place on the world stage?\" \/>\n<meta property=\"og:url\" content=\"https:\/\/chinabooksreview.com\/2026\/08\/20\/pax-sinica\/\" \/>\n<meta property=\"og:site_name\" content=\"China Books Review\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-20T11:50:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/06\/china.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"1125\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Alexander Boyd\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alexander Boyd\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"35 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/2026\\\/08\\\/20\\\/pax-sinica\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/2026\\\/08\\\/20\\\/pax-sinica\\\/\"},\"author\":[{\"@type\":[\"Person\"],\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/#\\\/schema\\\/person\\\/mark-leonard\",\"name\":\"Mark Leonard\"}],\"headline\":\"A New World Disorder?\",\"datePublished\":\"2026-08-20T11:50:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/2026\\\/08\\\/20\\\/pax-sinica\\\/\"},\"wordCount\":3968,\"publisher\":{\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/2026\\\/08\\\/20\\\/pax-sinica\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/chinabooksreview.com\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/china.jpg\",\"articleSection\":[\"Essay\"],\"inLanguage\":\"en-US\",\"isAccessibleForFree\":false,\"hasPart\":{\"@type\":\"WebPageElement\",\"isAccessibleForFree\":false,\"cssSelector\":\".paid-content\"}},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/2026\\\/08\\\/20\\\/pax-sinica\\\/\",\"url\":\"https:\\\/\\\/chinabooksreview.com\\\/2026\\\/08\\\/20\\\/pax-sinica\\\/\",\"name\":\"A New World Disorder? | China Books Review\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/2026\\\/08\\\/20\\\/pax-sinica\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/chinabooksreview.com\\\/2026\\\/08\\\/20\\\/pax-sinica\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/chinabooksreview.com\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/china.jpg\",\"datePublished\":\"2026-08-20T11:50:21+00:00\",\"description\":\"With Pax Americana crumbling, many countries in the Global South are turning to Pax Sinica as an alternative. 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Revolution. Justice. Memory. Dogs. Such are the rich themes and topics that run through our latest round-up of new and recent books on China and the Sinophone world. A consideration of Hong Kong\u2019s relationship to its canine population tells us much about its colonial past and complicated present. A history of the Great Leap Forward investigates the rise of urban communes and the impact of their demise on female liberation. A speculative short story collection explores a range of characters\u2019 changing relationships to China. And two anthologies \u2014 of classical and modern drama, and love literature through the ages \u2014 offer even more beach reading for the swan song of your summer.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">If that isn\u2019t enough, join us also for our next <a href=\"https:\/\/asiasociety.org\/center-us-china-relations\/events\/book-club-eileen-changs-time-tunnel\">book club<\/a> in September to discuss a collection of previously untranslated Eileen Chang stories. And sign up (using the discount code CBR15 for <em>China Books Review <\/em>readers) for our exciting slate of fall events, from <a href=\"https:\/\/asiasociety.org\/center-us-china-relations\/events\/adrift-south-chinas-migrant-literature\">Xiao Hai<\/a> on migrant literature to <a href=\"https:\/\/asiasociety.org\/center-us-china-relations\/events\/jung-chang-my-life-after-china\">Jung Chang<\/a> on her sequel to <em>Wild Swans<\/em>.<\/p>\n\n\n\n<div id=\"vertical-book-list-block_027068bea1567bd57169dffc6ab0e085\" class=\"vertical-book-list-block show-numbers\">\n\n\n\n\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.cornellpress.cornell.edu\/book\/9781501787362\/savage\/#bookTabs=1\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/05\/81ZWkeyproL._SL1500_.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/Savage-Making-Modern-Dogs-British-ebook\/dp\/B0DFJ242YZ\/?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/www.cornellpress.cornell.edu\/book\/9781501787362\/savage\/#bookTabs=1\">Savage<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4>The Making of Modern Dogs in British Hong Kong<\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Catherine S. Chan<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tAugust 15, 2026\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>Cornell East Asia Series<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p><i><span style=\"font-weight: 400\">Savage<\/span><\/i><span style=\"font-weight: 400\"> is a brief history of Hong Kong\u2019s most beloved \u2014\u00a0or is it reviled? \u2014\u00a0inhabitants: dogs. Catherine Chan, a historian at Hong Kong\u2019s Lingnan University, examines how dogs shaped work, play and politics from the territory\u2019s colonial period (1842 to 1997) through the COVID-19 pandemic. At the book\u2019s core is the historical conflict between the city\u2019s British rulers and Chinese populace, back when dogs were an avatar for colonial anxieties about the orient, seen as violent vectors of disease subject to mass extermination. But the Brits also founded Hong Kong\u2019s Society for the Prevention of Cruelty to Animals, which campaigned for Hong Kongers of all stripes to consider the suffering of animals, and thus care for them. The book\u2019s most interesting chapter deals with the consumption of dog flesh, which offended British pieties but not local mores at the time. <\/span><i><span style=\"font-weight: 400\">Savage <\/span><\/i><span style=\"font-weight: 400\">ends with a provocative bite: can the definition of Hong Konger expand beyond the anthropocene to include the canine?<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.cambridge.org\/core\/books\/urban-revolution\/CB212CCF4B716F6B90A0861763223833\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/04\/71PoTE4mx0L._SL1360_.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/-\/he\/Fabio-Lanza\/dp\/1009682474?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/www.cambridge.org\/core\/books\/urban-revolution\/CB212CCF4B716F6B90A0861763223833\">Urban Revolution<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4>People&#8217;s Communes in Beijing<\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Fabio Lanza<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tMay 31, 2026\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>Cambridge University Press<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">The rural story of Mao\u2019s Great Leap Forward (1958-1962) is well known: mania led to famine. But in urban Beijing, argues the historian Fabio Lanza in this revisionist history, the campaign was \u201cnot radical enough.\u201d <\/span><i><span style=\"font-weight: 400\">Urban Revolution <\/span><\/i><span style=\"font-weight: 400\">is a thought-provoking study of the effort to create radically new social relations through the organization of urban communes. Labor for communal enterprises was designed to free women from the drudgery of domestic work. By 1960, however, the communes began to falter. The enterprises were inefficient, the canteens and kindergartens associated with them were unpleasant and unhygienic. Cadres in pursuit of savings slashed the wages and benefits of female communal laborers, while protecting those of state-owned enterprise employees. Bitter recriminations followed. One woman put it starkly: \u201cThey are workers, we are just whores.\u201d The experiment might yet have worked, Lanza contends, if it were given a true chance to succeed. Does that thesis hold? Judge for yourself. But Lanza\u2019s uniquely dexterous archival research and authorial flair make this an engaging read.<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.bloomsbury.com\/us\/global-theatre-anthologies-9781350557925\/\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/07\/71MlbrX8CdL._SL1500_-1.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/Global-Theatre-Anthologies-Classical-Modern\/dp\/1350557927?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/www.bloomsbury.com\/us\/global-theatre-anthologies-9781350557925\/\">Classical and Modern Plays from China<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4>Global Theatre Anthologies<\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Eds. R. N. Sandberg, Xiaomei Chen and Ayling Wang<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tJuly 23, 2026\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>Methuen Drama<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">The drama and tragedy of Chinese history can hardly be contained in a single book. Unless, perhaps, that book is an anthology of Chinese drama and tragedy. <\/span><i><span style=\"font-weight: 400\">Classical and Modern Plays from China <\/span><\/i><span style=\"font-weight: 400\">is the third in a series of global theater anthologies from Bloomsbury, after India and Africa. The book features six plays, ranging in their provenance from the Yuan Dynasty to the People\u2019s Republic. Intriguingly, many share an ecological bent. The first play, the classic <\/span><i><span style=\"font-weight: 400\">Injustice to Dou E<\/span><\/i><span style=\"font-weight: 400\">, <\/span><span style=\"font-weight: 400\">ends with snowfall in June; the last, Nobel laureate Gao Xingjian\u2019s avant-garde <\/span><i><span style=\"font-weight: 400\">Wild Man<\/span><\/i><span style=\"font-weight: 400\">, follows an ecologist through the deforested bounds of the Yangtze River. The editors, R.N. Sandberg, Xiaomei Chen and Ayling Wang, have done an admirable job consolidating these diverse plays into a single volume, giving readers a sense of how China has staged itself through history. A rich primer for newcomers to Chinese theater as well as an invitation to retrace old paths for lovers of its classic forms and modern offspring.<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.graywolfpress.org\/books\/memory-museum-0\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2025\/07\/71HqiwqGq3L._SL1500_.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/Memory-Museum-Stories-M-Lin\/dp\/1644453851\/?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/www.graywolfpress.org\/books\/memory-museum-0\">The Memory Museum<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4>Stories<\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">M Lin<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tApril 21, 2026\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>Graywolf Press<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">A debut fiction collection by a Chinese writer based in New York, <\/span><i><span style=\"font-weight: 400\">The Memory Museum<\/span><\/i><span style=\"font-weight: 400\"> weaves together nine stories that move between contemporary China and its diaspora, as well as speculative futures. M Lin \u2014 who publishes under an initial as there can be repercussions for Chinese writing about sensitive topics even when abroad \u2014 limns the boundaries of Chinese identity through themes of memory, migration and alienation. An elderly woman in New Zealand recollects her parents\u2019 past in the Tiananmen Square protests. Migrant workers and petty thieves bond in the night streets of Shanghai. A wealthy Chinese woman in Pittsburgh has an affair with her masseur. Participants and observers of the 2022 White Paper protests wrestle with its aftermath. Through intricate plots and careful prose, this enjoyable collection tackles what it means to be part of \u2014 or apart from \u2014 China, and how memory and forgetting can be acts of both survival and resistance.<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<div class=\"book\">\n\t\t\t\t\t<div class=\"image\">\n\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/press.uchicago.edu\/ucp\/books\/book\/distributed\/C\/bo266709881.html\"><img decoding=\"async\" src=\"https:\/\/chinabooksreview.com\/wp-content\/uploads\/2026\/01\/61HTvPSe4jL._SL1500_.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\"><\/a>\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"wp-block-button__link wp-block-button is-style-outline has-red-color\" href=\"https:\/\/www.amazon.com\/Ching-Chinese-Book-Love-Modern\/dp\/1836391943\/?tag=chnbk-20\">Buy the book<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t<h3><a href=\"https:\/\/press.uchicago.edu\/ucp\/books\/book\/distributed\/C\/bo266709881.html\">Ch\u2019ing, a Chinese Book of Love<\/a><\/h3>\n\n\t\t\t\t\t\t\n\n\t\t\t\t\t\t<h4>From Early Times to the Modern Age<\/h4>\n\t\t\t\t\t\t<div class=\"meta-items\">\n\t\t\t\t\t\t\t<p class=\"author\">Ed. John Minford<\/p>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t\t\t\tAugust 4, 2026\t\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p>Reaktion Books<\/p>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"main-copy\">\n\t\t\t\t\t\t\t<p><span style=\"font-weight: 400\">China is for lovers. Or so this collection has it. Edited by the legendary sinologist John Minford, <\/span><i><span style=\"font-weight: 400\">Ch\u2019ing<\/span><\/i><span style=\"font-weight: 400\"> is an uninhibited collage of love literature, featuring poems, novels, dramas, woodblock prints, essays and film. The selections span Western Zhou odes to Ming Dynasty sex handbooks to the screenplay of a turn-of-the-millennium Hong Kong erotic film. Each is prefaced by an explanatory note from Minford that contextualizes its inclusion. This is no mere debauched romp. The collection has a political aim, too: reclaiming China from the Confucian prudes who bowdlerized Chinese literature\u2019s sensuous side over the centuries. (The spontaneous combustions of Taoist love did not sit well with their rituals and harmonies.) This volume restores and explores that corpus. What emerges is a China that, like love, is more strange than it is orderly, more familiar than it is foreign. Minford has curated a worthy addition to any bedchamber book stand. <\/span><span style=\"font-weight: 400\">\u220e<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\n\n\t\t\t\t\t<\/div>\n\n\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\n\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><em>Ed: The blurb for Memory Museum was amended to remove a character name.<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>From the canine history of Hong Kong to a revisionist history of the Great Leap Forward, we recommend five new China books to add to your list.<\/p>\n","protected":false},"author":15,"featured_media":11586,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7],"topic":[29],"class_list":["post-11554","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-book-list","topic-misc"],"acf":[],"yoast_head":"<title>New China Books: Dog Days of Summer | China Books Review<\/title>\n<meta name=\"description\" content=\"From the canine history of Hong Kong to a revisionist history of the Great Leap Forward, we recommend five new China books to add to your list.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/chinabooksreview.com\/2026\/08\/13\/ncb-dog-days\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta 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